52 pages 1-hour read

A Curse Carved in Bone

Fiction | Novel | Adult | Published in 2025

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Chapter 44-EpilogueChapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence and death.

Chapter 44 Summary: “Freya”

After Freya’s failed attempt to enlist Steinnun’s help, Guthrum finds Freya and relays the message that Harald will spare Bjorn if Freya surrenders for her own execution. If she doesn’t, Bjorn will die by means of the blood eagle, a torturous death reserved for traitors. Desperate, Freya considers attacking Grindill to rescue Bjorn and kill Harald, but the draug refuse to fight their own people.


On the verge of surrendering, Freya realizes that Skoll and Hati can recognize Harald’s scent no matter what form he takes. She formulates a plan to flush everyone out of the fortress with smoke. The wolves will identify Harald when he tries to slip out in disguise, and then Freya will kill him.

Chapter 45 Summary: “Bjorn”

Harald provokes Bjorn in his prison cell by mocking Freya’s moral predictability and Bjorn’s powerlessness to save her. Then he confesses that he isn’t the real Harald of Hrafnheim. He met Harald when Harald was young and his father was still the jarl, then he consumed Harald’s body and took over his life. He did the same, he admits, with Snorri and Saga’s corpses. Meanwhile, Steinnun is hiding in the next cell, listening to everything Harald says.

Chapter 46 Summary: “Freya”

Freya marches her army to Grindill’s walls. There, she confronts Skade while the draug use catapults to launch smoldering pine boughs over the walls. Suddenly, Freya realizes that the warriors guarding Grindill and the people inside are enthralled by Steinnun’s song, meaning they won’t notice the smoke or flames and won’t flee from them.

Chapter 47 Summary: “Bjorn”

Bjorn is tied up in the square for his public execution, which Harald plans to make Tora carry out. First, Steinnun performs her song, titled “Harald the Savior” (346). The crowd sees the young Harald being consumed by the child of Loki and screams in horror. Steinnun shows them story after story in which the trickster disguises himself as friends and family of the Unfated, turning them into monsters and then playing the role of the rescuing hero.

Chapter 48 Summary: “Freya”

The draug, immune to the skald’s enthrallment, enter the square. When the song ends and everyone finds themselves engulfed in smoke, the draug guide them to safety through the gates, where Skoll and Hati wait to catch Harald’s scent. Freya finds Bjorn still tied up in the square and frees him. Smoke and collapsed buildings force them to escape through the drain tunnels. There, Bjorn loses consciousness, and the river carries him swiftly toward the waterfall. Freya catches his hand as they’re both swept over the falls and uses Hlin’s shield to protect them from the impact. When they resurface, Bjorn complains of being cold in a tone Freya has never heard him use. She realizes he’s actually Harald.

Chapter 49 Summary: “ Bjorn”

After Steinnun’s song ends, Leif confronts Bjorn about Snorri’s death, then unties him. Bjorn and the other Unfated search for Harald while Ylva helps get everyone else to safety. Skade lures Bjorn into a trap using Tora and a thrall disguised as Harald. She remains loyal to Harald, she says, because she’s his trueborn child. She refuses to believe that the man she serves now is not Harald and not her real father. Geir appears and uses the element of surprise to attack and kill her. Bjorn gives Geir and the draug the task of eliminating the Nameless thralls while he looks for Freya.

Chapter 50 Summary: “Freya”

Harald shape-shifts into a monstrous version of Hati and attacks Freya, then Bjorn finds them and joins the fight. His fire axe wounds Harald, who flees into the forest, chased by Freya and Bjorn. When they catch up to Harald, he faces them in his own form but with tentacles and poisoned talons. He cuts Freya’s leg, and she feels the venom weakening her. She realizes they’ll never overpower Harald physically, so she grabs onto him and curses herself to Helheim. Giant black roots drag them both down to the road between realms.


There, Freya continues to fight Harald but fails to kill him. Hel comes through the gates and tries to claim Freya’s soul as punishment for releasing the Skalander warriors. The rest of the gods appear, and Hlin protects Freya from Hel. Tyr lends Freya his fire axe, which she uses to kill Harald. His soul stands over his body, unable to believe he’s been defeated. He tries to flee, but Saga stops him and pushes him through the gates to Helheim.


Odin offers Freya a place in Valhalla, but she chooses to return to the mortal realm and to Bjorn. Her body is still dying from Harald’s poison, so Freya recruits help from the soul of Liv, a healer and former friend. Even so, she nearly gives up from the intense pain as she climbs Yggdrasil’s roots to the mortal realm. When she hears Bjorn calling her name, she keeps climbing.

Chapter 51 Summary: “Bjorn”

When Freya is pulled into the earth, dragging Harald with her, Bjorn tries to go after her. He digs for hours even as Tora, Guthrum, and Geir try to convince him it’s no use. He keeps digging until he hears Freya’s voice calling his name. He unearths her body but finds she’s cold and still. Then she stirs and wakes.

Chapter 52 Summary: “Freya”

Geir praises Freya for uniting Skaland and Nordeland. She, in turn, says he’s earned his place in Valhalla, then releases the draug warriors from their crumbling bodies. She tells Bjorn about Saga’s sacrifice and message of love for him. Then Freya asks Steinnun to compose a song and spread the truth of what’s happened: “A ballad for the ages. The Saga of the Unfated” (385).


