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Content Warning: This section of the guide includes discussion of sexual assault.
Ma cooks food she stole from the shelter where she works. She imagines a thief listening for rumors of stored food. Climate change has caused a drought in Kolkata, which Ma compares to prior famines. Ma’s husband is a researcher in Ann Arbor, Michigan, and Ma’s family is moving there in seven days. Dadu, Ma’s father, writes poetry in the kitchen and calls Mishti, Ma’s daughter, showing her a picture of a plane. Dadu is worried he will not be able to live in Michigan; Mishti cries for cauliflower. There have been no vegetables at the shelter, only protein bars, which leads to conflicts among the residents.
Ma, Dadu, and Mishti walk to a bus stop, and Ma reluctantly flicks a bug off Mishti’s leg. Dadu loves listening to conversations in the street and fears he will have to leave his soul in Kolkata. Ma knows a harsher side to the city, recalling being groped on a bus. Ma’s shelter is run by a billionaire, with the shelter serving families after flooding pushed more people into the city.
They wait for a bus, but a policeman playing on his phone tells them the bus did not pass inspection, and the taxi drivers are on strike. Ma considers leaving Dadu and Mishti to get to the consulate on time, but Dadu refuses, knowing the city is dangerous.
A rickshaw picks them up and rushes them toward the consulate. Dadu asks about the heat, and the driver remarks that the government provided water that boiled in the sun. Ma gives the driver one of her three cold water bottles, using some water to cool Mishti and Dadu’s necks.
At the consulate, they get their passports, and Dadu is relieved to see that it will allow him to return to Kolkata if he wants. Ma thinks about her husband, whom she misses, and Mishti wants to see her father soon. Dadu fantasizes about staying in Kolkata, while Ma considers herself lucky to be leaving.
They go to a market, but their usual vendor is missing. In his place are a young boy and an old woman selling seaweed. Dadu comforts Mishti but fears famine.
Dadu tells Mishti a story before bed. Ma leaves her purse by her bedroom door, leaving a window cracked. She remembers times of abundance and laments that she cannot bring some of the city with her.
A thief, Boomba, checks the doors and windows of Ma’s house, finding the kitchen window ajar. He sneaks in, knowing Ma is stealing from the shelter.
Two days prior, Boomba heard about the billionaire donating eggs to the shelter. The billionaire was preparing for her daughter’s wedding on a hexagon in the river Hooghly nearby. Boomba saw the shelter manager, Ma, stealing eggs, then tracked her to her home. Boomba sees no value in honesty, knowing that one needs to take what they want before someone else does.
Boomba takes Ma’s purse and a toy truck. He finds a switch that opens the storeroom and steals rice, lentils, cashews, raisins, and milk powder, planning to eat some and sell the rest. He leaves out the front door.
Though the news claims there is no food shortage, people line up at food kitchens. Boomba tries to sell his stolen food to a kitchen, but they refuse. The people standing in line buy the food from Boomba, who hopes the money will help him fix what he did to his family. Boomba throws the passports and visas in the trash.
Mishti wakes up and hears her toy truck. She tells Ma, who tells her to go back to sleep.
Ma bathes Mishti, and Dadu cannot find the passports. They discover the open kitchen window and empty storeroom and realize they were robbed. Dadu wishes he was younger and able to stop a thief.
They go to the police, and the policeman, Bhola, accuses them of staging the robbery or attempting insurance fraud. Bhola and his assistant laugh at them and tell them to go to the passport office or the consulate, claiming they need to focus on real crimes. A flutist outside the police station offers to teach Mishti how to play the flute.
Ma bribes the guard at the consulate to let them in without an appointment, but the clerk refuses to issue new visas, telling them to reapply in four months. Dadu and the clerk agree that the consulate will close before then due to worsening climate issues. Dadu lies, claiming to be a renowned author, and the clerk agrees not to cancel the current visas.
They take the bus home, and Ma considers how the US consulate is like an emperor’s court, imposing control through fear. Dadu believes the city will return the passports to them.
A Guardian and a Thief is written with two primary styles of chapters: days and phone conversations. The days allow the reader to keep track of the events in a linear progression, but they also serve to emphasize the time limit placed on Ma’s family by the flight to America. Since Ma needs to get everything ready for Day 7, the progression from Day 1 to Day 2 carries the added weight of being one less day to prepare. These chapters are then punctuated by the shorter Phone chapters, which show Ma talking to her husband, Baba, long-distance. In the first Phone chapter, everything is alright, and Ma assures Baba that the family will come to America without incident. These chapters highlight the distance between Ma and Baba, revealing that Baba is waiting for his family, but he does not have direct access to the events of the novel. As the Phone chapters progress, they act as a separate reality from the events in Kolkata, since the narrative in these chapters is entirely dictated by what Ma chooses to share with her husband.
The novel is set in Kolkata, but the characters give radically different views of the city. Dadu notes that Kolkata “will survive because it is full of such street corner philosophers. They understand that laughing is the most truthful way of approaching life” (10), but Ma disagrees, recalling the sexual violence and harassment in the city, with “men on buses who reached for schoolgirls; chests. Once, she had been such a schoolgirl” (11). These opposing views are rooted in the gendered difference in their lived experiences, but they also reflect the critical distinction between these two characters. Dadu is an optimist and a philosopher in his own way, and he chooses to see the best of the city he loves. Ma, on the other hand, is a realist, seeing the flaws in the city, even though she also feels a strong connection to it. These differences carry over into how Ma and Dadu approach problems, such as Ma cleaning up Mishti’s messes while Dadu tells her stories. In essence, both of their views of Kolkata are accurate, but each has had different experiences that shape their relationship to the city.
In order to set up the “near-future” element of the text, Majumdar includes minor details, like synthetic food and references to rapidly increasing climate issues, which help introduce the theme of The Urgency of Climate Change. Dadu predicts that the consulate itself will close in less than four months due to the climate crisis, and the narrator adds: “America would retrieve its valued citizens from the foreign positions, hardship pay no longer sufficient compensation for the crisis in which they found themselves” (46-7, emphasis added), implying that foreign nations need to pay additional salary to get anyone to work in crisis areas. At the same time, the term “valued citizens” implies that the citizens of India, or Kolkata specifically, are not “valued” the way foreign Westerners are, which is likewise emphasized by the nature of a “climate visa.” A climate visa, in this context, is written permission for someone in a crisis area to move to a safer area in another country. By limiting these visas with rules and conditions, America is not only establishing a value for their own citizens, but placing an arbitrary value on human life in these climate-ravaged areas.
In addition to the consulate’s reluctance to aid Ma’s family, which she calls the “kingdom” controlling its people, official channels of all kinds are devalued in the text, introducing the problem of Survival Ethics in a Collapsing System. When Ma and Dadu go to the police, they explicitly laugh at the family, accusing them of being crooks. The officers note that they “are seeing violent crimes now,” as well as fraud, such as “that other chap who had flooded his own house for the insurance” (43). While these details emphasize the desperation of the situation in Kolkata, they also remind the reader that the official, normal means of resolving conflicts is no longer available to regular people. The police cannot help Ma and Dadu find their passports, nor can the consulate issue new passports and visas, leaving Ma and Dadu, despite having fulfilled their end of the bargain, from executing their escape plan. By introducing this problem early in the text, Majumdar is hinting to the reader that individuals in Kolkata feel abandoned by traditional support systems.



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