18 pages • 36-minute read
Edna St. Vincent MillayA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
“An Ancient Gesture” has an uneven form. Some lines are short; Lines 2 and 13, for example, contain only four words. Other lines, like Lines 6 and 7, jut out. The visible variation in line length suggests free verse. By the mid-20th century, many poets in America broke with traditional forms and meters and composed poems in free verse, so they had the liberty to create lines as long and short as they wished. Millay was a 20th-century poet who typically embraced tradition. She created sonnets and taut lyrics. The looser form and meter of “An Ancient Gesture” sets it apart from her canon. It’s not a typical Millay poem.
Yet the form doesn’t represent a complete break from tradition. There are still hints of the type of melodious poetry Millay is known for. To generate a harmonious sound, Millay uses an irregular rhyming pattern. In Stanza 1, Lines 4-6 rhyme; Lines 7-8 rhyme; and Lines 2-9 rhyme. In Stanza 2, Lines 11-12 and 15-16 rhyme; and Lines 14 and 17 rhyme. The uncharacteristic form, the lack of meter, and the unpredictable rhymes reinforce the theme of powerful emotions. Like Penelope’s tears, the form and meter seem to “burst” (Line 8).
An allusion is a literary device that allows the poet to reference something complex without the need to explicitly explain the reference. Allusions can be powerful because they compel the reader to make connections and fill in the missing pieces. In “An Ancient Gesture,” Millay alludes to two people from Homer’s epic poem The Odyssey. The main person is Penelope. Homer never appears in the poem, nor does Millay explain who Penelope is or why she’s in this poem. It’s up to the reader to figure out who Penelope is and why belongs in the poem.
Even if the reader isn’t familiar with Ancient Greek poetry, the allusion still works. The reader doesn’t need to know why Penelope was weaving to understand that it was laborious. They don’t have to be aware of why or how Ulysses is missing to grasp that the missing husband has left Penelope distraught. Allusion works by taking advantage of the power of hints and suggestions.
Allusion also makes it possible to interpret this poem as an autobiographical text. Penelope’s weaving might allude to Millay’s grueling writing, reading, and lecturing schedule. The “gone” (Line 7) husband suggests the death of her husband, Eugen Boissevain, who died the year Ladies’ Home Journal published this poem.
Repetition is a literary device that lets the poet drive home ideas or themes by repeating words or phrases. In “An Ancient Gesture,” Lines 1 and 10 repeat almost exactly, which bolsters the emotional and contemplative state of the speaker. The repetition occurs at the start of the stanzas, so it’s as if each stanza belongs to the speaker. They’re under her control and a product of her thoughts and feelings. In Stanza 1, Millay also repeats “you” and “your,” so the speaker and Penelope collide, and it’s not easy to figure out if the speaker is talking for Penelope, talking to Penelope, talking to herself, or embracing a mixture of the three.
In Stanza 1, Millay repeats the word “and,” with four of the nine lines beginning with “and.” The repetition of “and” highlights Penelope’s constant strain. “And” is a conjunction, so it’s a word that connects clauses and sentences—it bonds them together. Similarly, Penelope and her weaving are conjoined. She can’t stop her work. There’s inevitably more to do. The repetition of “and” points out her unrelenting predicament.



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