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Content Warning: This section of the guide includes discussion of racism, gender discrimination, sexual violence, emotional abuse, child death, and illness.
Alva arrives home and senses that something is wrong. She rings for her lady’s maid, Mary, only to be told that Mary has been fired. Alva is baffled. The housekeeper admits that she fired Mary after William told her to do so. Alva finds Mary and attempts to stop her from leaving. Mary tells Alva that people have found it inappropriate for her to serve as a lady’s maid because she is Black. She also tells Alva that William touched her face and said, “Girls like you used to be the masters’ pets” (311), and when Mary rejected his advances, he asked her to leave. Alva is shocked. She agrees it is probably best for Mary to leave under these circumstances. She agrees to help Mary establish a shop where she can sell her needlework. Mary advises that Alva find an “ugly” lady’s maid to replace her so that William will not be tempted.
That night at dinner, Alva confronts William about his behavior. He tells her he fired Mary because people were gossiping about Alva having a Black lady’s maid. He notes that his brother Corneil and sister-in-law Alice particularly disapproved. Alva is so angry that she goes to her room without finishing her dinner.
The next day, William acts as if nothing happened. He tells Alva he did it for her own good. She is stunned at his manipulative nature.
Lady C. writes to Alva to share that she has separated from her husband, the Duke of Manchester. She has been spending her time with Prince Albert, known as Bertie. She reports that she has been left with very little money due to her husband’s profligacy.
Shortly before Alva’s 40th birthday, while they are on vacation in Newport, Rhode Island, William tells Alva that he has purchased a plot of land in town. He wants Alva to oversee the construction of a vacation home for them there. He tells Alva that Oliver is in town, building his own home with Richard Hunt, the architect.
Alva is surprised to hear Oliver has returned to the US after traveling abroad for seven years. The news makes her think about the nearly irresistible spark between them. She thinks about how she heard “a noted naturalist” speak at a lecture about how this “animal chemistry” was “a physiological response” (324). At the same lecture series, she had heard Mark Twain speak, although many did not attend because they were offended by his portrayal in his novel, The Gilded Age.
Alva runs into Oliver and Richard in town. Alva is delighted to see Oliver. He invites her to the groundbreaking for his new building the following morning. She accepts.
Alva sends a letter to Lady C. She tells her best friend about her feelings for Oliver, although she emphasizes that she has “never acted on this attraction” (333). Lady C. replies to say she sympathizes with Alva’s situation. She suggests that they get together that winter, while Alva is traveling in Europe.
That spring, after visiting Europe, Alva and William return to New York to learn that Corneil and Alice’s son Bill had died of typhoid a week earlier. They are shocked and dismayed. Alva feels guilty that while she was enjoying herself with Lady C. in Europe, Alice and Corneil had been dealing with their son’s illness. There is a lavish funeral, and people gather outside the Vanderbilt homes begging for money for their own sick relatives. Consuelo persuades her mother to give them some money.
A few weeks later, Alva, William, and their children take William’s large yacht, the Alva, from New York to Newport to see the completed vacation home, dubbed Marble House. Alva based its design on the Petit Trianon in Versailles. On the way, the yacht crashes into a small rowboat, killing two passengers. Alva is horrified and haunted by the deaths. William acts like nothing is wrong. She wonders if he is a “monster.”
William and Oliver spend a lot of time together that summer, developing a zoo. One night at a clam bake, Oliver approaches Alva and briefly caresses the back of her neck. She is deeply moved by the gesture. She reflects on how rarely she is ever touched. She gives in to the yearning feeling.
Later, over dinner, Alva’s friend Mamie comments that she admires Alva’s restraint over William’s habit of bringing “harlots” into the house. Alva is shocked, but before she can react, the butler arrives with a telegram, informing the party that William’s yacht has sunk. That evening, William tells them that the yacht was hit by another ship while docked, and it sank. Miraculously, he and everyone else survived.
