57 pages 1-hour read

A Fire in the Flesh

Fiction | Novel | Adult | Published in 2023

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Chapters 13-22Chapter Summaries & Analyses

Chapter 13 Summary

Content Warning: This section of the guide includes discussion of graphic violence, death, sexual violence and harassment, death by suicide, physical abuse, and emotional abuse.


The Chosen servants and Callum arrive to clean Sera’s cage and provide her with water. After the others leave, Callum taunts Sera about her newfound obedience. Sera questions him about the Craven, but Callum remains evasive. Kolis arrives and explains that the Craven are a side effect of Ascension. 


Once Callum leaves, Sera uses her training in seduction and manipulation on Kolis. His questions about Nyktos force Sera to downplay her feelings for Nyktos to protect him. She insists that he only keeps her around because of the embers and that he cannot love her. Eventually, Kolis tells her that he has Nyktos in stasis.

Chapter 14 Summary

Kolis tells Sera that shadowstone is made of anything or anyone that once burned ancient dragon fire. It has the power to block eather and the earth’s protective instincts toward Primals but can be bested by the bones of the Ancients. He also tells her that he doesn’t believe Nyktos doesn’t care for her. 


Sera scrambles to explain, making a distinction between loving someone and being in love with them to placate him. She attempts to connect with Kolis through their similar feelings of abandonment. She appeals to his desire for her love, suggesting that releasing Nyktos would be proof of his devotion. Kolis says that he will consider freeing Nyktos, but only if Sera is truthful about her connection to Sotoria. If she lies, he vows to punish her and claim her soul as his own for eternity.

Chapter 15 Summary

Sera sleeps. She wakes up to an extravagant feast but struggles with a lack of appetite. Callum, a Revenant, is still guarding her cage. When she questions him about his origins and the Revenants, he remains cryptic.


The next day, Kolis displays Sera in a transparent gown before the gods who visit his court. When one of the gods, Uros, speaks inappropriately about her, Kolis kills him, leaving Sera shaken but outwardly composed.


During a discussion about tribute from the goddess Dametria, Kolis abruptly leaves the chamber. Sera and Dametria speak, and Sera learns that Dametria’s temple in Terra borders her own homeland of Lasania. Dametria confirms that people from Lasania have been seen in Terra, providing Sera with some hope that her home may still be faring well. One of the guards, Elias, ushers Dametria out, and as she leaves, the goddess whispers that she was at Sera’s crowning.

Chapter 16 Summary

Kolis returns to court business. Kyn, Attes’s brother, arrives with news of the Shadowlands: Nyktos’s generals refuse to leave their positions on the Bonelands’ coast, and the draken, including Nektas, are with them. Kyn asks Kolis to let him deal with the threat, but Sera points out that this can only start the war that Kolis said he didn’t want. He agrees, much to Kyn’s frustration. Kyn then presents Kolis with a gift: a captive Rhain, one of Nyktos’s allies.

Chapter 17 Summary

Kolis taunts Rhain, saying that he killed the god’s father for treason. Sera realizes that she can hear Rhain’s thoughts, and he urges her to use her power to destroy the palace. Kolis exposes Rhain’s hidden token, a necklace belonging to Aios, and Sera lies and claims that the necklace is hers. Kolis sentences Rhain to death but stops at the last moment when Sera offers herself in exchange for Rhain’s release. Kolis accepts her offer, agreeing to spare Rhain and return him to the Shadowlands.


Sera endures a sleepless night sharing a bed with Kolis, who does not make any advances toward her but still leaves her feeling unsettled and violated. The next day, Kolis introduces her to a goddess named Ione, who can read thoughts and discern truth from lies. Sera realizes that Kolis intends to use Ione to confirm her identity and uncover her secrets.

Chapter 18 Summary

Kolis compels Sera to submit to Ione. After the goddess digs into Sera’s thoughts, however, she lies to Kolis. She claims that Sera is Sotoria, saving her life and preserving her ruse.


While Sera feels relief and confusion over Ione’s lies, Kolis is now fully convinced that Sera is his lost graeca. He ignores Callum’s insistence that Ione is lying. Kolis embraces Sera while she fights the urge to recoil. However, when she asks if he will release Nyktos now and uphold his end of the deal, he reacts with fury and bites her neck.

Chapter 19 Summary

As Kolis pins Sera and feeds on her, she fights the instinct to unleash the embers within her, knowing that any resistance could jeopardize Nyktos’s safety. Sera retreats emotionally to protect herself. Afterward, Kolis acts remorseful, claiming that he lost control, and begs Sera for forgiveness. He promises her that it will not happen again, but his assurances ring hollow.


After he leaves, Sera bathes, trying to cleanse herself of the physical and emotional residue of the encounter. Alone with her thoughts, she wrestles with mixed emotions: disgust, rage, and despair at her powerlessness.

Chapter 20 Summary

Attes visits Sera in her cage. He angrily asks about the bite marks on her neck, but she insists that she’s fine and asks for news about Nyktos. Attes tells her that Nyktos was incapacitated using a weapon forged from the bones of an Ancient—a tool capable of trapping even a Primal in stasis for extended periods. While Nyktos is being awakened from his stasis, Attes advises caution since Kolis’s behavior has grown increasingly unpredictable. 


After Attes leaves, Callum questions Sera’s loyalty and the truthfulness of her identity as Sotoria. Sera channels her embers, unleashing a storm of power that shocks Callum and silences his smug demeanor. Kolis enters the chamber and remarks on the hostility between them. Sera deflects blame onto Callum, accusing him of doubting her identity. Kolis brushes it off, saying that Callum is just in denial that Sotoria, his sister, has returned.

