Robinson Crusoe

Daniel Defoe

Robinson Crusoe

Daniel Defoe
38 pages1-hour read
Fiction
Novel
Adult
Published in 1719

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Themes

Content Warning: This section of the guide includes discussion of death and racism.

God’s Providence Through Hardship

The work of God’s providence is a major theme in Robinson Crusoe. When first stranded, Crusoe decries what’s happened to him, wondering why the world has treated him in this way. Upon deeper reflection, Crusoe comes to consider his circumstances to be the result of his wretched life and choices, such as planning to help fellow merchants bring enslaved laborers to Brazil from Africa. Soon after, Crusoe believes his life as a castaway provides the chance for his deliverance from sin into a true Christian life. Ultimately, Crusoe finds God’s direction to be the force behind even the most desperate circumstances. 


This process of conversion is not linear; Crusoe often strengthens his belief in providence only to later doubt it, before again becoming devout. Once Crusoe is marooned on the island and is the only sailor to have survived, he asks, “Why were not they sav’d and you lost? Why were you singled out? Is it better to be here or there, and then I pointed to the sea?” (45). Two years later, Crusoe thinks that “[i]t is God that has made it all: Well, […] if God has made all these things, He guides and governs them all. And all things that concern them; for the power that could make all things, must certainly have power to guide and direct them” (67). These sentiments deepen as the novel progresses and Crusoe faces a series of hardships that test his beliefs:


When we are in a quandary […] a doubt or hesitation, whether to go this way, or that way, a secret hint shall direct us this way […] and it shall afterwards appear, that had we gone that which we should have gone, and even to our imagination ought to have gone, we should be ruin’d and lost (128).


Such passages suggest that God’s plan only becomes fully apparent in retrospect, which contextualizes Crusoe’s vacillations in faith. “Hints” of divine providence may be perceptible as one is in the midst of a crisis, but one must trust that these subtle signs correspond to a broader plan.


Other characters show this belief in providence in the midst of hardship. When Crusoe saves Friday from cannibal sacrifice, Friday believes it be the work of God, causing Friday to dedicate his service and loyalty to Crusoe. Likewise, during Crusoe’s 26th year cast away, when Crusoe saves the life of an English captain to a mutinied ship, the captain believes he was cast away to this island and nearly left behind by his men so that Crusoe could save the captain’s life: “He must be sent directly from Heaven then […] All help is from Heaven” (186). By the same token, Crusoe believes the captain is part of God’s plan for Crusoe’s deliverance: “I look’d upon him as man sent from Heaven to deliver me, and that the whole transaction seemed to be a chain of wonders; that such things as these were testimonies we had of a secret hand of Providence governing the world” (200). The idea of providence thus becomes an answer to the classic theological problem of evil; Robinson Crusoe suggests that God allows both human evils like murder and natural evils like shipwrecks to bring about a greater good.

Physical Versus Spiritual Deliverance

As the novel progresses, the concept of deliverance from danger becomes a major theme. In particular, the novel juxtaposes the life-threatening situations Crusoe finds himself in with his spiritual trials to show his faith developing as he faces different hardships. Although Crusoe ultimately escapes the island he is stranded on, this escape proves less meaningful than his “escape” from sin.


Crusoe opens the novel by saying he has ignored his father’s teachings that Crusoe should follow the middle station in life to remain happy. Crusoe identifies this ambition for adventure, and greediness for riches, as the heart of his sin and wickedness: “It was a just punishment for my sin; my rebellious behavior” (64). Before becoming stranded, Crusoe chases gold in Africa, coming face to face with the trade in enslaved persons. Nevertheless, after escaping slavery, Crusoe takes part in the practice himself; he becomes a plantation owner in Brazil and then agrees—in exchange for free board and free enslaved laborers—on a journey to Guinea with fellow plantation owners to enslave Africans. In retrospect, he recognizes that his actions were not merely wrong but also the cause of his predicament when he becomes shipwrecked. Crusoe asks, “Why has God done this to me?” before answering this question himself, saying, “WRETCH! dost thou ask what thou hast done! look back upon a dreadful misspent life” (67). The novel thus frames sin as inevitably reaping its own punishment.


