17 pages ⢠34-minute read
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āHowlā by Allen Ginsberg (1956)
Ginsbergās most famous poem and one of the most important poems in American history, this anthem of the Beat Generation recounts experiences in Ginsbergās life and touches on similar themes in āAmerica.ā Ginsberg speaks about alienation, American hypocrisy, consumerism, and mental health. In the poem, Ginsberg laments a loss of connection between people and the universal soul, and he blames this on Moloch, which stands for many issues Ginsberg had with the world, including consumerism and the Cold War. The poem is also famous for being banned upon publication and for its vivid and uncensored descriptions of many taboo topics in 1950s America.
āNew Stanzas for Amazing Graceā by Allen Ginsberg (1994)
Ginsberg comments on the issue of homelessness and income inequality in this rewrite of āAmazing Grace.ā This poem is interesting when compared to āAmericaā and Ginsbergās other work because it is one of his few poems that is written with a rhyme scheme and consistent meter. This is because he was rewriting a famous song, but Ginsberg is still able to incorporate his usual themes and preoccupations, speaking to similar issues he identifies in āAmerica.ā
āPlutonian Odeā by Allen Ginsberg (1978)
āPlutonian Odeā mirrors āAmericaā in its use of apostrophe. While āAmericaā addresses the country as if it is a living being, āPlutonian Odeā addresses plutonium, an element used in nuclear weapons. The poem uses mythological allusions, giving it an epic structure. It is much more of a direct protest poem than āAmericaā is, though, and Ginsberg even used it as a defense when he was arrested for trying to block the transport of nuclear components by train.
āAllen Ginsbergās 1956 Poem āAmericaā: A Lost Endingā by Jonah Raskin (2019)
This article goes over some of the composition history of āAmerica,ā and it discusses the original draft of the poem. Raskin is mainly interested in the fact that there is a first draft, as that seems to defy Ginsbergās belief in spontaneous mind and first thought/best thought.
āGinsbergās āAmericaā Revisitedā by Aaron Belz (2013)
This article focuses on two main issues: Ginsbergās use of apostrophe in āAmericaā and the poemās relationship to Walt Whitman. Belz argues that āAmericaā is influenced by Whitmanās āCrossing Brooklyn Ferry,ā but he believes Ginsbergās poem is better than Whitmanās. Belz argues Ginsbergās use of apostrophe here is more authentic than other American apostrophe poems that tend to do nothing but glorify the country.
āContradictions and Confessions in Ginsbergās āAmericaāā by Chacei (2019)
Chacei focuses on issues of identity in āAmericaā and the relationship Ginsbergās confusing poem has with the 1950s American political climate. Chacei argues that the poem is an example of an unreliable narrator, and this matches the confusing, chaotic tone of American politics in the 1950s. Chacei also mentions the poemās queerness, which is not as prevalent as one might think it would be considering Ginsberg is the writer.
Allen Ginsberg reads āAmericaā by Allen Ginsberg
Ginsbergās poems are meant to be heard more than read, and Ginsberg was a prolific public reader. He was particularly good at reading with energy and varying his cadence to match his lines. The lines on the page serve the way he wants to read the poem.



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