47 pages 1-hour read

A Ladder to the Sky

Fiction | Novel | Adult | Published in 2018

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Symbols & Motifs

Content Warning: This section of the guide contains discussion of physical abuse, emotional abuse, and child death.

Alcohol

Alcohol is present in numerous social situations throughout the text, serving as a symbolic vehicle for the confession of secrets and lies. When Erich first sees Maurice, he is waiting on tables and carrying drinks, and during their first authentic interaction, Maurice offers to buy Erich a drink so that he can “ask [him] some questions about [his] work” (12). In subsequent encounters in which they talk and drink, Maurice slowly draws out Erich’s secrets: The alcohol breaks down Erich’s natural inhibitions and allows him to feel comfortable enough to discuss the dark truths of his past. While under the influence of alcohol, this feeling occurs in other characters as well. Later in the book, after several drinks, Edith confesses to Nicholas that she desires him and indirectly suggests that she is dissatisfied with her marriage to Maurice—secrets she chooses not to share with anyone else. After her death and Daniel’s, Maurice becomes a “functioning alcoholic” (274), and the more he drinks with Theo Field, the more he feels “everything […] [is] all right” (351). It is the false sense of security that the alcohol brings him, combined with immense guilt over the murder of his son, that draws the confession of his crimes out into the open, allowing Theo to expose his lies and bring justice to those whom Maurice has wronged.

Stolen Stories

The recurring act of theft is the novel’s primary motif, functioning as the narrative engine that powers Maurice Swift’s ascent and exposes the core theme of unethical appropriation. Maurice’s career is not built on inspiration but on theft, as he steals the life stories of others and presents them as his own. This pattern becomes clear with his seduction and betrayal of his first mentor, Erich Ackermann, later he steals his own wife’s manuscript and, finally, a story from a fellow inmate in prison. The motif demonstrates that Maurice’s ambition is insatiable and his creative bankruptcy incurable. He acts on the tragically ironic advice given to him by Erich: “When you find one, when you hear one, make it your own and then the world will come to you” (22). Maurice takes this encouragement for a young writer and twists it into a professional strategy, using his physical beauty and calculated charm to foster predatory relationships that he can exploit for material. By the end, the motif comes full circle as Theo Field uses Maurice’s own methods against him, turning the ultimate thief into the subject of a final stolen story.

Fatherhood

Maurice’s professed desire for fatherhood serves as a crucial and deceptive motif, representing his longing for a form of immortality that his fraudulent art cannot provide. Introduced early in his conversations with Erich, the wish appears to be a humanizing impulse, a seemingly genuine yearning for connection that stands apart from his literary ambition. He insists, “The only thing I know for sure in that regard is that I want to be a father someday” (21), positioning this desire as a core element of his identity. This declaration makes his subsequent actions all the more monstrous, as the motif’s meaning shifts from a noble aspiration to another manifestation of his profound selfishness. His ambition poisons this desire, turning his marriage and his wife Edith’s tragic miscarriages into mere setbacks in his quest for a legacy. When he finally achieves fatherhood with his son, Daniel, he proves incapable of genuine paternal love. Daniel becomes a threat to the secrets upon which Maurice’s career is built. The motif finds its horrifying conclusion when Maurice chooses to protect his stolen stories over his son’s life, revealing that his desire for fatherhood was never about love but about creating another extension of his own ego.

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