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Content Warning: This section of the guide includes discussion of animal cruelty and animal death, child death, and graphic violence.
Picking up where book one left off, Freya is on a drakkar—a Viking longship—sailing from Skaland to Nordeland after being taken prisoner by King Harald. Also onboard are Tora, Steinnun, Skade, and Bjorn, unfated children of the gods who serve Harald. Amid a furious storm on the Northern Strait, everyone’s tempers are short. Furious at Bjorn’s betrayal and feeling hopeless, Freya risks her life by provoking fights with Skade. Bjorn reminds Freya that she can learn the truth about who she is and about the prophecy that upended her life by meeting with Bjorn’s mother, Saga, who is a seer. Freya reaffirms her decision to weave her own fate.
Bjorn reflects that his intentions have been to protect Freya, whom he still loves and wants to be with. Though a Skalander by birth, Bjorn has been loyal to Harald and Nordeland since childhood, when he and his mother fled there after Snorri, Bjorn’s father, tried to kill Saga.
On Nordeland’s shore, Bjorn talks with Harald about how their plans have changed. Three years ago, Bjorn intended to stop the shield maiden from strengthening Nordeland’s enemy by returning to Skaland and killing Freya. That changed when he fell in love with her. Harald says he forgives Bjorn’s betrayal of the plan because he knows Bjorn acted out of love, not malice.
Guthrum, a child of the god Jord who can speak to an animal familiar, reports what the bird Kaja has learned from spying in Skaland: Snorri believes that Freya and Bjorn are still alive and is searching for them.
The group sails inland on the Rimstrom river toward Hrafnheim, Harald’s fortress, where they’ll get horses and supplies before going on to Saga’s cabin. Freya talks with Tora, who says she respected Bodil and regrets accidentally killing her in the battle at Grindill. She also reveals that Harald saved her from an evil uncle, for which she’s fought by his side ever since. They notice a village being attacked by Islunders, raiders from an island nation, and they prepare to fight.
Harald asks Freya if she’ll fight with them to protect Nordeland’s villages, but she refuses. Bjorn and Tora recognize one of the Islunders as Arkyn, a child of Thor who wields lightning. Also among the Islunders is a child of Njord who calls orca whales to overturn Harald’s ship and attack everyone aboard once they’re in the water. Freya uses Hlin’s shield to protect herself and Tora, but the two are pushed far from shore in the orcas’ onslaught.
Despite being badly injured, Skade wants to continue fighting, but Tora convinces her to see to her wounds first. Freya feels an urge to fight too, but doing so would effectively be serving Harald, which Ylva’s blood oath prevents her from doing. Freya passes up a chance to escape because it would mean not getting to learn the truth from Saga.
When Freya sees Islunder warriors taking a group of captured children to their ships, she attempts to rescue the children. Bjorn, Tora, and Harald return to the beach to see Freya losing the fight and the captive children already on the Islunders’ ships. Despite her vow to never use Hel’s power again, Freya is overcome by a sense of injustice, and she curses the Islunders to Helheim, saving the Nordelander children.
Harald sends Skade to hunt down any Islunder survivors who might spread the word that Bjorn is alive and back in Nordeland. Bjorn blames himself for the Islunder raid, since his plans in Skaland led to Harald bringing his warriors there and leaving Nordeland’s villages largely undefended. Tension simmers between Bjorn and Skade. She was Harald’s right hand while Bjorn was in Skaland and doesn’t want to cede her position now that he’s back. Harald placates Skade effectively while making plans for Freya to see Saga as soon as possible.
Tora thanks Freya for saving her life and apologizes for those she hurt at Grindill. Later, Freya learns Guthrum’s story. When he was 10, his father tried to make him serve the jarl. Guthrum’s mother refused, and his father hurt her, after which Guthrum’s familiar, a giant mastiff, mauled his father to death. Villagers killed the mastiff and Guthrum’s mother. Harald, then a jarl, helped Guthrum understand his magic, executed the villagers who had killed his mother, and took him in. Guthrum helped find other children of the gods who had suffered as he had and told them of Harald’s desire to help.
They make camp for the night, and Steinnun volunteers to take the first watch. Freya sees her sneak away and decides to follow, remembering how Steinnun had been a spy for Harald, betrayed battle plans to Grindill, and helped Skade find and kill Freya’s mother. Freya wants to confront and fight Steinnun, but holds back when the skald comes to a burned village and sobs over one of the many cairns.
