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Anna has a meeting at North London Collegiate about offering an SAT course at the school. The headmistress scoffs when she hears Anna’s credentials and refuses her proposal. Feeling deflated afterwards, Anna goes to get a haircut and returns home to concoct a new tutoring plan. She makes arrangements to bring SAT course proposals to two other private schools in Highgate. Then she dons Faye’s silk blouse and linen pants for her meeting with St. Giles. At this meeting, she carries herself with more confidence, and the assistant director accepts her proposal.
A few days later, Anna completes her first SAT course at Highgate School. She walks to Parliament Hill afterwards, feeling lighter. Then she runs into Callum. His dog tromps through the mud and jumps on Anna, muddying Faye’s pants. They talk somewhat more openly than they have in the past months, but Callum is still cold toward Anna. He accuses her of wearing Faye’s clothes, insisting she’s put him in an uncomfortable position with his friends. He feels compelled to lie about who she is because of what she’s told them. He also admits that he’s tired of his friends’ decadent lifestyle. Anna argues that he has nothing to complain about and that she’s not asking him to do anything for her. She tries dismissing herself to meet up with Liv and Andre, but Callum insists on walking her to the top of the hill. She notices how much more charming he is toward her friends.
Anna shirks her classwork to attend a dinner at the Savoy with Theo and the Wilders. Over dinner, she’s thrilled to see Pippa. Theo and Faye arrive late together. Faye remarks on the new dress Anna bought for herself but seems critical of her throughout the dinner. Theo acts strangely, too. Anna tries to let it go. She’s thrilled when Mrs. Wilder invites Anna to spend the summer with them back in Saint-Tropez.
Afterwards, Anna and Theo take a cab. Theo is distracted by his phone, but Anna hides her annoyance.
Tess surprises Anna with an all-expenses-paid trip to Lisbon for her birthday. She invites her friends Ginny and Zara, and Callum joins them, too. The friends spend the week gallivanting around the city. On Anna’s birthday, Theo surprises Anna by showing up. They all go out to a fancy restaurant for dinner. Anna is embarrassed by the display and the price of the food. She and Callum keep catching each other’s eye, smirking at the absurdity of it all. Anna tries to ignore her guilt and focuses on what a nice day she’s had. She especially enjoyed the moment when she and her friends saw a helicopter drop carnations over the river. Throughout the remainder of the meal, Anna considers how much her life has changed and wonders what her mother would think of her new experiences.
On their “last full day in Lisbon,” the friends split up (232). Anna spends the first half of the day shopping with the girls but excuses herself to see a local castle alone later. While out, she gets lost, and it starts raining. Alone and wet, Anna bursts into tears. When she slips on the cobblestone, Callum appears and wraps her in a hug.
Callum insists on bringing Anna to his aunt Lena and uncle Martim’s house nearby. They welcome Anna, lend her clothes, and serve her dinner. Feeling more comfortable, Anna finds herself alluding to her childhood more openly. After dinner, Anna and Callum retreat to the living room to look at Callum’s family’s old photo albums. Callum explains that he came from humble beginnings. His grandparents owned a restaurant, but none of their children wanted to take over the business. His dad went into finance, which is how his family has earned their money. Anna is surprised that he isn’t from old money. She tells him more about her family, too, admitting that she left home because she “felt so trapped there” (247). She then apologizes for putting Callum in an uncomfortable position with his friends. She’s just enjoyed being someone different with them. Callum suggests they’d understand if she told them the truth and encourages her to talk to Tess. Then he kisses Anna. Lena enters, interrupting the moment. Callum bolts up and insists they have to go. In the hallway, Callum tells Anna the kiss was a mistake; he isn’t willing to hurt his friends the way Anna is.
Anna and her friends get ready to return home. Amidst their goodbyes, a furious Andre calls Anna. He is about to get evicted because Anna hasn’t been paying the council tax and never told the subletter to cover it. Now there are late fees and court fees. Anna knows she can’t afford to cover it. Callum notices Anna is upset. She insists everything is fine and dismisses herself to the bathroom. Through tears, she checks her bank account. The only money she has is money for her student loan.
Anna doesn’t spend as much time with her new friends in the following weeks. She devotes herself to tutoring and course essays. She also decides to use her loan money to pay back Andre. She’s hopeful that when her payment from her Muswell Hill Academy SAT course comes through, she can pay her tuition bill.
