60 pages 2-hour read

All This Twisted Glory

Fiction | Novel | YA | Published in 2024

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Part 1, Prologue-Chapter 5Chapter Summaries & Analyses

Part 1, Prologue Summary: “In the Beginning”

Content Warning: This section of the guide includes discussion of graphic violence.


Cyrus of Nara, the younger prince of Tulan, was never thirsty for political power. People thought the beautiful copper-haired prince was odd, since he could not speak until he was three, when he fell out of a palace window, tumbling over many rooftops to land in the temple of the Diviners, the powerful magicians of Tulan. A Diviner reassured him telepathically that he was fine, and a delighted Cyrus exclaimed aloud that what the Diviners did was magic: these were his first words. Since that moment, Cyrus was certain his destiny was to be a Diviner. He shunned his royal duties, traveling nearly every day through the tunnel that led to the temple of the Diviners to train with the priests. Cyrus gave up regal robes and cut his hair, dressing in the inky-black garment of the temple. It was understood that Cyrus’s older brother would be the next ruler of Tulan.


By the time Cyrus was close to 20, his training had already advanced enough that he was close to priesthood. However, weeks from this honor, Cyrus made a deal with Iblees, the devil, for undisclosed reasons. In return for power, Cyrus would carry out the devil’s commands, which included Cyrus supposedly killing his father King Reza and deposing his older brother from the throne. The bargain alienated Cyrus from the temple of the Diviners.


Now, as Cyrus approaches the hallowed temple grounds, Rustom, his compassionate old teacher, blocks his path. Rustom communicates telepathically to Cyrus that, having dealt with the devil, Cyrus is ineligible to take the vows of priesthood. The loss of his dream of being a magician plunges Cyrus into grief, and he begs his teacher for advice. The old man tells Cyrus sadly that if he does not embrace his destiny of ruling Tulan, many will die. Cyrus has to choose between his dreams and the deaths of his people.

Part 1, Chapter 1 Summary

Months later, Kamran, the crown prince of Ardunia, flies into Tulan with his entourage. The entire party rides a fleet of fabled, sacred birds with a wingspan as wide as a room. The magnificent bird Simorgh and her four children came to Kamran’s aid after Cyrus murdered King Zaal, Kamran’s grandfather, and lured Alizeh, Kamran’s love interest, to Tulan. Accompanied by the eccentric young heiress Miss Huda, 12-year-old orphan Omid, apothecary Deen, and Jinn Hazan, Kamran plans to avenge his grandfather and rescue Alizeh from Cyrus. As the graceful, plush birds descend into Tulan, Kamran reflects on Alizeh’s betrayal. He still cannot understand why she chose to accompany Cyrus. The extraordinarily beautiful Alizeh—forced into hiding as a snoda, or attendant—is actually the fated queen of the Jinn, while King Cyrus is known for his cruelty and dark magic.


Kamran is frequently annoyed by the irreverence of Miss Huda and Omid. Miss Huda eats an orange atop her Simorgh, an action that strikes Kamran as outrageously common. Hazan chides Kamran for taking himself too seriously. Kamran’s royal upbringing has left him arrogant and judgmental of others. Though Kamran does not argue with Hazan, he continues to feel annoyed by his companions. Kamran’s annoyance partly stems from his wish to be as free as Huda and the others. While the other Ardunians are traveling to Tulan for an adventure, Kamran is on a serious mission to rescue his legacy and throne.

Part 1, Chapter 2 Summary

The last few days have been tumultuous for Alizeh. In These Infinite Threads, Alizeh learned there was more to the dreaded King Cyrus than she had assumed. Cyrus’s bargain with Iblees extracts a huge cost, with Iblees often tormenting Cyrus. When Iblees assaulted Cyrus in the last book, Alizeh tended to him. Cyrus magicked the two of them to his private chambers in Tulan. Meanwhile, as rumors spread of Alizeh’s presence in Tulan, thousands of Jinn show up at the palace seeking reassurance that their queen is okay. Alizeh emerges from Cyrus’s chambers with her dress torn and bloody from tending to Cyrus, leading Queen Sarra, Cyrus’s mother, to reflect that soon there will be gossip that Cyrus and Alizeh have slept together.


