75 pages 2-hour read

Ulysses

Fiction | Novel | Adult | Published in 1922

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Themes

Alienation

Bloom and Stephen both feel alienated from their society but this manifests in different ways. They feel disconnected from their city and search constantly for a place where they feel at home. Bloom’s alienation is thrust upon him. He is exiled to the periphery of the society for several reasons, the most explicit of which is because he is Jewish. Bloom has been baptized “three times” (635) and is Irish in citizenry, birthplace, and upbringing, but this does not matter to most people. They view him as external, as different from them because he was not raised as a Roman Catholic. Bloom is not Jewish in any meaningful sense; his mother was a Christian, meaning that the matrilineal inheritance of Jewish identity is denied to Bloom, while he does not observe Jewish religious practices nor seemingly believe in any form of God. Despite being baptized, he does not take communion in church, nor does he feel welcome in the congregation. Bloom’s Jewish identity is constructed in the minds of others. They perceive him to be Jewish, so he cannot escape this. Instead, Bloom internalizes his Jewishness. He becomes the Jewish man that people believe him to be, shouting at the citizen that “Christ was a jew like me” (327). Bloom feels alienated from society because society perceives him to be Jewish; he feels alienated from himself because he does not feel at home in his Jewish heritage but has been forced to adopt the identity. Bloom belongs nowhere, uprooted from both his lineage and his abode.


Stephen’s alienation arises from his own neuroses. His childhood is explored in A Portrait of the Artist as a Young Man. In Joyce’s previous novel, Stephen wrestles with his faith before eventually losing his belief in God. Unlike Bloom, Stephen is perceived to be a Roman Catholic. However, he presents himself as an atheist. He could pass for a good Christian man, but he refuses to indulge religious society. Bloom would crave Stephen’s ability to play the role of the Christian, but Stephen finds only misery in sticking to his principles. He refuses to pray at his mother’s bedside while she is dying, refusing even to grant her final wish and simply feign the act of praying to a God in which he does not believe. This decision haunts Stephen. He is marked by grief and consumed by guilt; Mulligan’s comment about his mother being “beastly dead” (8) hurts so much because Stephen blames himself for her death and struggles with the idea that his refusal of God at her deathbed may have doomed her to the “beastly” realm in which he does not, ostensibly, believe. If he has given up his principles, even for a moment, then he might have given her a better death. Instead, he is haunted by her “emaciated” (539) form. Stephen’s principles have driven him into an alienated state.


At the end of the novel, the two men come together. They sit in Bloom’s kitchen and drink cocoa, bringing themselves to as close to an understanding of God as either man will get through their discussion presented in the form of a catechism. Both men find relief from their alienation. They realize that they are not quite as alone as they feared. The undoing of their alienation is in each other, unifying the men as though they were two sides of the same coin or two parallax perspectives forging together. They represent two temperaments, “the scientific [and] the artistic” (635). The solution to alienation, the novel suggests, is not by seeking out similar perspectives but alternative, harmonious perspectives. Individually, the two men could not understand the city they inhabit. Together, their unified perspectives have a depth of focus that allows them to feel—ever so slightly—less alienated than before.

Fathers and Sons

Stephen and Bloom are both alienated individuals who find solace in each other’s company. Their resolution is predicated on another important theme in the novel: fathers and sons. Ulysses is based on Homer’s epic poem, The Odyssey. Bloom plays the role of Odysseus while Stephen takes on the role of Odysseus’s son, Telemachus. In The Odyssey, Odysseus tries to return home after the Trojan War while Telemachus searches for his son. In this broad analogy, both Bloom and Stephen are searching for each other without actually knowing what they are searching for. Stephen feels detached from his own father, who he feels to be a father in name only, and Bloom is caught between two tragedies, the suicide of his father and the death of his son. Neither of them has a complete understanding of the paternal relationship because theirs has become, in some way, fractured.


