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Content Warning: This section of the guide includes discussion of death.
Freya’s prophesied future as the shield maiden imposes on her a destiny she’s desperate to avoid. With its promise of death and destruction at her hands, the prophecy is a curse. It upends her life; makes her a target of powerful men who want to exploit her; and even shapes her identity and sense of self, making her believe she’s “destined to be a monster” (310). The mythology of Freya’s world depicts fate and free will as opposing forces, but the novel challenges this dichotomy, suggesting instead that the influences of fate and free will are inextricable from one another. Freya’s struggle for self-determination, symbolized by the metaphorical image of weaving her own fate, forces her to confront the limits of what she can control.
Freya and Bjorn exist in a world in which nearly everyone’s future is pre-determined. Though they are among a tiny minority, known as the Unfated, who theoretically have the power to change their destiny, Saga explains to Freya that even the Unfated rarely succeed in doing so. They, along with the fated majority, are taught to believe in destiny and to see prophecy as the Allfather’s infallible guidance. Though both Freya and Bjorn long to control their own lives and avert the devastation they believe Saga’s visions predict, they also recognize that free will means taking responsibility for the consequences of their actions. For Freya, the potential consequences of making the wrong choice can be paralyzing:
What I wouldn’t give to be fated. For higher powers to have already determined the course of my life, so all that I said, all that I did, and all that I ever wanted could be blamed upon them. But the two drops of god’s blood in my veins, one from Hlin and one from Hel, meant I was accountable for everything I left in my wake. Failures and successes. Nightmares and dreams. Love and hate (7).
Freya realizes that good intentions are not enough. She cannot predict the consequences of her actions, and she is responsible for the harm she does along with the good. While fate and free will are conceptual opposites, they inevitably overlap in the real world, meaning Freya can never be sure whether her actions will bring about what she hopes for. Her efforts to avert a prophesied event may, in fact, bring it closer. Even when she learns the prophecy of her “ leaving a field of dead in [her] wake” is false (284), she knows the choice to attack Harald at Grindill might still make it a reality.
Despite these tensions, Freya and Bjorn accept the responsibility, as Unfated, to change the future. Freya is committed to weaving her own future, but time and again her efforts fail, thwarted by chance; by what she perceives as fate; by her own flaws and nature; by the other Unfated; and by the blood oath. She tells Saga: “Every time I try to escape, something happens to stop me, […] I can’t seem to evade my fate, either through death or a different life” (128). Freya’s vow to never again use Hel’s magic, a power she feels no one should possess, is an assertion of her free will. Nevertheless, her characteristic emotional impulsivity and sense of obligation to protect the innocent lead her to break her promise. In fact, this human tendency to act in predictable ways is what allows the Norns to foresee the future so accurately. Freya’s blood oath, along with other runic spells, is an additional obstacle to exercising free will. All these factors prompt Freya to question how much control free will truly gives her. Ultimately, she realizes free will is not about controlling the world around her or the outcomes of her choices, but about having the freedom to choose, again and again, how she will move forward and face each new challenge.
The novel pairs the ideas of deception and truth, conceptualizing them as the two halves of perceived reality. The conflicts that arise from the opposition of these two forces threaten the lives of every citizen in Skaland and Nordeland as King Harald makes deception his instrument of conquest and oppression. Through their actions and the symbolism of their characters, Harald, Saga, Steinnun, and Freya represent the battle between deception and truth and reveal the novel’s message that while deception serves as a means of control, truth offers freedom and is the stronger of the two.
Harald embodies the power of deception. His actions and backstory reveal many forms of deception—including manipulation, propaganda, and lies—and illustrate how they shape the world around them. Harald manipulates people by presenting himself as compassionate and humble. He plies people with wine and revelry and provides a sense of safety and community. He makes people feel how they want to feel—in Bjorn’s case, loved; in Freya’s case, respected—and tells them what they want to hear. Harald’s propaganda consists of Steinnun, Guthrum, and Gyda presenting him in a positive light to strangers, wooing them to his cause. Harald’s most profound deceptions are outright lies. His shape-shifting disguises, Unfated recruitment tactics, and false prophesies have given him a throne, a loyal and formidable entourage, and immense power. Ironically, he fosters loyalty among the Unfated by destroying the bonds of loyalty within their families, making them believe they’ve been betrayed by the people they love most. The cruelty of Harald’s deceptions contrasts with the protective instincts behind Bjorn’s deceptions in book one, supporting the message that when it comes to deception, intentions matter.