Alizeh puts on a robe and addresses the Jinn from the palace parapet, acknowledging that she is their chosen queen. She promises to bring her people water; water is a rare resource, and the Jinn need it, rather than food, for sustenance. The crowd begins to weep and a moved Alizeh starts to approach them. However, Cyrus emerges from his chambers and forbids Alizeh from mingling with the crowd, instead sending out skins of water for the gathered Jinn. The crowd disperses and Cyrus strides out of the palace, Alizeh secretly following. He enters an illuminated forest at the edge of a salt flat, and disappears. Alizeh waits in front of the flat, determined to find out the secrets of the man who murdered King Zaal and his own father and stole the Book of Arya, the sacred text of the Jinn. The book has a map only Alizeh can access, which leads to the mystical mountains of Arya, whose crystals hold the world’s greatest magical powers.

Part 1, Chapter 3 Summary

Cyrus knows that Alizeh is following him, so he takes a long, twisted route in the hope of throwing her off. However, stubborn Alizeh does not give up. Cyrus wants to turn around and shout at her for endangering herself but knows she will not listen to him. He wishes he did not love her with the intensity that he does. Cyrus hardly knows Alizeh, having met her in person only a few weeks ago. However, Iblees planted Alizeh’s vision in Cyrus’s head a long time ago, making Cyrus fall in love with her. Now, as Cyrus heads to another audience with the devil, he wishes Alizeh would stay away from the darkness that always accompanies him. When he reaches the forest, Cyrus vanishes, summoned by Iblees.

Part 1, Chapter 4 Summary

Kamran thinks about the two-line inscription he read on the mysterious book (the Book of Arya) he found in Alizeh’s bag. The inscriptions spoke of a “woven kingdom” in which “clay and fire shall be” (36). Unable to parse the words’ meaning, he turns to thoughts of Alizeh. Kamran is enchanted by Alizeh, who seems to him incomparable in beauty and wit. In contrast, Huda, raised in an aristocratic household (although she is rumored to be illegitimate) is loud and unrefined. Kamran wants to finish his mission to kill Cyrus as soon as possible so he can be rid of Huda. At the same time, Kamran is aware of the flaws of Zaal’s rule. Zaal hid the water crisis from his people, letting them believe they had an unlimited supply. Kamran knows he just has a few years before the drought hits Ardunia.


Hazan interrupts Kamran’s musings to give him some news. Before their flight to Tulan, Kamran had sent the Jinn to the northern countryside to secure a safehouse. Hazan ran into Kamran’s mother, the queen, at a tavern. She had already found Kamran a safe room at the inn and gave Hazan a pink envelope for her son, saying she would be waiting for Kamran on his return. Hazan hands Kamran the envelope, warning him that the contents are not a letter.

Part 1, Chapter 5 Summary

After waiting for a long time in the cold for Cyrus, Alizeh decides to return to the palace. Striding into the dark, Alizeh reflects on the land around her. Tulan is much smaller than her native Ardunia, but it contains many more climates and geographical features, such as waterfalls, salt flats, and mountains. There is something mysterious about Tulan, and perhaps because of that, Ardunia has never been able to take over the kingdom.


Alizeh’s thoughts drift to Kamran. Though she left him behind, she wishes the prince well. It was Kamran who first believed in her, understanding that she was the Jinn queen. Caught in her thoughts, Alizeh notices that it has been growing steadily colder. Her fingers turning blue, Alizeh hurries toward the castle and is seized by chills. She collapses, instantly able to somehow sense Iblees. As she faints, the word “eyes,” whispered by the devil, echoes in her mind.

Part 1, Prologue-Chapter 5 Analysis

The chapter narration toggles between points of view—Kamran, Alizeh, and Cyrus—and follows a linear chronology, except the prologues to the two parts, which are set in Cyrus’s past. Narrated from Cyrus’s close third-person point of view, Part 1, Prologue and Part 2, Prologue simultaneously add depth to his character and deepen the mystery around him. For instance, Part 1, Prologue provides a vital glimpse into Cyrus’s past, painting him as a solitary, philosophical child.


