50 pages • 1-hour read
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How does Dewey’s concept of “an experience” reframe how art’s structure and purpose can be understood? Compare his definition with traditional aesthetic theories.
In what ways does Art as Experience challenge the hierarchy between high art and everyday life? How might Dewey’s ideas apply to contemporary art forms such as film, digital media, or street art?
Discuss the role of emotion in Dewey’s aesthetics. How does he distinguish between raw emotional discharge and emotion shaped into artistic expression?
Dewey emphasizes the interdependence of doing and undergoing in artistic creation and reception. How does this reciprocal model complicate the idea of the artist as a solitary genius?
Dewey finds flaws in both judicial criticism (rule-based) and impressionist criticism (purely subjective). How does his conception of criticism as the re-education of perception offer a middle path, and what might this mean for contemporary art criticism?
To what extent does Art as Experience succeed in overcoming the dualisms of Western thought? Where does Dewey succeed most convincingly, and where might his framework fall short?



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