Chapter 21 Summary

After the revelation that Callum was Sotoria’s brother, Sera learns that he died by suicide, ending his mortal life, when he was overwhelmed with guilt for not protecting his sister. In an act forbidden even for the Primal of Death, Kolis Ascended Callum, turning him into a Revenant. Though Sera asks more questions, Kolis sends Callum away. 


Kolis then turns his attention to his deal with Sera about reviving Nyktos. He explains that Nyktos’s stasis is prolonged because of Kolis’s use of an Ancient bone weapon. He has spent the last two days watching over Nyktos, torn between jealousy and the need to revive Nyktos to preserve his deal with Sera. He is also frustrated by Sera’s unease after his assault. He fails to grasp the gravity of his actions, dismisses them as a momentary loss of control, and says that his promise not to do it again should be enough. Sera asks him to give her more time, and he reluctantly agrees.


Before he leaves, Kolis says that he knows she activated the embers again during her argument with Callum. He demands that she not use them again and threatens to punish her if she disobeys this order.

Chapter 22 Summary

Sera paces her cage, consumed with guilt and worry for those she cares about. Her memories of Kolis touching her cause her to vomit. Later, she has another dream about Nyktos at the lake. He asks her what Kolis did to her, but she says that she doesn’t want to talk about it for fear of tainting the dream. She smells stale lilacs, signaling Kolis’s approach, and Nyktos quickly tells her that she needs to tell Kolis that only Nyktos can finish her Ascension. 


The dream ends, and Sera wakes to find Kolis watching her. He asks who she was dreaming about. She lies and insists that she never remembers her dreams. He offers to fulfill her desires, only to dismiss her request for freedom and instead plan a shared outing. Once he leaves, Sera reflects on the strangely real dreams she’s had about Nyktos. She wonders if the dreams stem from them being mates of the heart but dismisses the idea.

Chapters 13-22 Analysis

These chapters focus on Sera’s captivity and struggle to outwit Kolis while grappling with her fears and doubts. Kolis, believing Sera to be Sotoria reborn, grows increasingly possessive and erratic. Meanwhile, Sera tries to maintain her composure, masking her true intentions while secretly plotting her escape. Truth is used as a tool in the psychological battle between the characters, highlighting the theme of The Weaponization of Trust. Kolis wields information as a weapon to make Sera vulnerable, as with his calculated unveiling of Nyktos’s weakened state. 


Sera counters with her own tactics, relying on the training she originally received to prepare for killing Nyktos. She conceals her real feelings for Nyktos while fabricating a narrative that she hopes will satisfy Kolis. She claims to love Nyktos but denies being in love with him, saying that they are not the same thing. Kolis, however, struggles to understand her distinction. He believes that “love inspires great acts of reckless violence” (138). For him, rather than a source of support or sacrifice, love is itself a form of selfish violence, and he cannot conceive of it being anything else. The mentality extends beyond just his feelings about Sotoria to his relationships with other characters, especially Eythos. Beneath Kolis’s outward charm and calculated demeanor lies a deeply insecure and emotionally empty man. His inability to create gods like his brother and the jealousy it engendered in him fuels his obsession with dominance and perfection. The contrast between Kolis’s and Sera’s ideas of love is highlighted in these chapters, and Kolis’s idea of love acts as a foil for Sera and Nyktos’s relationship, further emphasizing The Transformative Power of Love that is clear in the trajectory of their relationship but utterly lacking in the relationship that Kolis tries to develop with Sera.


The theme of the weaponization of trust also continues to be highlighted through the culture of Kolis’s court and his relationships with his allies. He baits Uros into making inappropriate comments about Sera and then graphically destroys the god with a wave of his hand. The moment serves as a grim reminder of the precariousness of life under his rule and the arbitrary nature of his justice. It also reminds Sera of the danger she is in should she fail. The stakes are further raised when Kyn brings Rhain, and Sera must confront the possibility of losing another ally after she was unable to save Ector from the dakkai in A Light in the Flame. This time, she does save Rhain by offering herself in his place, appealing to Kolis’s desire to start over with Sotoria. While no sexual acts take place, Armentrout still depicts his act of forcing Sera to sleep in the same bed as him as a violation. She repeats the words, “This isn’t me […] I’m not here […] None of this matters” (183). The phrase is a trigger to dissociate herself from the situation to protect herself. Still, it also shows the emotional toll that the situation continues to take on her as she strips her identity and feelings away, leaving her hollow. With these scenes, Armentrout continues to highlight the contrast between Kolis’s and Sera’s ideas of love, delving into the psychology of an abuser to emphasize the relevance of these relationships, even in a real-world context.


The section closes with the two significant narrative reveals that both illustrate the theme of Fate Versus Free Will. Attes reveals that over time, the Primals inherently become corrupt, which is why many choose to eventually pass on or undergo a voluntary period of stasis. He suggests that the Primals’ moral corruption is not solely a product of their own choices but also a consequence of their nature. While these circumstances show how even the Primals are subject to fate and predestination, the choices they make about how to deal with this eventuality highlight their free will. The second reveal is that Callum was Sotoria’s younger brother. The Revenant’s resentment and guilt over his sister’s death make him a tragic figure, but his antagonistic nature and cruelty prevent him from being wholly sympathetic. Once again, Armentrout highlights the idea that although some things are fated, what the characters choose to do about it is equally important, and they do have a hand in their futures.

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