65 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of substance use, emotional abuse, physical abuse, mental illness, graphic violence, racism, child sexual abuse, and death.
Lennon Carter is the protagonist of An Academy for Liars. She is 24-year-old Black woman with sparse tattoos on her arms, a thin nose, freckles, and long braids. At the beginning of the novel, Lennon is struggling to find direction and purpose in her life; she reflects that “[s]he had been in a bad way for months—unmoored, discordant, occupying her own body with a sense of unease, the way one might in an airport terminal or the lobby of a rent-by-the-hour motel. Her own flesh and bone a kind of liminal space” (1). She is engaged to a man who treats her poorly, takes medication for mental health issues that she doesn’t fully understand, and sees no path forward.
Even after Drayton offers her a way forward, Lennon’s insecurities remain. Dante offers her no promises of wealth or prosperity after graduation. When Lennon discovers that her classmates were offered these things, she spirals into self-doubt, wondering why she was offered nothing. She thinks: “Was her desperation to escape her former life that obvious to the admissions department? Did they know that anything […] would have been far more rewarding than the misery of her failing relationship with Wyatt and a life she was quite literally willing to die in order to escape?” (76). Lennon feels worthless, and she thinks that others see her the same way. Her core desire is to matter, but as she explains to her classmate Sawyer, “Everyone who matters hurts people. […] [All] of us tramping on the bodies of others to get to a place where we don’t actively hate ourselves” (99). Lennon wants to be important, but she has a strong moral center: She is unwilling to take unethical actions that harm others in order to achieve her desires.
This unwillingness to cause harm is consistent across Lennon’s character arc, even as she begins to inadvertently harm others. Lennon kills Ian and Benedict in self-defense, but the guilt gnaws at her afterward. As Lennon gains power, she stays true to her values. The only act of intentional cruelty that Lennon engages in is toward Eileen, after Eileen attempted to torture and kill Dante. She banishes Eileen without taking her memories away, which Lennon notes was not intended “out of mercy” but instead “to maximize [Eileen’s] suffering, so that she would know, for the rest of her miserable life, exactly what was taken from her. So that she, like Lennon, would be forced to live with her grief” (439). Lennon wants Eileen, too, to feel the grief of losing something important because she wants to punish her for harming Dante.
Even in her grief, however, Lennon continues to be fair and ethical. She eschews the majority of her power that she could use to obtain wealth and riches, turning away from selfish advantages. She only uses her power to make Drayton safe for those who need it and to find Dante in the past and offer him a way home.
Dante Lowe is Lennon’s mentor and love interest. He is described as being in his early 30s, mixed race, and tall. He has many tattoos, with the prominent ones being moths on his neck and hands. Dante is a tenured professor of persuasion at Drayton. As a child, he lived with his mother and his abusive father, then his abusive stepfather, before he was sent to a juvenile detention center for almost murdering his stepfather. Dante was mute for much of his childhood, but his fellow detainees at the juvenile center claimed to be able to hear his voice in their heads, indicating that his powers of persuasion manifested when he was still young. After he left the juvenile detention center, he disappeared until he graduated Drayton at the age of 19 with a doctorate. While he was a teenager at Drayton, Eileen was his advisor, and they had a romantic relationship resulting in the birth of a son.
As Lennon’s mentor, Dante guides her toward the cultivation of her powers. He takes a relatively hands-off approach to her learning, even as Lennon attempts to use illicit drugs to access her gatekeeping abilities. When she questions Dante about his laissez-faire attitude, he says, “I stand in your way now and you’ll just hurt yourself again tomorrow. At some point, you have to learn how to deter your own worst impulses, or if not that, then work around them. Maybe this is your way of doing that” (140). Though Dante is a skilled persuasionist, he values his own freedom. This is why he gives Lennon the freedom to make her own decisions, even if he thinks they are the wrong ones.