This punishment, however, is also an opportunity for repentance. When cast away, after calming his despair, Crusoe prays for his deliverance, but the word acquires a double meaning; he seeks relief from his circumstances but also from his sins. He even comes to see his time on the island, as well as hardship in general, as a blessing: “In the worst circumstances they have always something to be thankful for, and sometimes are nearer their deliverance than they imagine” (185). Ultimately, Crusoe’s physical and spiritual deliverance work in tandem, with Crusoe securing his escape by acting virtuously: “If I venture upon your deliverance, are you willing to make two conditions with me” (187), Crusoe asks the Spaniard he saves from being devoured and whom Crusoe sends off to Friday’s main island with hopes of being saved. Later, Crusoe, calling on providence before he acts, risks his life to save another man, who turns out to be captain of an English ship. Crusoe acts here because he sees the opportunity as one for deliverance from the island, but he also proves himself capable of saving others—a fact that takes on a spiritual dimension in his relationship with Friday, whom he converts. The novel thus emphasizes the need for spiritual salvation while suggesting that a person who has been saved in this way will seek to share God’s grace with others.

The Colonialist “Duty” Toward the Colonized

As the novel progresses, it stresses the superiority of Christian teachings to the ways of the Caribbean people. Crusoe’s belief in this superiority directs his behavior toward Friday, whom he feels he has a moral duty to convert to both Christianity and a Western way of life broadly. The novel thus reflects an early imperialist worldview, anticipating the later emphasis European governments would place on the supposedly humanitarian nature of their conquests. 


The novel establishes the purported need to bring “civilization” to the rest of the world via its portrayal of the Indigenous peoples of the Caribbean. Defoe particularly dwells on the cannibalism that was rumored to be practiced there. One of Crusoe’s greatest fears is being eaten by the tribes that he’s heard live on the islands; later, Crusoe is appalled by the cannibal scene he observes at a beach filled with scorched human torsos and bones. Simultaneously, the novel positions Crusoe as the solution to this violence, first when he dreams of a man who escapes from a cannibal sacrifice and runs his way in need of help, and then when he saves Friday from being eaten. This physical rescue of Friday soon becomes intertwined with the project of educating him in Western culture: Crusoe teaches Friday that it is wrong to eat human flesh, instructs him in English, and, after learning about Benamuckee, the god of Friday’s tribe’s religion, tells him about Christianity:


I told him that the great maker of all things liv’d up there, pointing up towards Heaven: That he governs the world by the same power and Providence by which he had made it: That he was omnipotent, could do everything for us […] take every thing from us; and thus by degrees I opened his eyes. He listened with great attention […] and receiv’d with pleasure the notion of Jesus Christ being sent to redeem us (158).


The closing sentence depicts Friday as grateful for Crusoe’s intervention, further reinforcing discourse that framed colonialism as an unmitigated good to the colonized. That Crusoe says he teaches Friday about evil, the Devil, and the work of God against evil similarly portrays Friday and his people as desperately in need of education by suggesting they possess no moral code of their own. 


Crusoe’s depiction of this process as nearly effortless complements this depiction. “Nature assisted all my arguments to evidence him” (159) Crusoe assures. This sense of superiority is also reflected in comments Crusoe makes about the superiority of his weapons and tools when he shows them to Friday. Just as the novel portrays Friday’s culture as obviously deficient, it portrays Crusoe’s as self-evidently superior.


That said, the novel’s ideas about what constitutes civilization are not entirely cut-and-dry. For one, Defoe complicates the novel’s imperialist message through Crusoe’s scathing critiques of the Spanish Inquisition and the Spanish enslavement of African and South American peoples. Moreover, Crusoe’s many inner explorations lead him to logically conclude that the people he calls “savages” ultimately act in ways that further God’s providence. However, this suggestion that God uses Friday and his fellow islanders for his own purposes is not a true defense of their way of life, particularly in a novel that repeatedly depicts God as working through various “evils.” It also situates them within a Christian worldview presumed to be correct. The novel’s advocacy for the humane treatment of people of other cultures, ethnicities, religions, etc., therefore does not ultimately override its imperialist message.

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