Back in Grindill, Freya divides Skaland and Nordeland back into jarldoms, saying the nations aren’t meant to be ruled by one person, and the threat for which they needed to be united has passed. Freya and Bjorn decline Leif’s offer, as a new jarl, to join his war band. When Leif tries to insist, Freya realizes the blood oath no longer holds power over her. The magic was broken when she died, temporarily, as Geir carried her out of Helheim.


Bjorn and Freya decide to start their future together in Saga’s old cabin by the hot springs. Bjorn asks Freya to marry him, and she says yes.

Epilogue Summary: “Freya”

A year later, Freya and Bjorn are married and living a tranquil life, tending their farm and raising animals. Ingrid visits with Freya’s nephew. She senses that Freya and Bjorn aren’t content with their quiet life, though Freya denies it. A messenger reports that raiders from the south are attacking coastal villages, and Leif has called on anyone who can fight to respond. Freya and Bjorn decide to hear what Leif has to say, but insist they’ll return in two days or less. Soon, however, they admit to each other that the fate they want is to join the fight and lead a more adventurous life defending Skaland.

Chapter 44-Epilogue Analysis

These final chapters reflect a slight shift in style and structure, incorporating more frequent transitions between narrators. Many contemporary works with dual narrators use this technique—more rapid point of view shifts, and often shorter chapters—to enhance pacing and increase tension as the story approaches its climax. These transitions also facilitate overlapping timelines that add depth and complexity. On several occasions, the narrative describes the same events twice, from Freya and Bjorn’s separate perspectives. Each reveals different details that supplement the scenes they depict.


Both dramatic and situational irony contribute to plot advancement and character development. Midway through Harald’s confession that he killed and consumed the original Harald of Hrafnheim, readers learn that Steinnun is hiding nearby and overhearing everything. The disparity between Harald’s and the reader’s understanding of the situation is an example of dramatic irony that serves dual purposes: illuminating the reality that people rarely have all the information in a given situation, and making readers aware of new layers in the conflict that will play out in potentially unpredictable ways.


When a desperate Freya suggests taking Grindill by force to rescue Bjorn and kill Harald, her hypocrisy underlines The Tension Between Fate and Free Will. Freya seeks to do what is right at all times, but fate has put her in a position in which she is willing to harm many Skalanders and Nordelanders in Grindill—victims of Harald’s deception—in order to achieve her personal objectives. This reaction is hypocritical and ironic in that it contrasts with her condemnation of Steinnun. She is shocked at Steinnun’s response to the truth about Harald because it is selfish. Steinnun accepts Harald harming others because he’s helping her get what she wants. Geir points out that Freya’s plan is no less selfish: “But what you suggest has no honor—to kill those we love for the sake of the one you love” (335). Hypocrisy is ironic because it involves behaving in a way that is opposite to what’s expected based on one’s stated beliefs. Freya’s hypocrisy makes her a flawed human and a more authentic character, one who relies on guidance from trusted loved ones to make the right decisions.


Resolutions to the novel’s central conflicts are finalized in this section. Freya resolves her identity conflict by rejecting the dichotomy symbolized by her two parental goddesses. She finds her own compromise between the traits and powers they each bestowed on her. For example, she doesn’t want her emotional impulsivity to harm others, nor does she want her moral compunctions to make her helpless or vulnerable in her predictability. Her solution involves creative applications of power and deception that support her self-determination: “I had no intent to use Hel’s magic against my own people. Never again would it be a weapon of war, but those on the walls didn’t know that” (342). Freya’s use of cleverness rather than violence shows she’s learned to control her emotions and learn from her mistakes. Her identity was split between two sides, Hlin and Hel, one battling for the interests of others and one fighting for her own needs. Now, Freya protects both Skaland’s people and herself.


The conflict with Harald is resolved by Freya killing him and by Saga pushing his soul through the gates of Helheim. Both women defeat an enemy by making significant personal sacrifices. Freya risks her own life by cursing herself to Hel’s realm, and Saga gives up a chance of eternity in Valhalla to ensure Harald’s confinement in Helheim. This victory against Harald is also a victory for The Freeing Power of Truth, as Freya and Bjorn first had to free themselves from Harald’s deceptions before they could defeat him. In working together, they also demonstrate the power of Loyalty as Mutual Responsibility: While Harald demands an exploitative, one-sided loyalty from his followers, Freya and Bjorn are loyal to each other, and their loyalty is based on mutual respect and honesty. This mutual loyalty proves stronger in the end, suggesting that honesty, love, and altruism are more powerful than manipulation and greed. The series title, Saga of the Unfated, reiterates the importance of truth. The song Steinnun will compose and sing across Skaland and Nordeland represents the spread of truth and the fight against deception. The series title, then, celebrates the power of stories to carry out that agenda.


Freya and Bjorn’s choices prove that they’ve embraced self-determination and learned to navigate The Tension Between Fate and Free Will. Freya chooses not to accept Odin’s invitation to Valhalla, knowing she can shape her future and create opportunities to enter Valhalla when she’s ready. This is reinforced when she and Bjorn tire of domesticity and choose to return to a life of fighting in defense of Skaland.

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