61 pages 2-hour read

Altered Carbon

Fiction | Novel | Adult | Published in 2002

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Part 2Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, sexual content, sexual violence and harassment, death, substance use, physical abuse, and emotional abuse.

Part 2: “Reaction (Intrusion Conflict)”

Part 2, Chapter 9 Summary

Kovacs calls Prescott for directions to Jerry’s Closed Quarters, where Elizabeth once worked, and asks for a picture of Leila Begin. When he receives it, he discovers that both Leila and Elizabeth resemble Miriam. He arrives at the brothel, which is located in Licktown, a seedy area of Bay City. He passes a group of drug dealers on his way to the door, and then a robot pats him down and sends him downstairs to the private rooms.


In the room, he pays for a girl. The wall slides back, and a girl who calls herself Anemone appears. Kovacs introduces himself as Elizabeth’s mother, saying he is doing a secret job for someone which is why he is in this sleeve. Kovacs tells Anemone that the payment for this job is getting Elizabeth back; he wants to know why someone may have killed her and if she had any regulars who would be suspects. Anemone, who says her real name is Louise, tells Kovacs that she did not know Elizabeth well but knows other girls who could answer these questions. She promises to ask them and tells Kovacs to come back the next night.


Outside, Kovacs notices a large man who is with the group of drug dealers staring at him. He approaches the group, and when the drug dealers attack Kovacs, the man flees. Kovacs quickly shakes his attackers off and pursues the man through the city. The police join the chase, but the large man evades them all by shooting the police transport and forcing it to the ground. When it lands, Ortega steps out.

Part 2, Chapter 10 Summary

Ortega drives Kovacs back to the Hendrix and asks what he was doing at Jerry’s. Kovacs tells her he was merely enjoying himself, but Ortega does not believe him. He insists that the large man was waiting for him, but Ortega also doubts this. Kovacs realizes that she must be following him.


After Ortega drops him at the hotel, the Hendrix notifies him that Miriam is waiting for him in his room. She requests that he stop investigating Laurens’s death. He refuses, saying the case is too interesting now. Miriam offers Kovacs another way to satiate his curiosity.


The sleeve she is in produces Merge Nine, a drug that enhances sensuality and helps bring sexual partners together. Kovacs cannot resist and they have sex multiple times, with Kovacs reveling in the drug’s effects. Afterward, Miriam offers to take Kovacs to her private island where she has multiple sleeves like this one and can be in them all at the same time. Kovacs does not commit to this, though the idea is enticing. He drifts off to sleep and wakes to find Miriam gone.

Part 2, Chapter 11 Summary

The next day, Kovacs experiences a Merge Nine hangover and decides to go shopping. He buys himself new clothes before going to an armorer Laurens recommended called Larkin and Green. While there, he buys two guns and a knife. As he walks around, he notices that someone is tailing him. He goes down an alley to evade them but is stopped when ads project into his head. The ads are for Stiff, and when Kovacs snaps out of it, he finds the boy running the ads and threatens him. The boy argues that he is just doing his job.

Part 2, Chapter 12 Summary

Back at the Hendrix, Kovacs suffers from fragmentation. When people download into a new sleeve, it takes their minds some time to meld with the body, and they can feel like the body they are in is not in their control. Kovacs panics and avoids looking in the mirror as he dresses, afraid that this sleeve may notice him. He leaves his new weapons when he leaves, remembering his training as an Envoy: Weapons are a weakness.


He returns to Licktown and to Jerry’s. Kovacs goes to the same room as the night before but finds Louise dead. He is confronted by an armed group who call him Ryker. They bring in the big man from the chase the night before, who identifies Kovacs. Kovacs insists he is Elizabeth’s mother, but the group refuses to believe him. They escort Kovacs out, taking him to another location where they strap him down and knock him out.

Part 2, Chapter 13 Summary

Kovacs wakes up in a virtual reality in the sleeve of a woman. He is tortured repeatedly by the group from Jerry’s. He thinks of his friend Jimmy, who lost control of his mind in Innenin. Meanwhile, the group kills Kovacs in the virtual reality and then reboots him, prolonging the torture.


After one rebooting, he wakes up unharmed. He approaches a woman from the group who admits she does not believe he is Ryker and assures him she wants no trouble. He promises to raise no issues if she helps him with his investigation. He wants to know where he is and why they brought him there. She tells him she will consider these questions as they both fade and Kovacs wakes from the virtual reality.

Part 2, Chapter 14 Summary

Kovacs wakes up back in his previous sleeve. The woman from the virtual reality, named Trepp, comes in and gives him his clothes, saying they will bring him to someone who can corroborate his story. He reflects on how the days of torture he just experienced were probably mere hours in the real world, since virtual time occurs faster.