Meanwhile, Anna worries about her relationships with Callum and Theo. She doesn’t know what her and Callum’s kiss meant and is hopeful she and Theo can keep seeing each other when he returns to London.
One night, Anna accepts Tess’s invitation to a party on Billionaires Row. She borrows one of Faye’s dresses for the occasion. On the way there, Anna and Tess talk more about academia and literature. She then reunites with Theo at the house party. Anna ignores his and his friends’ political conversations and tries to enjoy herself. She is somewhat relieved Callum isn’t there, surprised when the others reveal that he’s now giving legal advice to immigrants through a nonprofit.
Anna is enjoying herself until she sees Callum enter. He tries shouting something in her direction, but she can’t hear him across the room. Then she turns and sees Faye.
Faye confronts Anna about wearing her dress in front of all their friends. Tess jumps to her defense, insisting she has an excellent wardrobe of her own. Faye reveals that Anna has been lying to them: she works for the Wilders and isn’t a friend. She accuses Anna of stealing her things and sleeping with Theo to con the Wilders and their friends. Callum races in, defending Anna and leading her out of the party. Anna tries pulling away, but he doesn’t let her go until she’s safely in a cab.
Anna’s inability to maintain both her performance of elite status and her ethical code reiterates The Seductive Power of Wealth. Her entrenchment in the world of London’s wealthy elite compromises her sense of self and leaves her constantly at risk of discovery, foreshadowing the eventual consequences of her ruse. The more time that Anna spends with Theo, Tess, Callum, and their friends, the more Anna deludes herself into believing that she belongs. Even when Anna experiences moral quandaries, she learns to dismiss them. For example, during the birthday dinner scene, Anna has a visceral response to the decadence of the meal: “With much fanfare, the waiter announced the chef’s most famous dish—a runny egg, the yolk covered in delicate gold leaf” (227). The ostentatious presentation and expense of the food trigger her discomfort at the unnecessary excess, making her “feel a bit queasy, and not just from the food. [She feels] like [she’s] in some kind of ritual of wealth. And it [isn’t] the kind of ritual you could exit” (227). Her birthday meal opens Anna’s eyes to her complicity in this elite world.
The image of the egg laced with gold leaf symbolizes the fraudulent aspects of both the Wilders’ elite world and Anna’s performance of wealth. The dish is a simple egg, a traditionally commonplace food known for its affordability. Covered in gold flecks—a flavorless decorative garnish that conveys its expense without adding to its substance—the egg acts as a symbol for Anna herself, bedecked in Faye’s clothes, which give her the appearance of wealth without adding to her character. Anna has tried to gild herself with an expensive exterior to make herself appear desirable to her new friends. The appearance of the egg at the table forces Anna to grapple with the things her friends value and what their priorities convey about their lack of social awareness. For example, Anna realizes during the meal that the money spent on these tiny, expensive dishes could pay for countless insulin shots—a revelation that triggers her guilt. However, she chooses to dismiss her discomfort because she’s desperate to enjoy the evening, positioning her arc from insecurity and deception to authenticity and empowerment as still in progress.
The moment Faye discovers that Anna’s been taking her clothes represents a climactic turning point in Anna’s narrative that emphasizes Power Dynamics in Interpersonal Relationships. Throughout the novel, Anna has been desperate “to make [her] life in London something [she] could stretch out in—feel safe in, enjoy,” living “more like Tess” and her friends (191). Their elaborate meals, outings, trips, clothes, and pastimes are enticing because they are emblematic of leisure and ease. At the same time, the more sacrifices Anna makes to acquire belonging in this world, the more she endangers herself. She has been hiding the truth of her past to satisfy her new friends’ expectations of her, but the illusion is ultimately revealed when Faye discovers her wearing her dress on Billionaires Row. Anna realizes she’s allowed her new friends to intimidate her into betraying her true self because of her desire for the power and freedom their wealth represents. Her confrontation with Faye forces her to face the economic hierarchy of elite society that she’s attempted to circumvent. Faye’s public accusation humiliates Anna, reminding her that the power and freedom she’s attempted to borrow are only an illusion. Anna feels powerless to defend herself because she doesn’t have the money or social credentials to verify her worth in this social framework. The group shuns Anna, augmenting her social alienation, laying the groundwork for Anna’s redemption arc in the novel’s conclusion.



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