53 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of sexual harassment, bullying, and mental illness.
Bee is the first of the novel’s two protagonists and first-person narrators of the novel. Her physical attractiveness is essential to her character: She is around 24 years old and has long, dark hair; olive green eyes; “pouty lips”; a septum piercing; and a body that Nolan describes as “lush” (37). When Bee was young, she developed a fascination with the boyband INK, and her favorite member was Nolan Shaw. This teenage crush prefigures Bee’s romance relationship as the adult protagonist.
Bee’s background and experience provide important context for the novel’s treatment of her work in adult films, presented as a positive expression of sexuality and agency. She grew up in Texas and was raised by two moms, Mom and Mama Pam: They are supportive, loving parents who accept Bee for who she is. They have taught her to be self-confident and sex positive. Through her life, Bee has encountered ridicule and discrimination for her body shape, beginning with a relationship with a classmate in high school who wanted sex but also to keep this secret. When Bee broke up with him, he threatened to publicly share a topless photo of herself that she had sent him. Bee shared the photo before he could, and the avid response to her post showed her that she was desirable, despite what she’d been told. Bee was particularly hurt when she tried to be part of the theater group in school but was always given secondary roles because she wasn’t considered thin enough to be a lead. This was part of the trajectory that led her into her career.
When in college, Bee began her account with ClosedDoors, an online subscription service that encourages adult content and for which she adopted the persona of Bianca von Honey. The success of her channel encouraged Bee to drop out of school and move to Los Angeles to try acting. Her career took off when she found work in the adult film industry and, as she tells Nolan, “It was pretty much zero to sixty in terms of people looking at me as a sex symbol. I went from cutesy fat girl to a fantasy in a matter of months” (270).
Bea is a likeable and sympathetic protagonist, modeled by her positive relationships with others. People find Bee easy to work with because she is cheerful, accepting, courageous, and willing to try new things. Bee has developed strong friendships, including with her roommate, Sunny. She is shown as a loyal friend and has a lively sense of humor as well as respect for other people.
The narrative shape follows Bee’s character arc as a means to promote body positivity, sex positivity, and self-determination. Emotionally, this shows Bee coming terms with the shame she has felt when boyfriends have acted ashamed of her either because she’s a plus-size woman, because she’s a sex worker, or both. While Bee is proud of her work and her abilities, it does hurt to know that, to most of her fans and audience, she is a guilty secret. The need to keep her identity as Bianca von Honey secret and separate from her work on Duke the Halls also drives the premise and narrative tension, especially its farcical elements. As is characteristic of the romance genre, Bee’s character development is intertwined with the drive of the romantic interest, two threads that mutually reinforce one another: Meeting and falling in love with Nolan is the main plot arc, while Bee’s increased self-acceptance and identity coherence as a result provide the underlying psychological and emotional interest.
Nolan is the male romantic lead of the novel and is the second protagonist and first-person narrator. As the romance interest, Nolan is a likeable and sympathetic character who supports Bee’s character arc. Nolan’s interactions with Bee provide a means to explore Bee’s sense of self in relation to others and to enable her character’s growth in self-esteem. He is a rounded character, however, with his own similar secrets and concerns. His experiences provide interest and comparison to Bee’s, especially in relation to social expectations for men and women.
Nolan is 31 years old and lives in Kansas City with his mother, who lives with bipolar disorder, and his 17-year-old sister, Maddie. The novel first introduces Nolan as “a famously irresponsible, washed-up pop star” (25). Nolan has identified as bisexual since high school. After success in a high school musical drama, Nolan and his friend Kallum auditioned for a reality show called Boy Band Bootcamp, launching their boyband career with INK.
The novel emphasizes that celebrity forced Nolan to cultivate a specific image as a charming but rebellious bad boy who is sexually promiscuous and often in trouble. Nolan is attractive and knows it, reflecting, “[M]y hair was usually a solid fifty percent of what people liked about me. The remaining fifty percent was split among my voice, my eyes, and my general air of barely giving a shit, which people found charming for some reason” (36). By the novel’s opening, Nolan has fallen on harder times, following the fraudulent behavior of his former manager and a false scandal created by the press. Since then, he has worked for the community theater in Kansas City, trying to earn enough to support his sister and mother, who isn’t well enough to engage in steady work.
These challenges, and Nolan’s family-minded responses to them, enrich his character and provide a premise for his role in Duke the Halls. As Nolan says, “I wasn’t that same Nolan anymore. I’d changed; I’d learned that the world was bigger than the next party, the next bed to tumble into” (238), indicating that he is a credible love interest for Bee. His old reputation pursues him, however, and part of his character arc in the novel involves coming to terms with his past and being honest with himself. This arc mirrors that of Bee. Part of his growth as a character is to fall in love for the first time as he gets to know her. His decision that love and relationships are more important than his career marks the final step in Nolan’s evolution, earning him a happy ending with Bee.
Gretchen is a secondary character who serves several roles in the novel. Although she is not an antagonist, her primary role is to provide a source of conflict as the director of Duke the Halls, someone who has the power to decide if Bee and Nolan can keep their roles, along with the money and the opportunities involved. The novel creates a sense of threat through this power and Gretchen’s possible reaction to the truth, especially Bee’s work as Bianca von Honey. This is resolved, however, when she is shown to have progressive attitudes about sex work and women’s sexuality after Bee’s secrets are exposed. Gretchen is a driven, determined woman, but she is also compassionate and kind.
Like Bee and Nolan, Gretchen has lived a celebrity life and has a past persona. She was “the ultimate it girl” of Bee’s teen years (80), with a career in Disney movies, young adult book adaptations, and then indie films that Bee admired. That she survived fame as a young adult and has gone on to create a stable career makes her a foil to Nolan and Bee since Gretchen can be public about her roles and Bee cannot. Gretchen is a steady, intelligent, self-possessed woman; Bee thinks, “Gretchen always presented herself as in control, even when she wasn’t […] She was like the one friend who always volunteered to be the designated driver” (111). Gretchen therefore juxtaposes Bee in her character or persona, as well as by fitting the stereotypical physical ideal for women, which Bee does not.
Gretchen and Pearl’s romantic relationship, managing the demands of celebrity and the film-making lifestyle, provides a model for Bee and Nolan’s developing relationship as they, too, learn to balance their priorities together.
Sunny is a secondary character who serves a supporting role as Bee’s friend in the porn industry. Her interactions with Bee enable the novel to explore this industry and the women’s experiences, especially since they occurred before the action of the novel. The friendship also provides a space in which Bee is shown discussing her relationship with Nolan, giving the reader another perspective of the first-person narratives.
Sunny is a performer as well as a makeup artist, which gives her more flexibility and opportunities. She is an outspoken, confident young woman with a dry sense of humor and a deep sense of loyalty. She is protective of Bee and hostile to Nolan when she thinks Nolan has hurt Bee’s feelings. Sunny has a nurturing side, evidenced by her adopting a cat. She is also a free spirit who models The Pursuit of Pleasure. She identifies as pagan, though her father observed the Jewish tradition of lighting a menorah. Sunny is attracted to women, evidenced by her going home with Jack Hart’s mother at Jack and Levi’s wedding. Sunny is unapologetically herself, and her role is to inspire Bee to be unashamed of who she is.



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