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Will asks Marcus to pretend to be his son. He confesses that he likes Rachel a lot and wants her to be his girlfriend. Marcus cannot understand why Will is lying to Rachel but agrees to go along with his plan, anyway. Marcus also tells Will that he wishes Ellie were his girlfriend, and while he is not sure about touching her, he wants to be close to her. The pair turn up to Rachel’s house. Marcus is introduced to Rachel’s son, Ali, while the two adults go downstairs. A slamming door is heard; Marcus is trying to go home.
Marcus has to leave Rachel’s house because Ali threatened to kill him if Will went out with Rachel. Will finds Marcus trying to escape, and brings him back to Rachel’s. There, Ali apologizes to Marcus and observes how when Will is with Rachel, his “way of looking” at her is seductive (201). Marcus practices a similar look on Ellie, but she thinks he has gone cross-eyed. When Marcus is waiting for her outside the newsstand, Lee Hartley and his gang approach and seize his glasses. Ellie beats up the bullies and sends them away, and Marcus is overcome by her beauty and strength.
Will realizes that he cannot keep lying to Rachel for the long term, so he awkwardly confesses that Marcus is not his son. He also tells her the story of his involvement with Marcus, though he leaves out the part about joining SPAT because it would reflect poorly on him. He confesses that he thought mentioning Marcus would make him “more interesting” (209). Rachel admits that she had thought Will was “sort of blank” because he had no passion (210). However, she recognizes that Will and Marcus’s relationship is real. Will feels intensely vulnerable, like the parents of SPAT, whose problems, he considers, began from the moment they fell in love and trusted someone.
Marcus notices that his mother has started crying uncontrollably again. When he tells Will about it, Will says that he is unqualified to help and cannot talk to Fiona. Marcus thinks about telling Ellie, but she is upset because Kurt Cobain attempted suicide. When Ellie says she thinks Cobain will eventually succeed in his suicide attempts, even though he has a baby daughter, Marcus is distraught, runs away, and decides to skip his next classes. Ellie finds him hiding in the boys’ bathroom and apologizes for her earlier outburst. She admits that Marcus would know more than her about what it is like when someone close to you attempts suicide. Marcus cries, and Ellie sits with him.
Will feels remorseful about his dismissal when Marcus asked him to “do something about Fiona” (220). He realizes it is his duty to get involved, but the thought of Fiona’s depression intimidates him. Will feels out of his depth, so he goes to see Rachel, who is “buoyant” enough to “keep him afloat” (222). Will tells Rachel about Fiona and her troubles, and they discuss the meanings of life. Rachel asserts that the focal point of Will’s life is Marcus and that she admires Will for his resourcefulness in coping with a life full of blanks. Will and Rachel have sex for the first time; afterward, Rachel offers to talk to Fiona.
Fiona tells Marcus he must go to Cambridge to see his father, who has broken his collarbone and sustained a concussion after falling off a window ledge. Marcus is annoyed but agrees to go when Ellie is eager to accompany him. When he is due to meet Ellie at King’s Cross, Marcus notices a headline: Kurt Cobain successfully killed himself. He insists on leading Ellie blindfolded through the station so she does not see the paper. However, on the train, she pulls out a bottle of vodka and announces she is getting drunk because she has seen the headline. Marcus considers that Ellie “could just blow up in his face any time (238).
Will arranges to meet Fiona and Rachel in a pub, but when Rachel does not turn up, he is left to deal with Fiona alone. Over pizza, Fiona relates the facts of her depression, which “made her see everything through a greeny-brown gauze” (245). She also reveals that she never wanted to be a mother and sometimes hates Marcus “with a passion that frightened her” (244). When, in the cab home, they hear that Kurt Cobain killed himself, Will is worried about Marcus. Feeling a sense of premonition, he asks to listen to Marcus’s answering machine message. They learn that Marcus is at a police station in Royston.
The chapter goes back to when Ellie and Marcus are on the train; she keeps threatening to pull the emergency stop button. Marcus no longer wants Ellie to be his girlfriend because he sees how Ellie, like Will, needs to “invent” trouble in her life and idealize dead drug-takers because she has an absence of real problems (249). Ellie gets off at Royston, and Marcus follows her. She throws her boot through a shop window with a cut-out of Kurt Cobain in it, claiming it is commercially exploiting the singer’s death. She and Marcus are arrested because of her vandalism. They are taken to the police station and their parents are called. Marcus’s father Clive arrives with Lindsey, and Marcus is suddenly angry and delivers a speech where he deems his father “useless” (255). They learn that Will, Fiona, and Ellie’s mother are on their way.