Bjorn sneaks up behind Freya, grabs her, and carries her back into the forest. He tells Freya he doesn’t trust Harald’s intentions toward her, now that Harald has seen how her desire to protect the innocent influences her use of her astonishing power. Freya explains that she can’t serve Harald even if she wants to because of Ylva’s blood oath, which Bjorn hadn’t known about.
The next morning, Steinnun reveals that her husband and son were killed in the village she visited when Snorri raided it as part of his campaign to get Bjorn back. She’s bent on getting vengeance for her family. Freya learns that Bjorn hadn’t known Steinnun was Harald’s spy when they were in Skaland. Freya also notices that Harald’s thralls—his servants, known as the Nameless—have runes on their tongues that keep them from speaking.
Upon arriving in Hrafnheim, Harald announces to the gathered crowds that he has returned with the shield maiden and Bjorn. Two massive wolves, Skoll and Hati, guard Harald’s home. Harald says that while Saga is his wife, she is not his queen because she prefers isolation and has no wish to rule. When Skade and Steinnun urge Harald to kill Freya, he insists they find out from Saga if there is another path, besides killing Freya, to protect Nordeland from Snorri. He promises to do whatever Saga advises, even if she says Freya must die. Bjorn and Freya decide to begin the two-day journey to Saga’s cabin immediately, rather than waiting for dawn.
These chapters establish which of the conflicts from book one will be important to the second half of the series. Several internal conflicts define Freya’s character and shape her arc. One is embodied by the goddesses whose blood gives Freya her magic: Hel, representing covetousness and anger, and Hlin, representing selflessness and sacrifice. Hel’s voice in Freya’s mind, urging her to instill fear and take what she wants, draws attention to this conflict. In another internal conflict, Freya is burdened by her ability to exercise free will as an unfated child of the gods. She notes wanting Skade to “feel the same indecision that plagued [her] own soul” because the knowledge that her decisions might cause harm to those she loves torments Freya (5). This conflict highlights The Tension Between Fate and Free Will: While Freya has the rare ability to choose her own fate, she cannot control or perfectly predict the outcomes of her actions, and she fears being responsible for unintended harm. Finally, Freya is torn between her prideful anger toward Bjorn and her lust and love for him. She fuels her own rage as a way to minimize the vulnerability that comes with love and forgiveness.
One of the primary external conflicts, in the broadest strokes, is between Skaland and Nordeland. This creates an “us versus them” mentality for Freya, one which will be challenged by her experiences in Nordeland, like when she notes in Chapter 8 how similar Nordeland’s coastal villages seem to her own village of Selvegr in Skaland. Long-standing enmity between the countries—influenced by raids, fearmongering, and survival instincts—promotes patriotism for Freya, Bjorn, and all the warriors they fight alongside. Chapter 1’s setting, the notoriously dangerous Northern Strait that separates Skaland from Nordeland, symbolizes the rift between the two nations. As this conflict advances, it will show Freya how manipulation is used to stoke patriotic fervor, contributing to the book’s theme of Loyalty as Mutual Responsibility.
Two noteworthy aspects of narrative style emerge in the book’s early chapters. The first revolves around point of view. A Fate Inked in Blood was solely narrated by Freya. In A Curse Carved in Bone, however, first-person narration alternates between Freya and Bjorn as indicated by chapter labels. This choice is significant; direct access to Bjorn’s thoughts and feelings removes the ambiguity surrounding his intentions that characterized book one. Freya doesn’t trust him after his betrayal, but readers now know he sincerely loves her and wants to protect her. The second important aspect of style is Jensen’s focus on emotion as a source of conflict, which is a staple of the romance and romantasy genres.
Freya’s character development serves to drive the narrative. Freya’s motivation is to find the truth about her past and about the prophesies that have upended her life: “You are on the path to finding out the truth about who you are, I reminded myself. With the truth, the route forward will be clear” (22). When Freya confronts temptation or indecision, this objective guides her choices. The value Freya places on truth persists throughout the novel, developing a thematic exploration of Deception and The Freeing Power of Truth. As a complex character, Freya has flaws that create conflict. Her emotional impulsivity is her most significant flaw. After Freya vows not to use Hel’s destructive power, Bjorn points out why her emotional impulsivity is such a problem: “[T]he moment anyone you perceive as innocent is in danger and your back is against the wall, I think you’ll call Hel’s name” (65). Ironically, Freya’s impulsivity makes her predictable, which allows her enemies to manipulate and exploit her.



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