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Content Warning: This section of the guide references extremely distressing themes, including violence against children, sexual abuse, abduction, gun violence, rape, murder, and desecration of corpses. Additionally, bigoted, racist, and misogynistic beliefs are expressed by the serial killer and members of his family.
Modus Operandi (MO) refers to the particular method or pattern a criminal habitually uses to commit their crimes. In American Predator, Callahan emphasizes adaptability as a key feature of Keyes’s MO: He deliberately avoids establishing predictable patterns by targeting random victims across vast geographic areas and using pre-hidden “kill kits” strategically placed to be ready when he needs them.
A serial killer is someone who commits multiple murders over an extended period, typically with psychological gratification as a motive. In American Predator, Keyes fits and expands this traditional definition, highlighting Callahan’s thematic interest in The Psychological Profile of a Serial Killer. He embodies the sexually sadistic serial killer archetype while simultaneously challenging conventional patterns through his randomness, mobility, and lack of a specific victim type. Keyes’s behavior forces investigators to confront the terrifying reality of a killer who operated undetected for years, blending seamlessly into ordinary life.
Satanism refers to religious or symbolic practices that venerate Satan or explore anti-Christian values, though its interpretations vary widely and practitioners are often more interested in making a political statement and broadening the definition of religious freedom than in communing with evil. References to Satanism appear in Keyes’s self-identification with dark, anti-religious symbols, including his pentagram tattoo and self-inflicted upside-down cross branding. These symbols reflect Keyes’s personal rebellion against his rigid, fundamentalist upbringing and his embrace of violence, nihilism, and the rejection of authority, even though these values are not reflected in Satanism as a broader religious movement.
The Ark refers to the militia-based, white supremacist, anti-Semitic church that Keyes’s family attended during his childhood in Colville, Washington. The Ark shaped Keyes’s early worldview, exposing him to extremist ideologies, racial hatred, and apocalyptic thinking. Although Keyes later rejected his parents’ religious beliefs, Callahan suggests that the violent, isolated environment of The Ark contributed to his emotional detachment, early cruelty, and distrust of societal norms and government authority.
The Church of Wells is a small, controversial Christian sect located in rural Texas, known for its fundamentalist, isolationist practices. Keyes’s mother, Heidi, and his sisters joined this congregation shortly before Keyes’s arrest. Their involvement with the Church of Wells underscores the deep religious extremism and separatist mentality that characterized Keyes’s upbringing and family life, further illustrating the profound ideological rifts between Keyes and his family, and the distorted moral frameworks that surrounded him.



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