Dante is a mysterious character throughout the novel, and he keeps details about his past under wraps. Like Lennon, he has an aberration—a darker side of himself that Lennon sometimes sees. Lennon sometimes wonders who the real Dante is because he continues to keep secrets from her until she discovers the truth about August. As Dante and Lennon grow closer, their relationship becomes romantic. He finally lets Lennon see his pain, and she thinks: “He seemed so fragile in that moment. She could feel his torment. His grief” (390). The empathic bond between the two of them is strong, as they have similar desires to be of consequence, and they are haunted by similar feelings of guilt and grief.
In the end, Lennon is the one to bring Dante back to the present after his death. She does this by turning her back on persuasion. Instead, she gives Dante the freedom to choose to live again with her and to possess the autonomy that he struggled to find throughout his childhood and adult life as Eileen’s prodigy.
Eileen is the primary antagonist of An Academy for Liars. She is first introduced as vice-chancellor of Drayton, and though Lennon finds her intimidating, she finds nothing obviously menacing about Eileen or her motivations. However, after Eileen’s strange and nearly callous reaction to Benedict’s death, Lennon begins to grow suspicious. Eileen’s birthday card to Dante seems to confirm Lennon’s suspicions, as she notes there is “[s]omething ominous in the way it [is] written, a promise there, a threat that she couldn’t yet decipher. But it [is] undeniably present, like the ghost of magnolias scenting the paper. A kind of darkness behind her words that Lennon didn’t yet understand” (332). The card both foreshadows the revelation of Eileen as the primary antagonist of the novel and the revelation of Eileen and Dante’s past relationship.
Lennon is horrified by the discovery that Eileen had a romantic relationship with Dante when he was only 15, and she is appalled by how easily Eileen is able to take Lennon’s memories and study them. This makes Lennon wonder “just how many times Eileen had glimpsed within her mind without her ever knowing it. How many of her secrets had been exposed? Was there any part of Lennon left that Eileen didn’t see or know?” (360). Eileen carelessly abuses Lennon’s privacy, and she also planned on using Lennon as a tool to keep Drayton hidden. Eileen’s character is further complicated by her racist tirade against Lennon and Dante after Lennon’s attempted escape, saying, “You people have such rage in you” (417). She propagates the harmful racist stereotype that Black people are more prone to outbursts of rage or violence. Eileen’s adherence to racist beliefs further contributes to her dehumanization of Lennon, as she sees Lennon solely as an object she can use to fulfill her goals.
Blaine is Lennon’s friend and roommate. She is described as beautiful and blonde with an unforgettable face. Blaine came to Drayton after nearly killing her abusive ex-husband in self-defense. She comes from a wealthy family, but her troubled marriage makes her an outsider with them. Like Lennon, Blaine makes it into Logos House, and Lennon thinks that Blaine might envy her power. Due to the competitive environment at Drayton, many students are envious of one another. However, despite this jealousy, Blaine cares deeply for Lennon. For instance, after Benedict abuses Lennon, “Blaine tucked herself into Lennon’s bed that night, the two of them squeezing onto the narrow mattress, slotting their bodies together to keep from falling over the edge” (172). This scene shown the warmth and intimacy between the friends, with Blaine comforting Lennon after her traumatic experience.
In the end, Blaine both betrays and saves Lennon. Blaine cannot tell Lennon about William Irvine because of the persuasion that tied her tongue, but she tries to clue Lennon in. She asks Lennon to search her mind, and Lennon looks in her eyes and sees that “there was an urgency in them—Lennon was inclined to call it desperation—this desire to be seen and understood without having to say anything at all” (296). Blaine tries to persuade Lennon to run away from Drayton when Lennon enters her mind. Though Blaine cannot warn Lennon about Eileen’s plans, she badly wants to, illustrating the complexity of their relationship. Blaine still manages to help Lennon escape and then take over Drayton, illustrating her devotion to Lennon over her desire for power, making her morals align with Lennon’s.



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