50 pages • 1-hour read
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Content Warning: The source material contains references to addiction, substance use, rape, mental illness, disordered eating, and cursing.
At breakfast, Leonard tells James he was orphaned at the age of 11 and hated the orphanage he was sent to. Skipping school, he began following a man named Michelangelo or “Mikey the Nose” around the Bronx, wanting to learn the secret of his wealth. Michelangelo and his wife, Geena, eventually adopted Leonard, providing him with a loving home. James makes it clear that he does not need to be “adopted” by Leonard. However, Leonard persists, persuading James to watch the Cleveland Browns’ football game later that day.
Lincoln apologizes to James, having learned that Roy had a vendetta against him and messed up the bathroom to get him into trouble. Lincoln admits that, as Roy was “a model Patient” (145), he assumed that James was lying.
Watching the football game, James remembers how he loved going to see the Cleveland Browns with his family as a child. Afterward, James receives a surprise visit from his brother Bob and his friends Julie and Kirk. They give him presents, including clothes, grooming products, and books. James shows them around the clinic’s extensive grounds. They walk one of the trails and meet Lilly with her grandmother.
Before leaving, Julie and Kirk give James a list of all the people who have asked how he is doing. After his friends and brother have gone, James calls the people on the list. He also calls his parents, who tell him they would like to attend the clinic’s family program to help his recovery. James insists he does not want them to come.
John approaches James, stating that he wants to make it up to James by giving him his daughter. James is horrified. However, when John cries, he repeats that there is no need to be sorry. Leonard orders takeout food for everyone, and James coaxes John to the dining hall, asserting that being around other people is the best way to counteract pain.
As James smells the takeout food, he is overwhelmed by hunger. He begins to shake, and his heart races. His shaking hands prevent him from using a fork, so he eats with his hands and keeps returning for more food. He goes to the bathroom and vomits.
Lilly calls James on the unit’s phone, telling him that her grandmother thought he “had pretty eyes” (167). James goes to bed smiling. Choosing War and Peace from the books his brother gave him, he reads and falls asleep.
When James wakes up, he is surprised that he does not need to vomit. He goes to the job board and sees that his new role is making coffee. At breakfast, he gets orange juice and a bowl of cereal and sits with Leonard, Ed, and Ted, enjoying listening to the men’s wisecracking. Ed has an alcohol addiction and a propensity for violence. Ted is a drug dealer and thief who skipped bail after being arrested for statutory rape.
James is called to Joanne’s office, where she reveals the results of his psychiatric tests. They show that he lacks self-esteem and is depressed, aggressive, and self-destructive. He is also highly intelligent. Joanne suggests that getting to the root of James’s anger issues will help his recovery, but he must also follow the Twelve Steps, as this is the only effective treatment for addiction. She reveals that 17 percent of patients remain sober for a year after leaving the clinic, “the best success rate of any Treatment Center in the World” (177). James insists he does not believe in the Twelve Steps. Joanne reveals that after James attacked Roy, Lincoln and Ken wanted to discharge him. However, her boyfriend Hank insisted that James was kind and brave, convincing her that he should be given another chance.
In a group therapy session, a Bald Man cries as he describes the alcoholism that brought him to the clinic. On Halloween, he dressed up as Luke Skywalker and took his young daughters trick-or-treating. Halfway round the neighborhood, he passed out, lost control of his bladder, and attacked a neighbor who tried to help him. Many of the patients laugh at the story, while the Bald Man sobs. However, James is haunted by the Bald Man’s story. He walks the trail, lies down in the grass, and feels suddenly calm.
The next morning, a new patient is sitting with Leonard, Ed, and Ted in the dining hall. James recognizes him as Matty Jackson, former featherweight boxing Champion of the World. Matty reveals that at the height of his success, he smoked crack at a party, believing it was marijuana, and was immediately addicted. Having completed his program, John tells James he is scared to leave the clinic. James hugs John and tells him he admires his strength.
James walks the trail, overwhelmed by “the Fury” and a craving for alcohol and drugs. He attacks a tree, screaming and tearing off its branches. He is interrupted by Lilly, who holds James as he starts to cry.
James is assigned to a new room. His roommate is a middle-aged Black man named Miles Davis, who plays the clarinet. Miles reveals that he is a Federal Judge.
A rock star gives a lecture to the patients on his journey from addiction to sobriety. James believes the famous singer is a phony, exaggerating the nature of his addiction for dramatic effect. Afterward, James begins reading the Tao Te Ching, one of the books his brother gave him. Although wary of religion and spiritualism, James relates to the book’s message, “Live and let live, do not judge, take life as it comes and deal with it” (213).
Roy returns to the clinic in a violent and psychotic state. His screams wake the patients in the middle of the night before he is taken away and diagnosed with Multiple Personality Disorder.
James walks the trail and sits on a bench. Leonard joins him, revealing more about his life with Michelangelo and Geena. After they moved to Las Vegas as a family, Geena died of cancer, and both he and his adoptive father became addicted to drugs. However, Michelangelo achieved sobriety after attending the Minnesota treatment clinic. One day, Michelangelo was gunned down in the street. As he was dying, he told Leonard to “live sober and live free” (229). Leonard describes how he killed his father’s murderers, and then booked into the clinic. He tells James that recovery will not be easy, but advises him to “just hold on” (230).