The action in the first set of chapters resumes immediately from events in These Infinite Threads, which ended with Simorgh and her children carrying off Kamran and the others into the sky in a great crack of colors. Chapter 1 opens with the Ardunian group still airborne, Kamran suffering the company of his entourage. By placing Kamran with his unlikely companions, the narrative uses the motif of the journey to challenge his assumptions and flaws. Kamran, described in previous books as someone who keeps to himself, now must endure the company of others. Miss Huda, in particular, challenges Kamran’s ideas about femininity. At the same time, the constant build-up in tension between the two foreshadows the romantic subplot between them. The romance between Alizeh and Cyrus continues in the book’s opening, as well. When Alizeh follows Cyrus, he indicates that he is annoyed because he worries that harm might come to her. This concern suggests that Cyrus may not be as evil as other characters believe, reinforcing the theme of The Redemptive Power of Love.


The narrative often uses mysteries to build tension, and this section contains several mysteries. For example, the prologue raises the unanswered question of why Cyrus would deal with the devil when it effectively spells the end of his lifelong dream of being a Diviner, introducing the theme of The Complicated Cost of the Devil’s Bargain. While Cyrus gains power and influence, the narrative indicates that Cyrus never desired power. However, his deal with Iblees loses him his chance at fulfilling his personal goals, a fact that Cyrus does not know until after the deal is struck. This exchange ends the Part 1, Prologue on a mysterious note, with Rostam, Cyrus’s teacher, suggesting that depending on Cyrus’s actions “few can die. Or many” (8). Another mystery is the content of the envelope that Kamran’s mother gives to Hazan. Hazan warns the prince that it does not contain a letter, but the text does not reveal what it does contain. As these examples suggest, the narrative often holds its cards close to deepen suspense and keep readers guessing.


The language is evocative and poetic, illustrating the text’s universe with vivid images. The Part 1, Prologue introduces Cyrus with the “inky helm of his cloak scissoring the grass, his frantic pace inciting small riots of sound” (2). In Chapter 2, Alizeh describes the night as star-filled to the degree it looks like “a child had pressed a hand to the heavens and smeared its glitter across the sky” (19). Immersive and figurative, the language not only contributes to world-building, but also highlights the novel’s cultural context, focusing on elements rooted in Persian lore and geography, such as mountains, waterfalls, walled gardens, roses, and the night sky. The beautiful elements provide relief from the horror and Gothic strains in the novel, the latter evident in Alizeh’s and Cyrus’s encounters with Iblees. For instance, right after Alizeh marvels at the beautiful night sky of Tulan, cold seizes her and Iblees’s whisper eerily repeating the word “eyes.” This whisper is connected with Iblees’s removal of the eyes of King Reza, Cyrus’s father.


Another important theme explored in this section is Cultural Heritage as a Source of Power and Conflict. Alizeh notes that, though Jinn flock to her for inspiration, she has no kingdom or resources to offer her people. While political power is usually tied to wealth, legacy, and capital, Alizeh is not necessarily royal in heritage, and was raised in anonymity. Thus, Alizeh’s positioning as a queen challenges traditional notions of power. The narrative suggests that Alizeh’s power derives from cultural legitimacy and righteousness. It is justified because Alizeh represents the mandate of her oppressed people. She wants to reassert her people’s autonomy and restore their cultural heritage. Magic and prophecy become the tools through which this legitimacy is established in the novel’s fantastical world. However, while heritage empowers Alizeh, it can also be a source of conflict and stress, as in Kamran’s case. He snaps at his companions on their flight to Tulan, secretly envious of their ease. Unlike Huda, Omid, and Deen, who view the journey as an adventure, for Kamran the mission is more onerous. Forced to flee his kingdom, Kamran goes to Tulan to legitimize his rule and avenge his grandfather. The weight of his heritage as a prince of Ardunia means Kamran can never relax like a regular teenager.

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