Before bed, Alva tells William she wants the title to the Marble House. She explains that if he dies, she will be left with nothing. He agrees to hand the title over to her. Then, Alva goes to bed with her sister, Armide, who is vacationing with them.
In August, Alva receives a letter from Lady C., announcing that her husband, the Duke of Manchester, has died of tuberculosis.
In May, Alva prepares to take her children to the annual Coaching Parade in Central Park. Her husband has been in Europe since February, overseeing the construction of a new yacht, the Valiant. Her son, Harold, misses his father. Oliver Belmont drops by. She is happy to see him. Alva agrees that they can all go to the parade together.
That summer, Oliver and Alva spend a lot of time together. There is an item in a local tabloid, Town Topics, commenting on their constant companionship and suggesting they are having an affair. Alva threatens the publisher, Colonel Mann, with a lawsuit for publishing libel. Alva tells friends that she and Oliver mostly talk about politics. They think that is not very romantic, but Alva disagrees; she finds it “terribly romantic” to have her opinions taken seriously.
In July, William returns home. He immediately confronts Alva about whether she has been having an affair with Oliver. She denies it. He tells her that he wants to take the family on a round-the-world cruise on his yacht. She agrees. She thinks it will give them a chance to make a fresh start—and take her away from the temptation of Oliver.
In October, the family sets out for their cruise to Egypt, India, and Europe. Alva is reading Henry James’s The Portrait of a Lady on the cruise, because she can relate to the story of a woman whose life is changed when she inherits a fortune. Alva is surprised to see that William has invited Oliver on the cruise. He has also invited playboy Winthrop Rutherfurd, who is courting Alva’s 16-year-old daughter, Consuelo. Alva does not approve; she thinks he is only after her fortune.
One day, while on the cruise, Oliver and Alva talk about Consuelo. Alva remarks that perhaps Consuelo is willfully ignorant of Rutherfurd’s womanizing history rather than simply naive. Oliver asks Alva if she is happy. He feels she is hiding her real self “behind that faultless façade” (382).
While in Calcutta (Kolkata), Alva visits with Vicereine Lansdowne. Lady Lansdowne proposes that she arrange for Consuelo to meet the Duke of Marlborough, Charles Spencer-Churchill, in England. Alva agrees, though she feels anxious about finding a good match for her daughter.
While on the train en route to Paris, Alva opens a long letter from Lady C. In the letter, her best friend admits that she has been having an affair with William, Alva’s husband, for years. While he was away overseeing the construction of his new yacht, he had in fact been sleeping with Consuelo. He has also been financially supporting her since the death of her husband. She admits that she was late the morning after the costume ball because she had been in bed with William.
Alva is shocked, hurt, and angry. She cannot believe how badly she has been betrayed. She does not know what to do; to publicize the affair would risk damaging her daughter’s position in society before she has been married, and it would financially ruin Alva. Nevertheless, she resolves not to end up like a Henry James heroine and decides she will ask for a divorce.
That evening, she confronts William about what she has learned. He admits it is true. She tells him she is thinking of divorce and throws a plate at him to get him to leave the room. She goes to the balcony and calls out, “I have led an exemplary life” as a “warning” (408).
Alva contemplates what to do while she prepares for her daughter Consuelo’s coming out ball. Consuelo is very beautiful, and they have many offers for her marriage. Consuelo is courted by Prince Francis Joseph of Battenberg, future ruler of Bulgaria, but Consuelo finds him dull. They agree to turn down his proposal of marriage.
After a few days of considering what the Empress Eugénie might do, Alva finally confronts William with her plan. She tells him that after she leaves Paris, she wants William to publicly have an affair. That will provide the pretext she needs for a divorce without revealing the shameful secret that the real affair had been with her best friend. She tells William that if he does not agree to the scheme, she will reveal his affair with Lady C.
The day before she leaves Paris for London, Alva is confronted by William and Corneil. They strenuously insist that she desist in her plans for divorce and forgive her husband. Corneil says she “made a vow to G-d” (431). Alva refuses to give in, in no small part to “set an example” for other women (432). Reluctantly, William agrees to her plan.