Stephen acknowledges his quest for a father figure. He speaks explicitly about Hamlet, a character who loses his father and swears revenge against the father figure who replaces him. He speaks further about Shakespeare’s own relationship with fatherhood, illustrating the time that he has devoted to a subject that is so close to his personal struggles. His crisis of faith is also expressed through a paternal lens, as he reflects on the nature of the Holy Trinity and the bond between the Father and the Son (God and Jesus Christ). Stephen’s chaotic understanding of fatherhood is also colored by the loss of his mother and his refusal to return home. He blames himself for his mother’s death and feels unable to properly grieve her. Even though he does not want to return to the tower he shares with Buck Mulligan and is convinced that he will soon quit his job, he refuses to return to his father’s house. His father is struggling financially, and Stephen cannot even look his impoverished little sister in the eye. Instead, he strikes out to find a new father figure to replace the man whose presence reminds him of his greatest pain. Simon must be replaced because Simon is too closely associated with Stephen’s mother. Stephen’s search is not for an actual father but someone who will provide him with an understanding of the world he inhabits. Stephen seeks guidance and comfort, someone to tell him that he is not at fault. In literature (Shakespeare), in religion (the Father and Son), and at home (the memory of his mother), he cannot find such a figure. Instead, he finds Bloom.


Bloom’s understanding of paternity is colored by tragedy on either side. His father died by suicide while his infant son died after just a few days. There are two vacant holes in Bloom’s life, the fear of which has caused the breakdown of his marriage and the intensification of his sense of alienation. Bloom cannot help but think about Rudy, imagining how he would be “would be eleven now if he had lived” (64). The “if” (64) in the thought is too painful for Bloom, too full of the promise of the father he might have been. Rudy’s death denies Bloom the opportunity to make up for his father’s mistakes. He would have relished the opportunity to raise a son without the self-loathing that his own father foisted upon him and without the sudden tragic departure that has caused Bloom so much confusion and pain. In Stephen, he finds not just a son-like figure but an opportunity for catharsis and to provide catharsis himself. He can comfort Stephen, he can play the role of father, and—in doing so—he can capture some of what he has lost. Stephen suddenly means so much to Bloom because he fills a void, even if only fleetingly, and allows Bloom to glimpse the man he might have become. Bloom can become the father he always wanted to be to the son that left him so suddenly and so soon.

Independence and Individualism

The concept of independence is central to Ulysses. On a national level, Ireland and its inhabitants strive to free themselves from the yoke of colonial control. Most people in the city agree that Ireland should move for independence, but they disagree on the exact way in which this should be accomplished, whether through violent or peaceful means. On the individual level, Stephen is striving for an independence of his own. His quest for independence mirrors his country’s republican movement, propelling him forward in search of his identity and an understanding of his country. The complexity of opinions regarding the question of Irish independence is evidenced from the first interactions between Stephen and Haines. The Englishman Haines speaks notably better Gaelic than the Irish Stephen, causing a moment of embarrassment for Stephen and strengthening his feeling of loathing toward the man who has seemingly invaded his home (just, he feels, as the English invaded Ireland). Haines is understanding of the Irish republican movement but in denial with regard to Britain’s numerous colonial crimes in the country. He cannot understand the Irish animosity toward England, dismissing such concerns by saying that “history is to blame” (30). He relegates the validity of Stephen’s desire for independence to the past. As a result, Stephen becomes more nationalistic. Not necessarily out of a renewed love for his country but because of a personal loathing for this “usurper” (23) who, like Mulligan, has taken over his home.


Bloom’s understanding of Irish independence is more nuanced. He has written at length about home rule, the political mechanism by which Ireland will attain a certain degree of independence (such as having its own parliament) but will remain a part of the British Empire. Bloom sees home rule as a pragmatic solution to the problem, one which can avoid violence and complications. Like Stephen, however, he cannot help but project his personal feelings on to his understanding of independence. Since the death of his son, Bloom and his wife have struggled. They have not been physically intimate in a decade and both have been unfaithful. Bloom spends most of the day worrying about Blazes Boylan having sex with his wife, imagining Boylan entering his home. To Bloom, the concept of home rule becomes a metaphor for his domestic situation. He does not know how to achieve independence or resolution, so he searches for a practical means to deal with his situation. Bloom promotes home rule because he wants to be seen as a reasonable man. Whether he is being chased out of a pub by the citizen or talking about republicanism with one of the men involved in the Phoenix Park Murders, however, he struggles to assert his own opinion. Like Stephen, he projects his individualism onto his understanding of nationalism. For both men, the tension between individualism and independence is never resolved.

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