55 pages 1-hour read

Alchemy of Secrets

Fiction | Novel | Adult | Published in 2025

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Interlude 1-Chapter 7Chapter Summaries & Analyses

Content Warning: This section of the guide features depictions of graphic violence, illness or death, and emotional abuse.

Interlude 1 Summary: “Folklore 517”

The novel’s interludes are told in the second person. On a rainy night, you follow a rumor to a shuttered movie theater for a secret class called Folklore 517. The lobby is frozen in time, and the auditorium holds only a few students. After the etiquette slides flicker on the screen, the lights and all phones die. Some students leave during the darkness, but you wait.


A stage light snaps on to reveal an elderly academic. She introduces herself as the Professor and says, “You’re here because of a story… Now I’m going to tell you another one” (4). The class begins.

Chapter 1 Summary

During a date, graduate student Holland St. James spots a poster that reminds her of the Watch Man, an urban myth from her Folklore 517 class, which is taught by a woman who goes only by the title of the Professor. Noticing a shop called Curios & Clockwork, Holland feels compelled to enter and leads her date, Jake, inside. Although she remembers the Professor’s rule never to discuss the content of the Folklore 517 classes, she decides to trust Jake and explains the urban legend of the Watch Man, a mysterious figure who tells people when they will die.


Inside, Holland tells the store assistant that she wants to ask the Watch Man the time. Holland and Jake each complete a form with their personal information.

Chapter 2 Summary

The next morning, Holland wakes disoriented and notices that Jake has not texted. She receives a message from Adam Bishop, a new faculty member on the Folklore Program, asking to meet. Suspecting that Adam may be looking for a teaching assistant, Holland resolves to decline the role as she loves her job showing old movies at the Coffee Lab. Holland’s passion for film began when she saw The Wizard of Oz at the age of four. Afterward, her father set her a treasure hunt to find a pair of ruby slippers like Dorothy’s.


Holland calls her twin sister, January, who is in Spain. January sounds uncharacteristically subdued. Their exchange is interrupted by the doorbell. A stranger named Manuel Vargas is at the door with a package and a business card for the First Bank of Centennial City. Vargas explains that Holland’s father leased a safety deposit box 15 years ago, and the Bank will destroy it in 24 hours if unclaimed. He warns her not to tell anyone about his visit.

Interlude 2 Summary: “Folklore 517: The Best Sidecar in Town”

In the second session of Folklore 517, the Professor explains the legend of the devil, who frequents a Los Angeles hotel. The only way to get one of his black-and-gold business cards—good for one wish—is to buy him a Sidecar cocktail. After a deal is made, the writing on the card disappears.

Chapter 3 Summary

Holland meets Adam Bishop, who declares he is her new thesis advisor. He is younger and more attractive than she expected, and during their meeting, Holland’s nose bleeds. Adam says he has replaced the Professor, whom he calls dishonest. He praises Holland’s prose but critiques her thesis, which argues that the devil was responsible for the deaths of several Hollywood stars who reneged on deals with him. Adam orders her to choose a new topic.


Angered, Holland leaves and tries to reach the Professor, but the call fails. She then uses Manuel Vargas’s card to contact the First Bank of Centennial City and request an appointment to view her father’s box.

Interlude 3 Summary: “Folklore 517: Hollywood Forever Cemetery”

The class meets at Hollywood Forever Cemetery, outside the mausoleum of Isla Saint and Benjamin J. Tierney, a famous couple who died 15 years ago. Tierney was a visionary filmmaker, and Saint was an acclaimed actress. Describing their untimely deaths, the Professor claims that the reported murder-suicide was a cover-up for a deal with the devil. She asserts that Hollywood was “built on favors from the devil” (36).

Chapter 4 Summary

Holland arrives at the Hollywood Roosevelt, hoping to encounter the devil and buy him a Sidecar. She wants to prove that her mother was innocent and that her parents’ death was the result of a deal with the devil. Her friend and classmate, Cat, joins her, followed by their friend, Eileen Cheng. Eileen works as a personal assistant, and an NDA prevents her from disclosing her employer’s identity. They see their friend, former child actor Chance Garcia, with a small crowd of fans. Holland steps away to check a voicemail from the First Bank of Centennial City. Padme Davani from the Bank confirms Holland’s 9:45 am appointment to open her father’s box.

Interlude 4 Summary: “Folklore 517: The Bank”

The morning after a class, you wake up unable to remember the previous night’s lecture. A friend confirms via text that they cannot recall it either. In your notebook, you find the faint imprint of erased notes describing a legendary Bank that only takes clients by appointment, cannot be breached, and guards the most secure vaults in the world.

Chapter 5 Summary

Still at the Roosevelt, Holland unsuccessfully tries to contact January. Jake calls in a panic, claiming the Watch Man has predicted that his death will occur at 6:47 pm that night. He begs Holland to come to his apartment, and she agrees. As she returns to her friends, Holland looks to the mezzanine and sees a man in a white dinner jacket who resembles an older, harder version of Adam Bishop. He studies her intently, then vanishes. Holland suffers another nosebleed. As she exits the hotel, she runs into Chance Garcia, who tells her to be careful.