As a foil to Harald, Saga represents truth. Her visions, as a seer and child of Odin, are considered gifts from the Allfather. To honor these gifts, seers are “sworn to reveal the truth of his words lest they face his wrath in the next life” (96). Harald exploits this religious faith in the honesty of seers, which enables him to make false prophecies that go unquestioned, hinting at the often-blurred lines between truth and deception. Steinnun’s songs offer a good example of the complex ways in which truth and deception can overlap. Used as propaganda, they can manipulate and deceive, as Freya observes: “I had always been told that a skald’s song showed only the truth, but now it was clear to me that partial truths could amount to a significant lie” (173). However, when the intention is not to mislead, her songs manifest real truth, truth which frees her audience from the metaphorical prison of Harald’s lies.
Self-interest is often what makes deception so effective: People are willing to believe lies when it serves their interests to do so, and this human frailty threatens to undermine the freeing power of truth. Geir predicts that the truth about Harald won’t outweigh the advantages of remaining loyal to him in the eyes of the other Unfated. For a time, it seems he’s correct: “Steinunn had proven my brother was right. No one cared about the truth. No one cared about the lies that had been told. Because it was in their best interests not to” (322). Personal gain and greed are thus portrayed as the fuel of deception, the source of its power. Freya’s arc, driven by her commitment to finding and revealing the truth, is what tips the scales and restores freedom to those imprisoned by deception.
Along with other Norse-inspired cultural values like honor and victory in battle, loyalty is a venerated trait in the world of the novel. As such, its depiction in the narrative contributes to several important ideas and arcs. Loyalty in the form of patriotism sharpens the conflict between Skaland and Nordeland. Harald’s unfated “family” is loyal to him because of the lies he has told, revealing loyalty’s conditional nature and suggesting that loyalty can be a force for ill when not truly earned. It is the novel’s depiction of familial relationships and the romantic relationship between Freya and Bjorn, however, that develops its final message on the subject: Loyalty is a testament of love and a form of forgiveness that, when earned and reciprocated, offers redemption.
Familial loyalty in the novel can be a blessing or a source of exploitation, and sometimes both in turns. As one of Freya’s immortal parents, the goddess Hel assumes a claim to Freya’s loyalty. Freya’s mortal mother made the same assumption in book one when she used societal expectations of loyalty among family to exploit her daughter. Freya tells Hel that her heart and her fate are her own after coming to understand that blood alone does not obligate her to put her family’s selfish desires over her own needs. Bjorn abandons familial loyalty to his father because he believes Snorri committed an unforgivable act. Leif abandons his loyalty to Bjorn for the same reason. When the truth emerges that they’ve both been misled, Bjorn’s devotion to reclaiming Snorri’s honor and legacy earns him forgiveness and redemption. Geir abuses Freya’s sisterly loyalty in book one but redeems himself by fighting at her side to help her defeat Harald.
In Freya and Bjorn’s romance, loyalty is both a testament of love and an act of redemption. Their vows of love include statements of unconditional fealty because for them, true love is defined by constancy. Their loyalty in action consists of seeing the best in each other, protecting each other from every enemy, and helping each other overcome every obstacle life places between them and their goals. It means that even as flawed beings who will make mistakes that hurt each other, their love is more lasting than their anger. Freya tells Bjorn, “You promised that I was yours. That you were mine. That you’d be at my back until the gates of Valhalla, and though you broke me in other ways, you never broke those promises. […] You hurt me but earned my forgiveness” (235). Freya recognizes that despite all the other people and places competing for Bjorn’s loyalty—Nordeland, Harald, Tora—and despite her flaws and the things she’s done and said to hurt him, Bjorn always chooses to put her first. This is the novel’s purest example of loyalty, one that redeems Bjorn of every mistake he’s made and rewards him with Freya’s love.



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