60 pages 2-hour read

A Torch Against the Night

Fiction | Novel | YA | Published in 2016

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Background

Content Warning: This section of the guide includes discussion of graphic violence, racism, and death.

Series Context: An Ember in the Ashes

The Ember Quartet begins with An Ember in the Ashes, published in 2015. The novel quickly became a New York Times #1 bestseller and was named one of “The 100 Best YA Books of All Time” by Time magazine. A Torch Against the Night was published in 2016, followed by the final two books in the series, A Reaper at the Gates (2018) and A Sky Beyond the Storm (2020).


An Ember in the Ashes establishes the characters and the long story arc of the series, introducing Laia of Serra, a Scholar, and Elias Veturia, a Mask for the Martial Empire. In the world of the series, a number of distinct cultures exist, including Martials, Scholars, Tribals, and Mariners. While the Tribals and Mariners have forged treaties with the Martial Empire that stop the Martials from invading their lands, the Scholars have been conquered and subsequently enslaved by the Martials.


The Martial Empire is modeled on the real-world Roman Empire, reflected by the naming conventions, military hierarchy, and brutal warmongering of the society. When An Ember in the Ashes begins, Laia lives with her brother, Darin, and her grandparents; her parents and older sister, who were deeply involved in the Scholar rebellion, an underground faction planning to revolt, were captured and killed. Now, Laia’s family home is invaded by Martial soldiers; her grandparents are killed and Darin taken, but Laia escapes into the neighborhood and evades capture. She quickly becomes fixed on one goal: to save her brother from Martial prison.


Meanwhile, Elias has nearly completed his training to become a Mask at Blackcliff Academy. As elite soldiers, he and his friends, including his best friend, Helene Aguilla, will serve under the Emperor. However, Elias is having second thoughts, and he has decided to desert Blackcliff when his training is complete.


Laia and Elias’s stories intersect when Laia is placed by the Scholar rebellion inside the household of the Commandant, the fearsome military leader in charge of Blackcliff, who is also Elias’s mother. Laia works with fellow enslaved Scholar Izzi and the mysterious Cook as she works to gain information for the rebellion, whose leader has promised to help her free Darin if she gives them information about Blackcliff. Laia discovers that Darin has knowledge that is crucial to overthrowing the Empire and becomes even more committed to finding and freeing him.


Elias faces off against enemies and friends in an event known as the Trials, in which the new Emperor, Marcus Farrar, is chosen. Elias’s desire to walk away from the life of a Mask becomes even more firm. By the end of the Trials, both Elias and Laia are fugitives from Blackcliff and wanted by the Empire. The end of An Ember in the Ashes leaves Elias and Laia fleeing into the tunnels beneath the academy, Martial soldiers at their heels, and A Torch Against the Night begins in those same tunnels, with both characters running for their lives.

Genre Context: Dystopian Tropes in Young Adult Fantasy

A Torch Against the Night is rooted in the conventions of young adult (YA) dystopian fantasy, a genre that gained immense popularity in the 2000s and 2010s. The book’s praise section explicitly compares it to a cornerstone of the genre, noting it “has the addictive quality of The Hunger Games” (iv). Like other YA dystopias, the novel features a powerful, totalitarian regime—the Martial Empire—that enforces a rigid social hierarchy, dividing society into the dominant Martials and the subjugated Scholars. The protagonists, Laia and Elias, embody familiar genre archetypes: Laia is the reluctant teenager thrust into the role of a revolutionary, while Elias is the elite insider who defects after witnessing the regime’s corruption. Their high-stakes journey from the capital city of Serra to the infamous Kauf Prison is a classic dystopian narrative of fugitives fighting for their lives against an omnipresent state.


These genre tropes provide a framework for exploring timeless themes of morality, resistance, and sacrifice. YA dystopian fiction often functions as an allegory for contemporary social and political anxieties, particularly highlighting the power of youth-led movements, as in Veronica Roth’s Divergent (2011) series and James Dashner’s The Maze Runner (2009). In the Ember Quartet, the Scholar Resistance, though flawed and fractured, mirrors real-world youth protest movements, such as the student-led pro-democracy protests in Hong Kong, where young activists organized against a technologically superior and powerful state apparatus. By situating her story within this genre, author Sabaa Tahir uses the established narrative of teen rebellion to examine the difficult choices faced by those who fight against systemic oppression, forcing readers to consider the moral compromises inherent in the struggle for freedom.

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