Will learns that Rachel stood him up on purpose so that he would confront Fiona himself. Will, Fiona and Ellie’s mom, Katrina, drive to the police station. Will marvels at Marcus’s ability “to make all these connections, and yet remain so unconnected himself” (259).
At the police station, Ellie must face Ruth, the young woman who owns the record shop. Ruth looks like Ellie’s doppelgänger and is also an ardent Kurt Cobain fan. Ellie is lost for words and genuinely remorseful. When Fiona, Will, and Katrina arrive, Fiona makes a frenzied speech about being a bad mother and begs the police to let him start with a clean slate. Marcus calls her crazy and insists that he has not done anything. When they leave the police station and go to dinner, Marcus confirms that Ellie is not right for him and he needs someone “less different” from him (265). Will, who is thinking about Rachel, feels that differences are a blessing.
Marcus stays in Cambridge with Clive, and the two have a private talk. Clive admits he has been an ineffective, absent father. While he considers that Marcus needs a father, Marcus thinks he will be fine because, even though his parents are useless, he has expanded his network and, in a city like London, will always find people on whom he can rely. He is confident about his ability to handle life. Clive asks how he would feel if Lindsey had a baby. Marcus says he would be fine with it because he knows the value of having “extra people around him” (272).
In the book’s final chapter, Will feels more vulnerable than ever, given how much he loves Rachel and fears that he might lose her. He wants to marry her but feels like he does not deserve her. He has developed the habit of taking Marcus and Ali out on Saturdays; he notices that Marcus has grown up and seems older than Ali.
While Marcus is still friends with Ellie and Zoe, he is more “circumspect” in his speech, and the old childish version of him “was disappearing” (275). Will observes that Marcus “had developed a skin—the kind of skin Will had just shed” (277). Will considers that, to gain their new identities, both he and Marcus had to lose something else; Will had to lose his coolness to be with Rachel, and Marcus had to lose his idiosyncrasies to fit in with the kids at school and not be bullied.
In the final third of the novel, Will and Marcus establish new relationships with women and grow apart slightly. In each case, the woman is formative; Rachel, the single mother Will falls in love with, forces him to assume adult responsibilities, while Ellie, the wild girl at school, invites Marcus to be adolescent and irresponsible.
When Will falls in love with Rachel, he is in constant torment about the possibility that she will leave him; he describes feeling “as if he were a chick whose egg had been cracked open, and he was outside in the world shivering and unsteady on his feet” (273). The fact that Will’s barrier of trendy indifference is cracking makes him feel intensely vulnerable. He realizes that his boyish behaviors of lying and avoiding responsibility will not impress Rachel or guarantee that she will be in his life for the long term. One by one, his protective layers are removed, beginning with the reveal of his fabricated fatherhood.
While Rachel is baffled and amused by his invention, she says: “[Y]ou didn’t make it all up about Marcus. You’re involved, and you care, and you understand him, and you worry about him,” thus proving Will is not the “‘blank”’ passionless man she initially thought he was (210). Rachel insists that Will maintain his responsibility to Marcus; when he is tempted to shirk his duty to talk to suicidal Fiona, she manipulates the situation so he is forced to do so. Although he is initially unconfident about how to help Fiona, feeling bereft of solutions, he realizes that being present and accountable is enough. With some encouragement from Rachel, rather than avoiding life and its problems, Will learns to live it and take the good with the bad.
While Will becomes more adult, Marcus continues becoming more adolescent. He exhibits the adolescent quality of changing his mind when he needs to. While he is initially adamant that he will not go to Cambridge to comfort his absent father, Clive, Marcus changes his mind when Ellie says she will accompany him. While he initially wishes he could be grown-up and cool enough to be Ellie’s boyfriend, later he realizes that “she […] wasn’t the right sort of person for him” (247). He continues being friends with her but stops trying to impress her. Although Marcus feels more secure because he has people in his life, he begins to see his destiny as separate from that of his troubled parents. He decides that life “was going to work for him,” even if it does not work for “mad people” like his mother (271). This bolsters his independence, even as he allows more people into his life.
At the end of the novel, there is the sense that everything is in order because both Will and Marcus are acting their respective ages, but there is also a feeling of loss. Will realizes that he and Marcus “had to lose things in order to gain other things” (278). While Will loses “his shell and his cool and his distance” to become more vulnerable and responsible, Marcus loses his youthful idiosyncrasy and becomes “as robust and unremarkable as every other twelve-year-old kid” (278). Both Will and Fiona miss the old, literal-minded Marcus, even though new Marcus “wasn’t so hard to cope with” (277). Ironically, Marcus develops “the kind of skin Will had just shed” (277), and the reader is left to wonder whether he might later exhibit similar tendencies to the cool Will from the beginning of the novel.



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