James is given a First Step workbook to fill in as part of his program. Patients are required to read the book and color in the illustrations. He is also instructed to identify a future ambition. He states that he wants to “Be a Laker Girl” (235) on the Goal Board. Inside the workbook, he writes that he does not “Need This Bullshit To Know I’m Out of Control” (237). Joanne confronts James over these contributions, suggesting they display a lack of commitment to the program. She explains her intention of placing James on the waiting list for a halfway house, as she believes he will need support to remain sober when he leaves. James refuses, stating that he can only truly “test” himself by attempting to live a “normal” life without support. Joanne points out that if he fails this test, he will die.
James and Lilly meet in the trail’s clearing. Lilly reveals that her grandmother persuaded her to come to the clinic and paid for her treatment. James discloses a secret he has never told anyone else. When he was 16, he had no friends and no date for Homecoming. As he concealed his friendlessness from his parents, his mother bought him a suit and gave him money to take his Homecoming date out to dinner. On the night of Homecoming, he drove to a ghetto looking to buy drugs and hired a sex worker, to whom he lost his virginity. Afterward, he felt disgusted and cried until he fell asleep. Lilly cries at James’s story, telling him its honesty “was beautiful.” The couple kiss.
Following his suicidal crisis, Frey depicts the crucial 24 hours that determine whether he stays at the clinic or follows through with his decision to end his own life, raising the stakes of the narrative. In these chapters, Frey recounts a series of seemingly insignificant experiences that cumulatively remind him of the joys of existence. The visits from his brother and friends reconnect Frey with people who care about him, while watching the football game reminds him of the innocence of childhood and positive memories of his loving family. Previously numbed to emotions other than anger and despair, he’s reminded of his capacity for giving and receiving love.
As Frey’s physical health improves in these chapters, he also experiences emotional growth, becoming more open-hearted. The development of close relationships with Leonard and Lilly illustrates a new receptiveness to the positive impact of companionship. Similarly, hearing the candid addiction stories of patients from different walks of life—everyone from the mobster, Leonard, to the Federal Judge, Miles—prompts Frey to realize that he’s not alone. In his interactions with John, Frey demonstrates a growing compassion, reacting to the other man’s inappropriate behavior with understanding rather than anger. Recognizing that surviving childhood sexual abuse has left John “broken beyond repair, wounded beyond the point of healing” (163), Frey offers him kindness. His admiration for the “Bald Man” who cries while relating his humiliating story in group therapy illustrates that Frey realizes that acknowledging and exposing his own weaknesses is a necessary part of the recovery process, underscoring Pain and Confrontation as Integral to Healing.
In these chapters, Frey tentatively begins to discover his own forms of therapy, deviating from the prescribed tenets set for him by the clinic. He finds unexpected solace in reading the Tao Te Ching, finding its verses “speak to me, make sense to me, reverberate within me, calm ease sedate relax still pacify me” (213). The Tao contrasts with The Big Book of Alcoholics Anonymous in its lack of authoritarianism. Instead of prescribing a route to follow, the Chinese philosophy emphasizes choice, suggesting the reader can either take or leave its guidance toward achieving greater integrity and self-awareness. Frey finds comfort in walking the trail in the clinic’s grounds. The connection he establishes with nature in this symbolic space is reflected in the narrative’s lyrical language. Describing a pond, he observes how “[i]n the shallows beneath, packs of small fish dance, solitary weeds lie still, algae clings to whatever it can find” (185). The cadences of the description introduce an uncharacteristic mood of serenity. The same trail serves as the setting where Frey feels able to reveal his emotional vulnerability to Lilly. He shares his homecoming story with her in the clearing and later releases his sorrow by crying in Lilly’s arms.
The therapeutic progress Frey makes of his own volition contrasts with the failure of the clinic’s official program to resonate with him, highlighting the ways the text attempts to interrogate The Role of Authority in the Therapeutic Relationships. The author emphasizes his perception of the Twelve Steps as infantilizing by comparing the workbook to a children’s coloring book. Meanwhile, the staff’s disapproving response to his contribution to the Goal Board suggests a fundamental clash in values. While his declaration that he wants to “Be a Laker Girl” is viewed as facetious, Frey points out that it made him laugh, and humor is itself a form of therapy.
Frey’s experiences emphasize that The Nature of Addiction is not a monolith, but specific to the individual, suggesting that each addict’s journey toward healing is as varied as humans themselves. The medical staff’s insistence that the program offers the only hope of sobriety is undercut by Roy’s unexpected reappearance at the clinic after graduating. As Lincoln attests, Roy was “an exemplary patient” who “worked hard on himself, […] worked hard on his Program, […] and […] followed all our Rules” (239). Therefore, his psychosis, caused by mental health challenges that went undiagnosed, calls into question the program’s efficacy. Continuing to rebel against the Twelve Steps, Frey dismisses Joanne’s recommendation of a halfway house, developing the alternative concept of a personal test once he leaves the clinic. His assertion that “I don’t want safety or support. I want there to be me and whatever I have to face, be it alcohol or drugs or something else. I want there to be a fight because I know how to fight” (244), emphasizes the importance of tailoring addiction therapy to an individual’s character. Frey’s determination to go it alone in the outside world also introduces narrative tension as Joanne points out that if he fails the test, he will die from his addictions.



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