17 pages • 34 minutes read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Walcott’s poetry is deeply rooted in his home country of Saint Lucia, and “A Careful Passion” takes place in this Caribbean context, making use of the specific landscape to set the stage for the speaker’s experience. In an article for The Guardian, Antonia Windsor pointed out the importance of location in Walcott’s writing: “The Nobel laureate is considered the Caribbean’s foremost poet and playwright and has put his island on the literary map in work that explores the post-colonial situation and gives voice to the West Indian people, culture and landscape” (Windsor, Antonia. “My St Lucia: poet Derek Walcott.” The Guardian, 17 Jan. 2010).
Walcott acknowledged the importance of his ancestry in an interview with Simon Stanford in 2005, saying that his cultural inheritance “gives you a bilingual situation, a bicultural situation, very strong African presences there in terms of the rituals, Catholic religion, African rituals and the music is very strongly influenced by African rhythms but of course one studied English literature so all that mélange was very fertile for me” (Stanford, Simon. “Transcript from an interview with Derek Walcott.” Nobel Prize Outreach AB 2022, 28 Apr. 2005). These multicultural influences drive everything from the construction of rhythm and rhyme in “A Careful Passion” to Walcott’s careful creation of island imagery. In embracing Saint Lucia as a key setting for his poetry, Walcott’s work expands the bounds of poetry, reaching beyond western norms to incorporate his Caribbean homeland into the literary canon.
An early poem in Walcott’s career, “A Careful Passion” embodies his desire to develop his own unique voice, deeply rooted in his home landscape. Walcott noted that he had clarity of ambition from an early age: “For me it was […] the only thing I knew I wanted absolutely to do from extremely early so that I thought I was blessed as well […] I was learning in a society that hadn’t had much expression particularly in terms of English verse, so it was tremendous excitement […] to write that early and […] to find out […] who you were, what you were trying to write about or who your people that you are living among are” (Stanford, Simon. “Transcript from an interview with Derek Walcott.” Nobel Prize Outreach AB 2022, 28 Apr. 2005).
For Walcott, poetry became a way of examining his culture and homeland, developing a voice that would have resonance on the international literary stage. In a 1988 interview with Bill Moyer, Walcott talked about the importance of developing this voice: “I think it takes you all your life to try and write the way you speak without faking it. I mean, I think it’s very hard for a poet, very, very, very hard to get to hear his own voice without affectation […] There is an inner thing that makes me speak, I hope, the way I would write; totally, not just in terms of vocabulary […] you can just slide into your own voice. And that is what a poet, I think, spends his life trying to do” (Moyers, Bill. “Derek Walcott - A Conversation With the Great Caribbean-Born Writer.” BillMoyers.com, updated 24 Mar. 2015).



Unlock all 17 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.