53 pages 1-hour read

All Fours

Fiction | Novel | Adult | Published in 2024

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Parts 3-4Chapter Summaries & Analyses

Part 3, Chapter 19 Summary

The narrator and Harris settle on a new arrangement: He’ll spend Monday nights at his office, and she’ll spend Wednesday nights at the Excelsior, working. She tells Jordi she thinks he’s having an affair with Caro, but Jordi is skeptical.


One Wednesday, the narrator stays in the Excelsior and tries to remember what Audra taught her. The next day, Sam tells her they brought their giant spoon to school and told everyone about her New York trip. Feeling guilty, she makes cupcakes with Sam. She hopes Harris will eat one and reset their dynamic when he returns from work, but he doesn’t.

Part 3, Chapter 20 Summary

Two weeks pass. The narrator’s relationship with Harris remains strained. One day, she invites her “married friends in their forties and fifties” (227) to visit her one by one in Room 321. During each visit, she asks about their marriages and real desires. They tell her their secret fantasies and relationship dreams. She feels hopeful that many want what she wants but still isn’t sure her new arrangement with Harris will last. One friend tells her she thinks that contemporary culture has made marriage difficult.


Between visits, the narrator notices that the bathroom tiles in Room 321 are different. They’re supposed to make a circular star pattern, but three tiles in the pattern were previously missing. Now the tiles are there. Skip informs her that Davey replaced them. She wonders if they might now make a portal.

Part 3, Chapter 21 Summary

Harris informs the narrator that he’s throwing a party for Caro. The narrator insists on attending, though Harris doesn’t seem to want her there. He hasn’t made eye contact with her in weeks. She relays the situation to Jordi, who suggests that she try to reestablish some connection point with Harris, like their old salute. However, the narrator can’t find the right time.


The narrator’s dad calls to tell her about her mom’s menopause. He says that her menopause was so severe that she couldn’t cope and moved out.


The narrator attends the party with Harris. She’s surprised to find that she likes Caro. When she observes Caro interacting with Harris, she realizes that they’re not having an affair but have a special connection. While cleaning up afterward, the narrator has a panic attack.

Part 3, Chapter 22 Summary

Tim Yoon calls the narrator and informs her that the telephotographer was from a real estate company that leaves ads in people’s mailboxes showing the relative prices of homes in the neighborhood so that people know their homes’ worth. He then informs her that Brian recently died of kidney disease.


She tells Harris about Brian’s death and the telephotographer. He asks to see the real estate ad of their home. The photo shows her in the upstairs window, wearing her pink robe. He tells her to put on the robe, but she recently took it to Goodwill. She puts on a nightie instead. Harris pretends he’s the photographer, and they have sex while role-playing. They stay in character while talking afterward.


After calling Jordi to tell her what happened with Harris, the narrator goes to Goodwill and buys back her robe. That night, she wears it, and she and Harris roleplay and have sex again. They continue talking about their relationship while in character. The next night, they do it again. During postcoital conversation, she tells Harris about her past as a dancer, and he doesn’t seem to mind.


The next morning, the narrator and Harris don’t talk until they realize something is wrong with Smokey. His fur is matted and knotted around his anus, and he can’t defecate. The couple works together to cut out the knots and clean him up.


Afterward, Harris tells her that he still doesn’t like her dance video and asks if it was for someone else. She admits she slept with a woman that night in Monrovia. Then they agree that they can both date other people.

Part 3, Chapter 23 Summary

Two months later, Harris tells the narrator he’s dating an old acquaintance named Paige. Paige calls her shortly thereafter, and they have an uncomfortable conversation. Toward the end of the call, the narrator realizes they’ll have to follow the new rules of their arrangement. She realizes that Harris will be monogamous with Paige and tells him they should stop having sex.

Part 3, Chapter 24 Summary

While attending a gallery opening with Jordi, the narrator makes eyes at artist Lore Estes’s ex-girlfriend, Kris, throughout the night. She messages her on the ride home, and Kris responds. They make plans to meet up at Room 321. On the appointed night, she doesn’t know how to feel about Kris and wonders if anything will happen. Eventually, they start touching and kissing and have sex. The next night, she tells Harris about Kris.


The narrator starts seeing Kris regularly. Sometimes they meet in Monrovia, and sometimes they meet in Oakland. They start getting more serious, but the narrator tells Harris she isn’t committing because that “would defeat the whole point” (271) of their arrangement.

Part 3, Chapter 25 Summary

The narrator is thrilled with her new arrangement and tells Jordi about it one night. Jordi is glad she’s happy but doubts that most married people could do the same. This saddens the narrator, but she generally feels better and has almost forgotten she’s menopausal. She and Jordi stop for dessert, and the narrator has another flashback to Sam’s birth in the checkout line. Jordi shepherds her outside. In the car, the narrator tries to find the FMH forum, but it has been taken down.


The narrator and Kris meet up again. Kris informs her that an artist acquaintance named Elsa Penbrook-Gibbard has been showing interest in her. During sex, the narrator pretends to be Elsa.

Part 3, Chapter 26 Summary

The narrator and Harris decide to tell Sam about their arrangement. They write a speech and nervously present it to Sam one night. Sam takes the news better than expected.


While visiting her doctor for a checkup, the narrator asks more about menopause. The answer is unsettling. Afterward, she starts a texting poll with her friends, asking about their menopausal experiences. She’s moved by the rapidity, number, and intimacy of the responses.


The narrator tells her friends about her arrangement with Harris. They’re supportive but admit they could never do the same in their marriages. Feeling alone, the narrator meets up with Paige. She’s the only one who fully understands.

