57 pages 1-hour read

25 Alive

Fiction | Novel | Adult | Published in 2025

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Part 1, Chapter 24–Part 2, Chapter 51Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death.

Part 1- Part 2

Part 1, Chapter 24 Summary

Lindsay and her partner Rich are back in their office in the Homicide squad room. They decide that he and their colleague, Sonia Alvarez, will go undercover at Julio’s bar to investigate the matchbook lead. Lindsay instructs them to ensure they have backup. She emails her notes to the team and leaves.

Part 1, Chapter 25 Summary

Lindsay drives to an appointment with her therapist, Dr. Sidney Greene. She describes the trauma of her dog’s illness and of discovering that her former partner, Jacobi, was murdered.

Part 1, Chapter 26 Summary

Dr. Greene diagnoses Lindsay with PTSD and recommends therapy and antidepressants. Lindsay rejects retiring or transferring, but she agrees to therapy, deciding to postpone medication. He advises her to tell her husband Joe about the diagnosis.

Part 1, Chapter 27 Summary

At home, Lindsay finds her daughter Julie upset about their dog Martha. An update from the vet shows no change in Martha’s condition. Rich texts that the undercover visit to Julio’s was a dead end. When Joe comes home, Lindsay breaks down and tells him that Jacobi has been murdered.

Part 1, Chapter 28 Summary

The next morning, Lindsay speaks with Jacobi’s girlfriend, Miranda Spencer. Miranda reveals that Jacobi had recently received a $1 million settlement, providing a possible motive for his murder, but won’t tell Lindsay what it is for. She also tells Lindsay that Jacobi backed up his phone’s photos to hard drives he kept in his sock drawer. They agree to meet, and Lindsay asks her to bring the drives.

Part 1, Chapter 29 Summary

Lindsay meets Miranda, who reveals that Jacobi’s birdwatching was a cover for his private investigation into a cold case of a teenage girl’s murder in Golden Gate Park. He believed that years ago, while walking in the park early one morning, he witnessed the killer disposing of the body. On the hard drives, Lindsay finds blurry photos of an unidentified man near the pond, whom she suspects killed both the girl and Jacobi.

Part 1, Chapter 30 Summary

Two days after the murders, Lindsay’s task force meeting yields no new leads. Lindsay compiles the official murder books while her colleague, Brenda Fregosi, helps sort through mostly unhelpful tips from a public hotline.

Part 1, Chapter 31 Summary

Lindsay goes to Julio’s bar to investigate the matchbook lead. The bartender does not recognize Jacobi’s photo and confirms that the bar gives out matchbooks freely. Lindsay leaves with no new information.

Part 1, Chapter 32 Summary

Lindsay receives a call from her friend Cindy, who has a lead but refuses to share it over the phone, insisting on a meeting at a diner early the next morning.

Part 1, Chapter 33 Summary

At home, Joe tells Lindsay and Julie that Martha has tumors along her spine and requires surgery. To comfort Julie, Joe arranges for them to bring one of Martha’s favorite toys to the vet clinic.

Part 1, Chapter 34 Summary

At Grumpy Lynn’s Diner, Cindy reveals her lead: the murder of a college student, Sadie Witt, in Verne, Nevada. A note found on her body read, “I said. You dead” (102), confirming a link between the murders. Cindy is flying to Nevada soon to meet the lead detective.

Part 1, Chapter 35 Summary

In Verne, Nevada, Cindy interviews Detective Sergeant Steven Wilson off the record. He details the Sadie Witt case: She was stabbed after her father, who was in prison for abusing her, transferred the family home to her to stop her from filing a lawsuit. Wilson has no leads and is surprised to learn of two San Francisco homicides with the same signature.

Part 1, Chapter 36 Summary

San Francisco Chief of Police Charles Clapper convenes the task force to announce Jacobi’s funeral arrangements.. Clapper reads from a note written by Jacobi requesting a small service and expressing his love for Miranda.

