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Content Warning: This section of the guide includes discussion of death.
At the Hall of Justice, Brady informs Lindsay that FBI Special Agent James Walsh is arriving to join the “I said. You dead” investigation. When Walsh arrives, Lindsay briefs him on the case, including her theory that the victims were targeted after gaining wealth.
Lindsay recounts discovering Jacobi’s body and shows Walsh the matchbook with the killer’s message. Walsh recognizes the block lettering, revealing that he worked the Sadie Witt murder case in Nevada, in which an almost identical note was found. He tells Lindsay he has a lead but requires her complete confidentiality.
To build trust, Walsh mentions that he knows and has worked with Lindsay’s husband, Joe. He reveals that his theory implicates a fellow FBI agent, whom he saw in Verne, Nevada, during the Witt investigation. He also connects the case to two earlier murders: a man in North Carolina and the agent’s own ex-wife.
Walsh details the suspect’s history. His first wife died in a suspicious drowning and his second ex-wife was found hanged with the signature phrase (“I said. You dead.”) on her shoes. However, in both instances, the agent had an alibi.
Unsure if the agent is the killer or being framed, Walsh proposes an unofficial partnership. Lindsay agrees, and he names the suspect: FBI Agent Brett Palmer, who is transferring to the San Francisco office.
District Attorney Len Parisi, Yuki’s boss, meets with Yuki and the defense team for the Dario Garza case. Citing Judge Orlofsky’s murder, Parisi announces that the trial will be relocated with a new judge, a new jury, and mandatory sequestration for all participants.
Parisi privately tells Yuki the new judge is Robin Walden, a former military judge, and the trial will be held near Sacramento. Yuki deduces that the location is a new high-security building, which they are calling the Judicial Building, at Folsom State Prison.
FBI Agent Joe Molinari has lunch with his partner, Bao Wong, and senses she is distracted by a personal crisis. Their superior, Section Chief Craig Steinmetz, summons them for an urgent meeting.
Steinmetz briefs Joe and Bao on the Orlofsky murders, linking them to the Garza case. He assigns them to an undercover mission in Mexico to identify who ordered the killings, confirming that they will have local support and depart the next morning.
Cindy calls her Nevada source, Detective Wilson, and records their conversation. He tells her that Palmer’s second ex-wife’s death is now being investigated as a homicide. She schedules an urgent dinner with Lindsay, promising a major break in the case.
At Susie’s Café, Cindy tells Lindsay, Claire, and Yuki about the death by hanging in Portland, where the message “I said. You dead” was written on the victim’s shoes. Sworn to secrecy by Agent Walsh, Lindsay cannot reveal that she already knows. Both Lindsay and Yuki caution Cindy against publishing an unconfirmed story.
After Lindsay leaves, Yuki receives a call from her husband, Lieutenant Brady. He is sending a police escort to take her home safely because of increased threats.
Lindsay arrives home to find that Martha has returned from the vet, and her tumors were benign. Preoccupied with anxiety over Joe’s dangerous mission to Mexico, she forgets to tell him about the lead involving FBI Agent Brett Palmer before he leaves.
Yuki is awakened by a shootout on the street below her apartment. She hides until her husband, Brady, arrives with other officers to secure the scene.
Working late, Cindy finds an obituary identifying the Portland victim as Angela Kinney Palmer. She texts Claire, asking for a contact in the Portland Medical Examiner’s office.
In the car on the way home, Cindy tells her husband, Rich, her theory that FBI Agent Brett Palmer murdered both ex-wives. Rich is skeptical and refuses to help investigate officially, but Cindy remains convinced.
Joe and Bao’s flight lands in Monterrey, Mexico. Joe assumes that the local Diablo cartel already knows of their arrival.
Outside the airport, Joe and Bao meet agents Dougherty and Ruiz, who brief them on meeting an informant named Gustavo. Bao and Joe head to the meeting in their own vehicle, followed by Dougherty and Ruiz. As Bao drives toward the meeting point, she briefly loses control of their SUV.
The informant, Gustavo Sandoval, is actually a Diablo cartel leader. He, his driver, and three other men follow the two-car FBI convoy, planning to ambush them.
Yuki and Nick present DA Parisi with blueprints for the Judicial Building at Folsom Prison, outlining the extensive security features. Yuki confirms the facility is ready for the trial.
On a remote road, Joe and Bao are ambushed by Gustavo and his gunmen. They return fire from their disabled vehicle, and Bao shoots three of the men. She stuns the fourth by opening her car door on him. Their backup arrives as police sirens approach, and Bao handcuffs the fourth attacker.
After the ambush, Bao is hospitalized. The captured attacker claims the attack was a random robbery. For his safety, Joe is placed in a jail cell overnight, cutting off all his outside communication.
Cindy reviews her recorded call with Detective Wilson, in which he details the suspicious deaths of Brett Palmer’s two wives. He gives Cindy permission to take the information to the SFPD.