Chapter 6 Summary

Holland reaches Jake’s apartment complex just before sunset. A disheveled Jake admits his name is fake and that he was hired for a job. He tells Holland the Watch Man offered him a deal: Avoid his 6:47 pm death by killing her instead. When he grabs for Holland, she wrenches free and runs, kicking off her heels to move faster through the complex.


Lost, Holland calls Chance for help. She retraces her path and finds Jake dead on a walkway at the precise time the Watch Man foretold.

Chapter 7 Summary

Holland stands over Jake’s body as the sprinkler system turns on. Despite Chance urging her to flee over the phone, she decides she needs answers and returns to the apartment. Inside, she finds mail addressed to Axel Jorgenson, Jake’s true identity. She also discovers a black folder with a gold art deco border, identical to the design on the devil’s business card.

Interlude 1-Chapter 7 Analysis

The novel’s chapters alternate between a third-person limited perspective focused on Holland and a series of second-person interludes titled “Folklore 517” that directly address the reader as “you.” This structure blurs the boundary between reader and protagonist, creating an immersive experience that informs Holland’s journey. By framing the legends as clandestine university lectures, the narrative positions the reader as a fellow student with the same forbidden knowledge Holland possesses. This technique generates dramatic irony, as the reader understands the potential reality of the myths before the protagonist. When the Professor opens the first interlude by stating, “You’re here because of a story… Now I’m going to tell you another one” (4), she implicates the reader in the novel’s central premise: to hear a story is to become part of it. This structural choice introduces the theme of Storytelling as a Form of Magic and Manipulation, as the second-person voice transforms the reader from a passive observer into a participant.


Recurring allusions to old Hollywood create an atmosphere in which glamour is linked to corruption and the past encroaches on the present. Settings like the Hollywood Roosevelt Hotel ground the urban fantasy in a tangible history of ambition, tragedy, and myth-making. This aesthetic evokes the film noir genre, which is characterized by moral ambiguity, deception, and conspiracies. Holland’s investigation into the secrets surrounding her parents’ deaths mirrors the classic noir detective’s quest and establishes the theme of Confronting the Ghosts of Family Legacy. The description of Hollywood Forever Cemetery, where film stars’ graves are set against the HOLLYWOOD sign, depicts Los Angeles as a labyrinth of buried secrets concealed behind opulent façades.


These opening chapters systematically deconstruct Holland’s reality to explore The Treacherous Nature of Secrets and Lies. Nearly every character she encounters operates under a false identity or a hidden agenda, creating pervasive instability. The character of Jake is introduced as a “genuinely a good guy” (5), a contrast to the esoteric world Holland chases. His subsequent confession that his name is Axel Jorgenson and that he was hired to manipulate Holland serves as the narrative’s initial betrayal. This subversion of the “nice guy” archetype establishes trust as a liability and intimacy as a potential tool of deceit, and this pattern of deception is further amplified by Adam Bishop, who undermines Holland’s trust in her mentor by declaring the Professor “a liar and a fraud” (27). Even Holland participates in this economy of deception, using the surname “St. James” to obscure her connection to her famous parents. The cumulative effect is a world where identity is fluid and motives are suspect, forcing Holland and the reader to question the authenticity of every relationship.


Although the reasons for Holland’s recurring nosebleeds and memory loss are yet unexplained, they will eventually be revealed to contribute to the motif of time. Later in the narrative, these symptoms are explained as a side-effect of Holland’s memories from earlier time loops. They therefore externalize Holland’s response to events that she struggles to interpret. Significantly, her first nosebleed occurs during her initial meeting with Adam Bishop, a confrontation that challenges her worldview. A second nosebleed follows her ominous vision of a man resembling Adam on the Roosevelt mezzanine, an experience that no one else witnesses. Holland’s psychological and physiological reactions signal that her perception is compromised, and these incidents blur the line between empirical reality and subjective experience, undermining her reliability as a focal character. The nosebleeds and episodes of disorientation function as physical markers of a world that is fundamentally unstable, and where magical secrets exert a measurable influence on those who come too close to the truth.


The initial chapters orchestrate the collision of the mundane and the magical, demonstrating how folklore functions as a tangible force. Legends discussed in the “Folklore 517” interludes, such as the Watch Man and the devil’s business card, manifest as concrete elements in Holland’s life. Jake’s death, which occurs at precisely the time foretold by the Watch Man, serves as definitive proof that the myths are operative laws in a hidden world. Holland soon realizes that she has been “chasing after the Professor’s myths with the guileless faith of a child following a breadcrumb trail, so fixated on the clues and the stories that she never paused to think about where they might eventually lead her” (58). This reflection crystallizes the novel’s core argument that stories are not escapes from reality but pathways into it, with irreversible consequences.

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