In August, Alva arrives in London with Consuelo. They go to the Duke of Marlborough’s estate, Blenheim, in Woodstock. The Duke is known as “Sunny.” Sunny and Consuelo get along very well.
Upon their return to New York, the story of William’s affair breaks in the newspapers. Alva uses the newspaper stories as evidence to prove infidelity in her divorce claim. Her lawyer attempts to dissuade Alva from getting a divorce because it would tear at the fabric of society and “plant in other ladies’ minds the notion that they, too, can take their offenses to the courts” (440). Alva insists on going through with the divorce. Alice and Mrs. Vanderbilt visit and plead with her to forgive her husband, but she refuses.
That autumn, William and Alva break the news to their children about the divorce. They are shocked but come to understand. Most of society shuns Alva once the news breaks about the divorce proceedings.
On Christmas Eve, Alva runs into Oliver in his carriage near Central Park. She tells him to leave her alone. She is angry because she thinks he knew about William’s affair with Lady C., but Oliver is shocked when he learns of it. He insists he did not know, and she believes him. They go on a carriage ride together and catch up. Oliver says he is getting involved with progressive politics. They part as friends.
At church on Christmas, Alva sees Ward McAllister. She apologizes to him for having shunned him after the publication of his book. He forgives her. They rekindle their friendship.
In Part 3, Chapter 5, Alva experiences the major turning point in her character development when she receives a letter from her best friend, Lady C., confessing to a years-long affair between herself and Alva’s husband, William. In the letter, Lady C. explains that she is confessing now because she did not feel the freedom she expected to feel after her husband died, still weighed down by guilt over the affair. She recognizes that it is likely her confession will have “served no one except [herself]” (395). This letter, which arrives out of the blue and upends Alva’s entire conception of her life, is an example of a deus ex machina, a literary device in which an unexpected event resolves an otherwise irresolvable tension in the plot. This letter is used to confront Alva directly with evidence of her husband’s infidelities, which have become so egregious as to warrant action. While loosely based on real speculation at the time that Lady C. had an affair with William, the letter itself is fictionalized and dramatized for the sake of the novel and Alva’s character development.
The revelation of the betrayal highlights the notion of The Hollowness of Marriage as an Economic Contract. William feels he upheld his end of their contract in providing materially for Alva. He does not feel that the contract requires love or fidelity on his part, but Alva has begun to feel differently. She is emotionally hurt by his actions and begins to feel that a marriage based on love is what she desires. However, she does not have a complete change of heart in her understanding of marriage. She still intervenes to ensure that her daughter does not marry for love to a “playboy,” focusing instead on the security of a title. This nuanced portrayal of Alva’s evolution illustrates how much Gatekeeping and the Policing of Respectability shaped the society in which Alva lived. Although she experienced firsthand the limitations of the life she was told to live, she could not jettison all of the rigid social norms in which she was raised at once.
In these chapters, Alva moves further along her character arc as she decouples from William and begins to seek financial security independently of him. Prior to Alva’s divorce and following the scare after William’s yacht sinks while he is aboard, Alva asks him for the deed to the Marble House, their vacation home in Newport, the construction of which Alva personally oversaw. As she points out, “If it’s mine, it should be truly mine” (352), as everything else she “owns” is technically property of her husband. This question of the deed to the vacation home is paralleled in the history of the historic property upon which its design was based. As Alva explains in a letter to Lady C., she modeled the Marble House after “the Petit Trianon at Versailles” (331). The Petit Trianon is a vacation home built near the French palace of Versailles, which Queen Marie Antoinette was given ownership of the home outright. This was unusual at the time, as queen consorts did not typically own their own property at the French court, and her ownership of the Petit Trianon was a sign of her independence. Similarly, Alva’s acquisition of the Marble House, based on the Petit Trianon, was a sign of her growing independence, and with this layered meaning, the narrative amplifies the thematic meaning of her ownership.



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