50 pages 1-hour read

After You

Fiction | Novel | Adult | Published in 2015

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Chapters 9-14Chapter Summaries & Analyses

Chapter 9 Summary

Content Warning: This section of the guide includes discussion of sexual content and death.


Louisa calls Steven after work one day and tells him about Lily. Steven is shocked but expresses interest in meeting her. The following Saturday, Louisa takes Lily to Granta House. Louisa, Lily, Steven, and Della spend the afternoon together. Louisa is delighted to see Steven and Lily interact. At the end of the afternoon, Lily suggests coming to stay at Granta House. Steven and Della insist it isn’t a good time because they’re having a baby. Upset that another family is rejecting her, Lily gets upset and storms out.

Chapter 10 Summary

Louisa doesn’t hear from Lily for several days. Although worried, she is glad for some personal space. Meanwhile, she tries not to think about Sam, attends a grief group, and focuses on work. Then one night, Lily shows back up at Louisa’s apartment at two am. She’s visibly drunk and falls asleep on the couch.


Louisa lets Lily stay with her. They develop a routine, but Lily often spends her days outside the apartment. Louisa tries determining what she might be up to while attempting to patch things up with Steven. Then one night, Sam shows up at her apartment. He was in the neighborhood and wanted to see if Louisa was okay. They chat for a while before Sam invites her to his place. They take his motorcycle to “the very edge of the city” where Sam recently bought land (112). He is living in an old railroad car on the property until he builds a house. They spend the rest of the evening talking about their lives, the difficulties of teenagers, and recovering from grief.

Chapter 11 Summary

At the grief group, Louisa opens up about missing Will. She wishes she could talk to him about everything going on in her life. When she returns home afterward, Lily is moody and distant. Louisa calls Treena for advice. Treena reminds Louisa she isn’t Lily’s parent but suggests she engage with Lily differently.


On Friday, Louisa brings home paint and invites Lily to help her spruce up the apartment. While working, they chat about Will and the Traynors. Afterward, they go out dancing. When they emerge from the club, they run into Sam who had a call in the area. He offers Lily and Louisa a ride in the ambulance. Back at Louisa’s flat, Lily teases Louisa about Sam.

Chapter 12 Summary

Louisa writes Camilla a letter about Lily but doesn’t receive a reply. Then one day, Tanya calls to inform Louisa she and her family will be out of town. Remembering Lily mentioned someone named Martin who she was in touch with, Louisa asks Tanya for his number. Tanya hangs up without explanation.


Over the following days, Louisa realizes how different her life has felt since meeting Lily. She’s been enjoying Lily’s company despite her moods. One day, she takes off from work and takes Lily on a drive. Over lunch, they chat about their lives and Will. Louisa asks about Martin, too. Lily explains he was Tanya’s boyfriend when she was young. He and Lily were close but didn’t get to see each other after he and Tanya broke up. Lily tried contacting him later, but he was married with a child. She sometimes still sees him, but she doesn’t fit into his family either. She opens up about her stepdad, too, and admits she doesn’t feel loved by her mom. Louisa is sympathetic.

Chapter 13 Summary

Sam shows up at Louisa’s work unannounced one day. He explains he had a call at the airport and invites her on a date that evening. After her shift, Louisa goes home and changes for her date, unsure of where Lily is. Later, she arrives at Sam’s soaking wet from the rain. He invites her to change in his room where Louisa notices a picture of a woman she guesses is his late wife.


The two spend the evening talking intimately. Overwhelmed by sudden desire, Louisa kisses Sam. Before they have sex, they show each other the scars on their bodies. Then they sleep together.


After sex, Louisa lies in Sam’s arms feeling surprisingly comfortable. In the morning, however, she realizes she’s just another woman Sam slept with to get over his wife. She gets dressed without making conversation, but Sam insists on driving her home.


Back at the flat, Louisa finds Lily dressed in the black and yellow tights Will gave her. Horrified that Lily went through her things, she demands that Lily remove the tights. Lily huffily takes them off and leaves to go clubbing. Afterward, Louisa apologizes to Sam for the scene.

Chapter 14 Summary

At the next Moving On Circle, the group discusses the ways they might get over their loss. Louisa opens up about her date. Then Jake tells the group his dad is seeing someone more seriously. Louisa thinks he’s talking about her and feels hopeful that Sam will stop sleeping with other people to be with her. Then Jake says he met his dad’s new girlfriend and doesn’t like her; the woman he describes isn’t Louisa. Mortified and hurt, Louisa leaves the group abruptly. Outside, she runs into Sam. She calls him names and races away, crying.