Part 1, Chapter 37 Summary

On the day of the funeral, Lindsay, Claire, Yuki, Cindy, and Rich Conklin attend the service at St. Mark’s Church. Pastor Casey Elliot begins the service and calls Miranda to speak.

Part 1, Chapter 38 Summary

Miranda delivers a moving eulogy about her love for Jacobi. Overcome with grief, she nearly collapses and is helped back to her seat by her daughters. The pastor then invites Lindsay to speak.

Part 1, Chapter 39 Summary

Lindsay gives a eulogy for her partner and mentor, recalling how Jacobi walked her down the aisle at her wedding when her own father failed to appear. She concludes by calling him a hero.

Part 1, Chapter 40 Summary

After the funeral, Cindy shares details of the Sadie Witt murder with Lindsay, including that Sadie acquired the family home just before she was killed. Lindsay theorizes that the killer targets people who have recently received a financial windfall, realizing that all three victims—Witt, Robinson, and Jacobi—fit this pattern.

Part 1, Chapter 41 Summary

The four friends—Lindsay, Claire, Cindy, and Yuki—gather at Susie’s Café, their unofficial headquarters. The owner offers condolences and a round of drinks on the house.

Part 1, Chapter 42 Summary

The women toast Jacobi’s memory. Yuki becomes emotional, and they share fond memories of Jacobi. They clasp hands in a moment of shared grief.

Part 1, Chapter 43 Summary

After dinner, Claire spontaneously joins a limbo contest at the restaurant. The rare moment of joy lifts their spirits.

Part 2, Chapter 44 Summary

Professional killer Tiago Garza surveils a house from a gardener’s truck, having earlier deceived a police officer with a fake ID. He watches his targets, a man and a woman, leave the house separately, each followed by a police car.

Part 2, Chapter 45 Summary

Tiago Garza breaks into the target house and hides, prepared to wait for hours until the couple returns.

Part 2, Chapter 46 Summary

Garza hears the couple come home and go through their nightly routine. After 1:00 am, he enters the master bedroom and shoots the sleeping couple. He decapitates them with a machete, places their heads in the bathtub, and meticulously cleans the scene before leaving.

Part 2, Chapter 47 Summary

On Sunday morning, Lindsay and Julie visit Martha, who is awake after her surgery. After dropping Julie at the babysitter’s, Lindsay decides to run some errands. While driving, she is intercepted and pulled over by Lieutenant Brady, who orders her to follow him to a double homicide.

Part 2, Chapter 48 Summary

Lindsay follows Brady to a large crime scene, where she will act as the primary investigator until a fellow investigator, Cappy McNeil, arrives. Yuki Castellano is already there securing warrants.

Part 2, Chapter 49 Summary

Inside the house, Crime Scene Unit (CSU) Director Eugene Hallows shows Lindsay and Brady the gruesome scene: two decapitated bodies in the master bedroom. Hallows identifies the victims as Judge Martin Orlofsky, the judge from the Dario Garza trial, and his wife, Sandra. Lindsay realizes the murder is a message related to Yuki’s case.

Part 2, Chapter 50 Summary

Lindsay waits in a squad car until Cappy arrives to relieve her. She confirms the victims’ identities before leaving.

Part 2, Chapter 51 Summary

Back at the homicide squad, Lindsay, Sonia Alvarez, and Rich Conklin review the crime scene photos. Rich reports a lead: An officer on the judge’s protection detail had questioned a suspicious gardener whose ID belonged to a deceased person.