Cappy McNeil calls Lindsay about another “I said. You dead” murder. A woman’s unidentified body has been found by a dumpster with the phrase written on her forearm. As Lindsay hangs up, Cindy calls her.
Cindy calls with her lead on Brett Palmer, but Lindsay is frantic about Joe. A call to Joe’s boss confirms that he and Bao were ambushed, and Joe is being held in protective custody in a Monterrey jail.
As Lindsay drives to work, Cindy calls again, revealing that she is about to meet Brett Palmer for breakfast and pleading for backup. Lindsay confesses her terror about Joe’s situation in Mexico.
The retrial of Dario Garza begins inside Folsom Prison. The new jury is sworn in, and Judge Robin Walden takes the bench.
As the trial begins, Judge Walden places her handgun on the bench. Dario Garza is escorted in. A juror suddenly lunges from the jury box and attacks Garza with a knife before being tackled by guards.
Cindy waits in the restaurant at the Ritz-Carlton for her meeting with Brett Palmer, who is late.
Palmer finally arrives, claiming a business call made him late. He preemptively denies murdering his ex-wives and asserts his innocence.
Lindsay receives an urgent text from Cindy and races to the Ritz-Carlton. She joins the breakfast, where Cindy introduces her as a homicide inspector. After Palmer repeats his denials and leaves, Lindsay secretly takes his used fork as potential DNA evidence.
The narrative structure in these chapters intentionally fragments, shifting rapidly between multiple high-stakes plotlines to cultivate a sense of escalating, uncontrollable chaos. The authors employ a breathless pace, using short chapters as cinematic cuts between Lindsay’s hunt for the “I said. You dead” killer, Yuki’s perilous trial preparations, Cindy’s independent investigation, and Joe’s hazardous mission in Mexico. This structural choice functions as a formal representation of the novel’s core concerns. The constant cross-cutting between disparate crises prevents the reader from settling into any single narrative, mirroring the characters’ own inability to find stability. This technique reinforces the theme of The Personal Toll of a Law Enforcement Career, demonstrating that for these professionals, danger is a pervasive, multifaceted condition of their existence. The simultaneity of the threats against Lindsay’s husband, Yuki’s safety, and Cindy’s life creates an atmosphere where the professional and the personal are fused, suggesting that the concentric circles of crime and justice are inescapable.
This section deepens its exploration of The Corrupting Force of Vengeance by juxtaposing the institutional pursuit of justice with the raw, terror-driven motives of the antagonists. The Garza cartel’s actions represent vengeance as a direct assault on the state itself. The murder of Judge Orlofsky and his wife is not merely retaliatory but symbolic, with the act of decapitation serving as a grotesque public statement. As DA Parisi states, the killer’s method is chosen to demonstrate he “had the time and the balls to commit this atrocity” (163), a direct challenge to the legal system’s authority. This contrasts sharply with the motives attributed to Brett Palmer, whose violence is presented as a deeply personal and sometimes financially motivated form of vengeance against women who have escaped his control. Agent Walsh’s pained revelation of Palmer’s history frames these acts not as a war on the system, but as a pathologically private campaign to reclaim power. The parallel investigations invite a consideration of different currencies of power: The cartel wields spectacular violence to intimidate public institutions, while Palmer uses methodical, clandestine murder to settle private scores.
The personal toll of a law enforcement career is rendered with stark clarity through the experiences of the Women’s Murder Club. While Lindsay has previously been characterized by her professional composure, her husband’s disappearance in Mexico shatters this facade. Her admission to Cindy that she is “scared out of [her] mind” and cannot talk about her husband’s situation because it “will only make [her] feel worse” is a rare moment of vulnerability that defies the stoicism her profession demands (225). Yuki Castellano, meanwhile, embodies a different response: hyper-compartmentalization. Facing direct death threats, she channels her anxiety into hypervigilant preparation, a coping mechanism that allows her to manage an otherwise intangible fear. Cindy Thomas occupies a third position, operating outside official structures but still bearing personal risk. Her solo confrontation with Brett Palmer culminates in a text for help, an admission of vulnerability that underscores the danger of blurring the line between observer and participant.
The recurring motif “I said. You dead” accrues a more complex meaning as its origins are revealed. Initially presented as the cryptic signature of a killer, Agent Walsh’s exposition reframes it as part of a historical pattern of femicide rooted in financial grievance. The discovery that the phrase was written on the shoe soles of Palmer’s second ex-wife transforms it from a simple taunt into a symbol of post-mortem possession and desecration. When Palmer later sits across from Cindy and coolly declares, “I didn’t kill my wife. Either one of them” (234), his words represent a direct challenge to the power of his own murderous signature. He attempts to reclaim control of the narrative through verbal manipulation, but the physical evidence of the motif stands as an immutable testament to his actions. This creates a tension between the killer’s spoken denial and his written confession, highlighting the thematic concern with Determining the True Measure of Legacy and Reputation. The motif acts as the killer’s true legacy, an indelible mark of his crimes that he cannot talk his way out of.



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