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Resurrection men arose to meet the needs of anatomists in 18th- and 19th-century Edinburgh, Scotland. The city was a hub of medical education, and schools required human cadavers to train students and to advance scientific knowledge. If a felon was sentenced to death, a judge could posthumously punish the convict with an ignoble end on a dissection table. During the early 1800s, executed felons represented the bulk of legally obtained bodies. However, demand far exceeded supply.
A solution to this problem emerged in the form of a new criminal profession, resurrection men. Also known as “sack-’em-up men, shusy-lifters, corp’-lifters, Burkers and noddies,” resurrectionists dug up freshly buried bodies and sold them to anatomists (“An Introduction to Grave Robbing in Scotland,” University of Aberdeen, 2010). Law enforcement largely ignored these activities because resurrection men served a vital sector of the city. While body snatching was illegal, those found guilty faced only misdemeanor charges as long as they took nothing from the grave except the cadaver. As a result, the Scottish people took the protection of their loved ones’ remains into their own hands. Some churchyards utilized heavy stones called mortstones or iron cages called mortsafes to deter resurrectionists. These devices could be relocated to a new grave and reused once the remains they were guarding were “too corrupt to be of interest to the anatomists” (“An Introduction to Grave Robbing in Scotland,” University of Aberdeen, 2010).
Although they fulfilled an important need for the city of Edinburgh, resurrection men also posed ethical problems and sparked public outcry. At the end of the novel, Jack is falsely accused of killing people and selling their bodies to doctors. Historically, there were incidents of resurrectionists who turned to murder to augment their supply of cadavers and were executed for their crimes, including the infamous William Burke. Anatomy takes place in 1817. Fifteen years later, the British Parliament passed the Anatomy Act of 1832 in response to public furor over the actions of resurrectionists and widespread concern regarding infectious diseases. While the act eliminated the need for resurrection men, it created new moral dilemmas. Under the new law, anatomists were permitted to dissect corpses that went unclaimed for a week, especially the bodies of those who died in institutions, such as workhouses, debtors’ prisons, and almshouse hospitals. Thus, dissection went from “a hated secondary punishment for murderers after execution” to a legally permissible end for those who died in poverty (“The Anatomy Act of 1832,” King’s College London, 2023). Although the Anatomy Act ended the era of resurrection men, the ethical questions surrounding the dissection of human bodies continued.
Dana Schwartz’s Anatomy: A Love Story belongs to a literary tradition stretching back hundreds of years. Gothic novels, also known as Gothic romances, are works of “European Romantic pseudomedieval fiction having a prevailing atmosphere of mystery and terror” (“Gothic novel,” Encyclopædia Britannica, 11 May 2023). With its cast of body snatchers, sinister scientists, and a brave heroine intent on solving a string of disappearances, Anatomy handily fits the definition. Setting plays a vital role in creating the atmosphere that characterizes Gothic romances. Gothic literature takes its name from Gothic architecture, which inspired writers with its imaginative structures and melancholy ruins. Frequently used settings include “castles or monasteries equipped with subterranean passages, dark battlements, hidden panels, and trapdoors” (“Gothic novel,” Encyclopædia Britannica, 11 May 2023). As befits a Gothic romance, Anatomy contains several atmospheric settings, such as Hazel’s home: “Hawthornden Castle was built on a cliffside, with ivy-covered stone walls that loomed over untamed Scottish woods” (12). Hawthornden becomes even eerier when the protagonist turns the dungeon into a secret laboratory where she dissects cadavers. In addition, several scenes take place in graveyards and in Dr. Beecham’s classroom, which is filled with skulls and curious medical specimens.
The Gothic romance began with the English author Horace Walpole’s 1765 novel Castle of Otranto, and later writers, including Mary Wollstonecraft Shelley, expanded the genre. Frankenstein differs from earlier Gothic novels in that Shelley takes “the existential nature of humankind as its definitive mystery and terror” (“Gothic novel,” Encyclopædia Britannica, 11 May 2023). The influence of Frankenstein on Schwartz’s work shows in the existential questions posed by Anatomy and in the novel’s antagonist. Like Victor Frankenstein, William Beecham is an ambitious scientist whose defiance of death has dire consequences. The spine-tingling settings and suspenseful mystery of Dana Schwartz’s Anatomy demonstrate the continued intrigue of the Gothic romance.



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