Part 1, Chapter 24–Part 2, Chapter 51 Analysis

This section of the novel develops the central theme of The Personal Toll of a Law Enforcement Career, continuing to illustrate the tangible, psychological burdens borne by many of the characters. The narrative achieves this in these chapters primarily through Lindsay, whose professional duty to investigate Warren Jacobi’s murder intersects with her profound personal grief. Her therapy session with Dr. Greene serves as a formal diagnosis of this conflict, where the job itself is identified as the source of her trauma. Dr. Greene’s question about her considering a “different job or putting in for early retirement” frames her career not as a heroic calling but as a lifestyle with side effects (79), challenging the trope of the unflappable detective with the insight into her psychological state. The narrative further illustrates this toll through its exploration of how grief manifests in Lindsay’s personal life. Her attempt to comfort her daughter over their sick dog is structurally paralleled by her husband’s later efforts to comfort her over Jacobi’s death. This role reversal dismantles her professional armor, exposing a raw vulnerability that underscores the human cost of her profession. The culmination of this emotional exploration occurs at Susie’s Café, where the members of the Women’s Murder Club engage in a collective ritual of mourning, transforming the professional loss into a communal personal bereavement.


The narrative also examines the theme of Determining the True Measure of Lagacy and Reputation, contrasting legacies built on integrity with those forged through violence. Jacobi’s funeral is the primary locus for this exploration. His posthumous rejection of a lavish service in favor of a simple one defines his legacy not by institutional accolades but by personal connection. Lindsay’s eulogy cements this definition, moving beyond his professional accomplishments to highlight his role as a mentor and surrogate father. Her assertion that a hero is one who would “[step] in front of a loaded gun to save a partner, or a bystander, or a victim” defines heroism through selfless action rather than public image (115). This conception of legacy is set in stark opposition to that of the antagonists. Tiago Garza, methodically planning the murder of Judge Orlofsky, acts to protect his family’s criminal enterprise, a legacy of violence and fear. His disguise as an easily overlooked handyman is a temporary erasure of his identity in service of preserving this violent heritage. Likewise, Cindy’s investigation reveals a killer who targets victims upon their acquisition of sudden wealth, suggesting a motive rooted in a twisted sense of justice that seeks to violently rewrite the victims’ life stories. The juxtaposition of these stories in these chapters promotes the novel’s message that reputation and legacy cannot be secured through abdication of morality.


A key structural element in these chapters is the use of a dual-antagonist narrative, which complicates the traditional psychological thriller format. For much of this section, the investigation is singularly focused on the “I said. You dead” killer, a figure defined by a cryptic signature motif that the protagonists slowly piece together. This methodical investigation establishes the rhythm of a conventional psychological thriller while using elements of the police procedural. However, this structure is deliberately fractured by the abrupt shift in narrative perspective to Tiago Garza in Chapter 44. The reader is given an omniscient, dispassionate account of Garza’s meticulous preparations and execution of the Orlofsky murders. This narrative choice creates dramatic irony, as the reader now possesses knowledge that the investigators lack: There are at least two distinct, lethal forces at play. This revelation broadens the central conflict from the hunt for a lone serial killer to a confrontation with the far-reaching power of organized crime. By placing the methodical vengeance of Garza alongside the psychologically twisted motives of the other killer, the text explores different facets of The Corrupting Force of Vengeance—one systemic and dynastic, the other personal and pathological.


The narrative reinforces its central themes through symbols and motifs that contrast the deceptive nature of criminality with the overt, emotional reality of its consequences. Jacobi’s birdwatching gear is revealed to be a critical symbol of this duality. What is societally often seen as a harmless pastime is, in fact, his “cover” for a clandestine investigation, representing the many other characters’ hidden motives that drive the plot. This deception is mirrored in Tiago Garza’s disguise as a gardener, a facade of humble labor that conceals his murderous intent. These representations of a hidden world stand in stark opposition to the motif of decapitated heads, a grotesque and public display of power. The murder of the Orlofskys is not merely an assassination; the beheading is a symbolic act intended to terrorize the entire judicial system. This act recalls the severed head left on the Hall of Justice steps in connection to the Dario Garza trial, linking this specific crime to a broader pattern of cartel intimidation. The recurring signature “I said. You dead” functions as a parallel motif of ultimate control, this time through the ongoing serial killer investigation, that asserts the killer’s power over life and death.

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