68 pages 2-hour read

After The First Death

Fiction | Novel | YA | Published in 1979

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Part 3Chapter Summaries & Analyses

Part 3 Summary

Part 3 returns to Ben at Castle. He waits for his father to arrive. While he waits, he tells a story from right before the bus incident. While out and about, he met a girl from a neighboring town and fell in love with her. When he called to ask her out a few days later, she barely remembered him and turned him down. Ben is heartbroken, and that heartbreak is now guilt because the entire time the kids were trapped on the bridge, “I could think only of myself and how miserable I was” (48).


In a flashback, Ben describes the days following his heartbreak. He got a call from his father about the hijacking. His father tells him to stay home and that a guard is being put on the house. His father received a letter addressed to his cover name, which means the hijacking has to do with the secret work done at Inner Delta.


Back in the present, Ben’s father is now 15 minutes late, and Ben still isn’t sure if he wants to see him. He alternates between typing and looking out the window, feeling as if his father is “already here in the room with me, watching and waiting” (56).

Part 3 Analysis

On the surface, Ben’s heartbreak while children were abducted feels selfish. Teenage heartbreak will likely mend, but the loss of life cannot be reversed. Ben’s focus on his emotions, though, is natural. For him, the heartbreak is immediate and real. It causes him pain in the moment and feels worse than a hijacking that’s happening somewhere else to someone else. Ben puts emphasis on the situation that affects him more because it is worse for him. Even if Kate knew about Ben’s heartbreak, the bus incident is a more immediate threat, and she would focus on it, rather than Ben’s sorrow. Cormier suggests we prioritize pain based on how it affects us, and he considers the importance of perspective.


In Part 3, we see Ben break the fourth wall to speak directly to the reader. Breaking the fourth wall is a term from theater that refers to actors talking to the audience. Cormier wrote Ben’s section almost as journal entries with a more conversational, stream-of-consciousness style. In addition to suggesting Ben experiences lingering trauma from the bus incident, Ben’s ongoing references to people who are watching him imply he may be hallucinating the presence of onlookers or be overly concerned with how other perceive him. Cormier may have written Ben’s passages this way to show the effects of trauma on the human brain. He may have also intended to set Ben up as an unreliable narrator to increase suspense.

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