Trepp and another man blindfold Kovacs and leave the facility in a limo. As they fly away, Kovacs hears Jimmy’s voice telling him to flee before the person they are taking him to can ruin his investigation. When the man who is transporting him takes Kovacs’s blindfold off, Kovacs punches him in the temple, knocking him out. He steals Trepp’s ray gun and uses it to kill her. He then threatens the driver to land the car and escapes.

Part 2, Chapter 15 Summary

Kovacs arrives back at the Hendrix in the early hours of the morning, retrieving his guns and returning to Jerry’s. He shoots the robot at the door and storms into the lounge area, killing his attackers from the night before and cornering Jerry. He forces Jerry to tell him what happened to Elizabeth. Jerry reveals that Elizabeth became involved with a Meth and tried to bring Jerry in on a deal to extort the man. Jerry refused, so Elizabeth went to the Meth alone. To save his reputation and business, Jerry had Elizabeth killed.


Kovacs is not satisfied and tells Jerry that Trepp is dead, wanting to know who she worked for. Jerry does not know this, but he does know why so many people keep calling Kovacs “Ryker.” He says Ryker was a police officer who dated Ortega; however, he is currently in storage for destroying the stacks of some suspects. When Kovacs appeared in Ryker’s sleeve with Ortega, his attackers assumed Ryker was released.


Kovacs uses the threat of Real Death—the destruction of the stack—to force Jerry into taking him to the facility he was tortured at the night before. They pretend that Jerry is bringing him back and demand to see the director. When one of the surgeons, Miller, stops them, Kovacs takes Jerry’s guns and kills everyone, including Jerry. He then sees a machine operating on Louise, with spectators watching, and he kills all of them and also shoots and destroys the machine. He then takes Miller’s head, making it look like it was shot off, and leaves before the police arrive.

Part 2 Analysis

To contextualize the impact of switching bodies, Morgan explores how a mind inhabiting a new body destabilizes self-awareness and self-perception. Through Kovacs, he demonstrates the jarring experience of seeing a stranger in the mirror. During his first few days in Ryker’s body, Kovacs feels fragmented, as though this new body will not fully accept his mind. He says: “Psychoentirety rejection, they call it. Or just fragmenting […]. [T]his was the worst case I’d had for years. For long moments, I was literally terrified to have a detailed thought, in case the man in the mirror noticed my presence” (106). Kovacs describes himself as terrified, as though a thought could awaken the body into recognizing the foreignness of the mind in carries. This idea of the body and mind being at odds with each other captures The Instability of Identity Across Different Bodies. This instability is palpable through Kovacs’s diction, which conveys a sense of uncertainty and danger. He feels he is hiding within and from his new body, which makes it difficult for him to function. This instability leaves him feeling disjointed and unsure of who he is within this new sleeve, dramatizing the notion that consciousness and embodiment can become disconnected.


As a genre, science fiction typically prioritizes worldbuilding as well as ethical exploration. Morgan achieves this by pairing vivid descriptions and imagery to bring the society and ethics of the novel to life, particularly as he examines The Impact of Immortality on Ethics. Kovacs witnesses rampant abuse and violence, as in the scene when he examines the body of a torture victim, which is described as an “inert body on the floor” on which “the marks of torture were livid” (111). Kovacs witnesses this in the “harsh white light” of a room (111), and this symbolically illuminates the full brutality of the abuse the girl suffered. The marks are “livid,” a word that conveys both physical bruising and hints at Kovacs’s rage as he witnesses the abuse the girl faced before her death. Kovacs cannot look away and takes in every detail as he confronts the degradation of life when bodies are treated as interchangeable vessels. This experience stays with Kovacs, reminding him of how there is a lack of regard for human life in this world.


While this image focuses on physical abuse, the novel shows that in a society accustomed to resleeving, torture extends beyond the physical. Instead, minds can be uploaded to virtual environments that simulate real life, though pain and torture in these environments cannot result in Real Death. As a result, there are no longer any limits on the pain that victims can be subjected to. Kovacs explains: “What DHF has done is make it possible to torture a human being to death, and then start again. With that option available, hypnotic and drug-based questioning went out the window long ago” (119). In a virtual space, torture and even death can be simulated, and they are endlessly repeatable. Subjecting victims to extreme pain becomes normalized since it cannot kill them, and it comes to be seen as an effective interrogation technique. Kovacs balances the positives of virtual immortality with its negative effects, highlighting the perverse logic of stripping suffering of consequences and dissolving the boundary between cruelty and procedure. Life is viewed as abundant rather than as precious, and this leads to the devaluation of life and human suffering.

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