The next week is stormy and gray. Louisa feels miserable, still angry with Sam, and frustrated with herself. Lily is in a bad mood, too. Then one day, she leaves Louisa a note apologizing for taking the tights and complimenting her old clothes. The next day, Louisa takes Lily to meet Camilla but agrees per Lily’s request not to tell her who she is at first. Camilla lets the woman into her home but seems distant throughout the visit. Finally, they reveal Lily’s identity. Camilla acts incredulous, which upsets Lily. She accuses Camilla of being as heartless as everyone else and storms outside. In the car, Louisa insists Lily should have had more sympathy for Camilla, who’s still grieving Will. Lily accuses Louisa of being “a loser who thinks [she] can tell other people what to do” (170). Louisa doesn’t respond and drives the whole way home in silence.

Chapters 9-14 Analysis

Louisa’s developing dynamics with Lily and Sam continue to underscore The Complexity of Human Relationships After Loss. These relationships also convey the importance of making connections throughout The Complicated Process of Grieving and Healing. Ever since Will died, Louisa has used her self-imposed alienation as a defense mechanism. She has distanced herself from her family, avoided keeping up with friends, pushed away lasting romantic intimacy, and holed up in her apartment alone. Over time, these avoidant habits have only augmented her sorrow and stalled her grieving process. In Chapters 9-14, Louisa’s unexpected connections with Lily and Sam gradually draw her out of her insular reality and into a new community. Her concurrent interactions with the members of the Moving On Circle also encourage her to open up to others to process her loss; while sharing her life with new people is challenging, these relationships remind Louisa that she is not alone.


Throughout these chapters, the author uses imagery and symbolism to reify Louisa’s complex grieving journey and relational dynamics. Such imagery includes Granta House, Sam’s new property and his railroad car, the house painting project, the dancing night, and repeated car rides. Each of these images, scenes, or settings offers insight into Louisa’s interiority as she pursues personal growth and renewal. In the context of Granta House, Louisa is actively confronting her past with Will. Her reason for going to Granta House is Lily—she is taking her to meet her paternal grandfather—but the trip is transformative for Louisa, too. This is the first time Louisa has been to the house since Will’s death. Returning to the setting shows that Louisa is gaining emotional strength, which her relationship with Will’s daughter directly inspires. The images of and scenes set at Sam’s similarly convey Louisa’s yet unarticulated desire to move beyond Will. The property itself symbolizes the overlap of grief and healing: “Half the field was grassland, the other an irregular mess of concrete blocks. In the corner beyond the building work, sheltered by a high hedge, stood a railway carriage, and beside it, a chicken run in which several birds stopped to look expectantly toward us” (112-13). This scene combines images of destruction and recreation. The grassland represents new life in the future, while the concrete blocks represent the rubble of the past. Further, being in this space with Sam shows Louisa opening herself to new experiences and possibilities. This is also where she and Sam have sex for the first time—a plot point that shows Louisa engaging with her body and fostering intimacy with a new person for the first time since Will’s passing. The painting, dancing, and driving scenes also reify Louisa’s attempts to be more present. She is actively participating in her life, taking risks, making changes, and pursuing renewal. All these experiences are inspired by her relationships with Sam and Lily.


The image of Lily’s black and yellow tights is a reminder of Lily’s ongoing grieving process. While Sam and Lily are gradually opening her to new experiences and reminding her of who she can be in the wake of her loss, the tights remind her of the person she was before Will died. The tights were a gift from Will and thus reignite memories of their relationship. When Louisa finds Lily wearing the tights, she also discovers “the rest of [her old clothes]” tumbling out of her closet into a “heap on the floor” (155). This imagery symbolizes the unleashing of emotions that Louisa has compartmentalized since Will’s death. She has hidden her old clothes away because she’s been trying to hide the person she used to be with Will. The same is true of her emotional experience; she’s been trying to bury her sorrow in hopes that if she denies its existence, it will go away. However, Louisa’s emotional response to seeing the tights and clothes again shows that she is not only still grieving but also that she must confront and acknowledge her grief before she can fully move beyond it. Indeed, even her relationships with Lily and Sam (both of which contain uncertainties and risks) cannot fully mitigate her sorrow. The novel thus underscores that while Louisa needs support and love through her grief, her grief is ultimately her own.

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