Part 3, Chapter 27 Summary

The narrator flies to Oakland to see Kris. She notices that Kris is acting strangely as soon as she arrives. Kris tells her she doesn’t think they’re working together and wants to break up. Shocked and furious, the narrator tears off the little buckle ring Kris gave her recently, storms out, and drives to her friend Sharon’s house. In the morning, she texts Kris an apology and asks if she can come over. Kris informs her that she slept with Elsa. The narrator feels confused and desperate. Back at home, she tells Harris what happened. Over the next few days, she continues to text Kris. Kris won’t see her and doesn’t want to discuss the situation. Jordi tries to comfort her in the meantime, but the narrator is so inconsolable she can’t even eat and loses weight over the following weeks.


One night, Harris goes to see Paige and leaves the narrator alone with Sam. She still feels so upset that she closes herself in the bathroom and struggles to come out. She thinks about everything that happened, realizing she’s in the deathfield. When she emerges, Sam shows her his Lego creation. It fits into every corner in the house.

Part 3, Chapter 28 Summary

The narrator attends a friends’ potluck with Jordi but can’t engage for most of the evening. Then a woman named Tara introduces herself as one of Arkanda’s former assistants. She tells the narrator the real reason Arkanda wanted to meet with her was because she experienced FMH too.


Tara and Liza arrange a meeting between the narrator and Arkanda in Room 321. In preparation, the narrator buys a gift basket and dons her best outfit. However, when she arrives, she’s furious to discover that Room 321 is booked and Skip put Arkanda in 322.


The narrator and Arkanda chat about Arkanda’s work for the first part of the meeting. Then Arkanda has them pat each other down to neutralize the energy. Afterward, they share their FMH experiences. They repeatedly say how unbelievable it all was. Shortly thereafter, Arkanda leaves and the narrator feels better. She sleeps deeply in Room 322. When she wakes up, she feels as if she has just arrived in Monrovia for the first time. Then she starts writing about everything that happened to her there.

Part 4, Chapter 29 Summary

Four years later, the narrator flies to New York for the first stop on her book tour. En route, she thinks about Davey and considers texting him. She sends him a message about the bathroom tiles once she settles into her hotel. Davey responds, saying he’s doing a dance performance in the city the next night, and invites her to come.


The narrator calls Jordi, suddenly feeling dizzy and sick. Jordi suggests that she has vertigo and helps her perform a few exercises to reposition the crystal in her ear.

Part 4, Chapter 30 Summary

When she arrives at the dance venue for Davey’s performance, the narrator is shocked by how packed it is. As soon as Davey and Dev appear on stage, she realizes that everyone feels what she feels for Davey. She hopes he’ll mess up the performance so that everyone will stop admiring him, but he doesn’t. Finally, she sinks into the dance. At the end, Davey jumps into the air. As he does, the narrator thinks about everything she experienced and about her relationship with him. She realizes how silly her possessiveness was. When the performance is over, everyone (including the narrator) is crying. She feels grateful as she steps outside.

Parts 3-4 Analysis

Changes in the narrator’s personal life usher her toward self-actualization, sexual freedom, and artistic awakening. At the start of Part 3, she finds herself on a metaphorical threshold. She fears that her relationship with Harris is dissolving since their fight at the end of Part 2 put them “in a terrible, polite re-creation of [their] former life” (221). The “new, cold vacancy” (221) between them augments her alienation and confusion and further complicates her ability to see herself and to engage in her reality. However, once she and Harris open their marriage and establish a new relational arrangement, the narrator is freer to explore who she is both inside and outside the context of her home life. In some senses, her dynamic with Harris distracts her from her art and consumes her as much as her former infatuation with Davey. Over time, however, their open arrangement widens the narrator’s scope of experience and leads to her revelations about identity, life, marriage, and art. Indeed, her newly defined relationship with Harris is a metaphor for sexual freedom, conventional subversion, and thus artistic experimentation, thematically resolving her Journey Toward Self-Discovery and Pursuit of Personal and Sexual Freedom.


The narrator’s heartbreak over Kris compels her to face the truth of her emotions and desires, her hurts and needs. Before her relationship with Kris, she’s still hiding vulnerable parts of herself. This is particularly true in the context of her unresolved grief and confusion over Sam’s birth and her FMH experience. The flashbacks to Sam’s birth and the NICU throughout the novel convey her continued anxiety over what she experienced and her ongoing inability to confront its related complications. However, she has used her artwork and her relationships over the years to hide and disassociate from her pain. Therefore, when Kris breaks up with her, she incidentally opens the narrator to a raw emotional experience she hasn’t let herself feel before.


Amid her protracted bout of heartbreak, the narrator finds herself ready to meet with Arkanda and discuss FMH for the first time. She and Arkanda don’t develop a collaborative project, as the narrator hoped because it might help her relaunch her artistic career. However, their intimate interaction inspires the narrator’s new creative project. Indeed, the morning after she and Arkanda meet, the narrator wakes up in Room 322 and sees “the room [Room 321] exactly as it had been a year and a half ago” and begins “wr[iting] it as [she sees] it, alive before [her] eyes” (310). She can suddenly access her past experiences with new clarity. Her session with Arkanda cleared the proverbial cobwebs around the narrator’s heart and creative brain, and she feels more like herself and therefore better able to devote her energy to her work, thematically informing the narrator’s discovery of The Intersection of Life and Art.


Part 4 acts as the novel’s epilogue. The start of the section creates a temporal shift into the future, revealing the ways that the narrator has changed in the years since the end of Part 3. The final two chapters depict the narrator at a new phase in her life and give her narrative a hopeful resolution. She not only makes it to New York four years after her intended trip but also reunites with Davey and finds closure regarding their previously unresolved dynamic. His dance performance with Dev grants the narrator a transformative way of regarding her experiences and helps her understand not only who she is but how art and sex relate to her identity and her relationships.

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