43 pages 1-hour read

A Great Deliverance

Fiction | Novel | Adult | Published in 1988

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Chapters 9-12Chapter Summaries & Analyses

Content Warning: This section of the guide features depictions of illness, death, child death, sexual violence and harassment, rape, child sexual abuse, child abuse, emotional abuse, disordered eating, and sexual content.

Chapter 9 Summary

With organ music “blasting” (153) from Rose Cottage, Lynley watches Ezra Farmington break off a bridge argument with Nigel Parrish and stalk away. Lynley sends Havers back to the lodge and steps into Parrish’s cottage. Parrish rewinds the tape, lights a cigarette with shaking hands, and accuses Ezra of trespassing across other people’s land while searching for landscapes to paint. He claims he was alone at his organ the night of the murder and says he drinks at the Dove and Whistle rather than the Holy Grail. He dismisses “holier-than-thous” (156) such as William Teys while describing his own past as a York prep-school music teacher who moved to Keldale seven years ago. As Lynley leaves, he hears a glass shatter behind him.


Lynley and Havers go to the upscale Keldale Hall for dinner. There, Mrs. Burton-Thomas greets them and points out two couples: one American, the other, newlyweds. The newlyweds prove to be Deborah and St. James. Deborah greets Lynley, and the American guest, Hank Watson, asks Lynley about his “gig” (163). Havers answers that they are on a decapitation case, but Lynley changes the subject. After a short dinner, the detectives leave.


Later at the hall, Deborah confesses that she feels guilty about hurting Lynley by marrying Simon. Simon admits the difficulty of knowing his friend loves his wife but says they only need to think about “the present, not the past” (167).

Chapter 10 Summary

Nies rudely delivers a box of evidence containing a blood-stained dress. Havers brings Lynley the file but notes that the lab analyses are missing. They realize Nies is intentionally obstructing their investigation. To get a forensic analysis, they call St. James.


They imagine the crime scene: Roberta dresses for church, cannot find her father, goes to the barn, and gathers the headless body into her lap. She lowers it, sits in shock until Father Hart arrives, and then makes her confession. He decides that her words seem less like a confession that an acknowledgement that she knows who murdered her father.


At dawn, Lynley walks to the graveyard and sees Deborah photographing old stones. She says Lynley must let her go; Simon has pain from his injury that he hides to protect her. She came to the graveyard to give him space. Suddenly, Father Hart appears and speaks of the baby’s grave. The headstone bears the epitaph “As Flame to Smoke” (177), a line from Pericles, Prince of Tyre, by William Shakespeare. The priest named the child Marina and says he sought special permission to bury her. After, he shows them the church’s crypt.


Later, Lynley visits Richard and asks why he admitted Roberta to the hospital but didn’t hire a solicitor for her. Richard says he retains one for himself and will seek to have her certified incompetent rather than face prison. He says Gillian was sexually precocious, beginning with him at 12, and she drove him to leave at 19 to avoid discovery by William. Lynley then visits a neighbor, Marsha Fitzalan, who calls Gillian the loveliest creature she ever knew.

Chapter 11 Summary

Marsha says Gillian was “like her mother” (193) while Roberta “was like her father” (194). They had different temperaments but were close. When Gillian ran away, Roberta broke out in a nervous rash. William eventually drove to Richmond for lotions for his daughter. Roberta’s rash faded, but the loneliness remained for Roberta in the “gloomy farmhouse” (196).


Havers hasn’t found Tessa’s missing husband, Russell Mowrey. Next, she and Lynley visit Constable Gabriel Langston. He confirms Roberta never spoke to the police, only to Father Hart. The dog’s throat was cut with a missing blade, and Langston admits he buried Whiskers himself because he could not bear to see the dog cremated. Lynley plans to exhume the dog in the morning and bring St. James in to study the corpse.


At Keldale Hall, Havers distracts the Americans while Lynley speaks to Simon. During the conversation, Deborah reveals that she grew up largely in Simon’s house since her father worked as a servant for the St. James family. Havers realizes Lynley wouldn’t marry Deborah because of her class, but that wasn’t a problem for St. James. She sees Lynley not as a snob, but as someone trapped by his sense of social class and obligation.

Chapter 12 Summary

That night, Stepha comes to Lynley’s room, and they make love. After, he notices “unmistakable” (218) signs of a past pregnancy despite her vowing never to have children.


Across the corridor, Havers lies awake, kept up by their sounds coming through the wall. At the farm, she needles Lynley about the inscription in his cigarette case, implying it comes from a sexual conquest. Havers cannot help but unleash her anger at him, even though she knows that she is endangering her career. Lynley tells her to find something on Gillian in the next three hours or be sacked. As he leaves for the lab, he corrects her: The case belonged to his father and Daze, his late mother. Shaken, Havers recognizes she has lost control of herself. She turns back to the house with a single purpose: find Gillian.


In Newby Wiske, St. James and Deborah meet with Lynley to discuss the autopsy’s results. It shows Whiskers died from a five-inch blade but also that there were barbiturates in the dog’s blood, the same class as William’s sleeping pills. The pills were enough to render the dog unconscious before its throat was cut. On Roberta’s dress, St. James shows how the pattern demonstrates the kneeling posture and the upward slash. He then points to fine spatter low on the hem: William’s blood, thrown while she was present at the beheading. Whether she was the killer or a witness, he says, Roberta was in the barn when it happened. If she is protecting anyone, it is someone she loves. Back at the lodge, Havers says she has “found Gillian” (233).

Chapters 9-12 Analysis

In this section of the novel, as the investigation progresses, Havers and Lynley meet many local people. At the same time, they are introduced to the petty rivalries that define these people’s lives. When they meet the self-important church organist Nigel Parish, for example, they are also introduced to his opinions, grievances, agendas, and animosities. In a symbolic fashion, Havers and Lynley drive into the town only to be interrupted by the sight of Nigel and Ezra arguing on a bridge. Their understanding of the town is obscured by these minor rivalries, to the point that their entry to the town cannot be achieved until the dispute is resolved.


As a result, Lynley and Havers must rely on each other as they pick apart the complexities of the local community. They can listen to Nigel’s opinions, but they must understand that he is speaking with an agenda. Even though Ezra has little to do with the murder of William Teys, Nigel directs the inspectors toward Ezra by telling them about the time he saw Ezra arguing with William Teys. There are elements of this anecdote that prove important, but not because Nigel wants to help the police. Rather, he attempts to weaponize the investigation against his local rivals. In the same way, Ezra tells the inspectors about Nigel’s flaws, hoping to redirect attention back at Nigel. The effect is that of an uncaring, self-interested community. This becomes a major obstacle in the investigation, which means Lynley and Havers must learn to trust each other despite their differences.


The visit to the small local church is a symbolic moment that highlights the theme of The Corrosive Nature of Guilt. The church is somewhat unique in English society. After centuries of religious disputes, the church remains Catholic. It is “a damp and musty place, poorly lit and smelling of loam” (180), yet it is also a symbol of defiance and endurance in a country where Catholicism was outlawed for a long time. The church is also an inflection point for various elements of British history. It is built in a Norman style and bears the scars of the Reformation, but it also includes secular, almost pagan carvings that are barely hidden from the congregation. Father Hart notes that the depiction of “a pagan bacchanal” (181) is barely noticed by the people who attend the church. He assumes that they mistake it for a Biblical scene. This unexpected presence of sexual and secular imagery foreshadows the lurid truths hidden behind the church’s righteous facade. Hidden in plain sight, the carvings are a metaphor for the violence and abuse that exist in the community but which are largely ignored.


As well as the milieu of social turmoil and hidden violence, Havers and Lynley finds themselves as impeded by their own unresolved animosities and agendas, which speaks to the themes of The Dangers of Class Bias in Great Britain and How Patriarchy Enables Predatory Behavior Among Men. Though they have developed a good working relationship over the course of the case, Lynley’s decision to sleep with Stepha Odell has a destructive impact on their bond. Havers, having been kept up all night with “teeth grinding together so fiercely that her entire jaw ached” (218), unleashes her anger on Lynley the next day. She knows that she is risking everything, including a possible return to CID, but she cannot remain silent.


Lynley’s actions anger Havers because they undermine everything that she had come to believe about him. Having witnessed his unrequited love for Deborah, she had fostered a sympathetic understanding in her head. That he should sleep with Stepha proves, to Havers, that this is not true. Her accusation about Daze and Lynley’s cigarette case again hints that she is not fully informed about his life. She was correct about Lynley’s love for Deborah, but Havers views his sexual contact with Stepha as evidence of chauvinism rather than a desperate attempt to fill an emotional void in his life. Though Lynley resents Haver’s attack, her words help clarify his situation. Just as the community is being forced to reckon with hidden truths, Lynley can no longer hide from his love for Deborah, nor from her love for St. James.

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