59 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of death.
The embalming room offers a setting for and becomes a symbol of the novel’s themes about the importance of care as well as the nature and function of death. First established as a mystery—a place in their new home where they are forbidden to go—several of the characters in some way find a way into the room. The mysterious nature of the embalming room is hinted at in Willa’s childish name for it, the “Elm Bonning Room,” indicating that she doesn’t know what embalming is. Acquaintance with the embalming room becomes a rite of initiation of sorts for the Bright family. At first, in Maggie’s point of view, it is simply a mysterious stage for potentially dangerous processes. Once Pauline grows comfortable with her work there, it becomes a place of connection.
The embalming room, a bridge between the realms of life and death, is the site of the last ritual of care that humans can show for their loved ones, which is preparation for the afterlife, whatever it is imagined to be. When Alex is young, Maggie keeps him out of the room, just as Fred wanted to keep the girls out, because of the instruments and chemicals that are stored there. She wants to keep his youthful innocence unspoiled by interaction with death and grief. However, the narrowness between the two realms, which Pauline perceives, is further evidenced when the embalming room becomes the site of Jamie and Maggie’s reconciliation and first kiss. The room is a metaphor for both the Bright home and for life itself, where joy and grief, life and loss, are intimate companions.
At several points, the novel employs butterflies as a symbol of that which is beautiful but fleeting, much like human life itself. When Maggie learns that they are moving from their hometown to Philadelphia, the butterflies she saw in a shop that she was saving up to buy provide a metaphor for what she is losing. Evelyn reminds her that the butterflies are already dead, which Maggie thinks is cruel to say, though Evelyn is pointing out the truth. Evelyn herself feels guilty about tarnishing Maggie’s dreams and goes on to remind her that butterflies do not live long lives. Pauline develops this thought, and the symbolism of it, in her reflections in the embalming room when she considers, “We are like butterflies, delicate and wonderful, here on earth for only a brilliant moment and then away we fly” (183).
Butterflies then become a symbol for Pauline’s life when Willa finds the butterfly-shaped hat pin in her mother’s jewelry box. This tangible inheritance provides solace for Willa, standing in for the love she misses. The butterfly pin becomes her talisman when she sings, a symbol not only of her own emergence as Sweet Polly Adler but also a further connection to her mother. Like the butterflies under glass, the pin is proof that what is lost does not have to disappear.
Maggie’s letters to Jamie, and his to her, begin as a way to confirm their connection and their unique way of understanding one another. Jamie reveals confidences to Maggie that he knows his mother wouldn’t appreciate or understand—for instance, his reflections on how the people he’s among, and the people he’s sent to kill, aren’t very different from him. Maggie keeps in touch with Jamie to keep this connection alive but also to provide him with moments of hope of joy, like with the confetti from the parade that she includes with one letter. Writing to him, even after he leaves again, is evidence of her love. She writes as long as she hopes their connection might continue, and when she eventually concludes that her unrequited love is hurting her, she stops.
When she sees those letters in Jamie’s bag, however, Maggie suspects at once that they mean something important. Being able to approach Jamie about them shows that she is willing to be honest about her feelings and confront the truth that she still loves Jamie and does not love Palmer, whom she has agreed to marry. The letters are the symbol of her special connection to Jamie and the hope that he says kept him alive in his most troubled times. The letters, Jamie says, are his evidence that a world skewed by tragedy or horror could eventually come right, and the action of the book as a whole follows this movement.
Throughout the novel, light appears as a symbol of hope, healing, and emotional clarity. The metaphorical use of light spans characters and chapters, from the “spark” that Maggie feels when she’s with Jamie to the bright stage lights that give Willa the courage to perform. For a family surrounded by death and darkness, moments of literal or figurative light often signal moments of personal truth. When Maggie reads Jamie’s letters or enters the embalming room with him, the brightness of her feeling is often contrasted with the physical dimness around her, underscoring how love and understanding can act as internal illumination.
The novel ends with a direct invocation of light in the phrase “as bright as heaven,” which carries both symbolic and emotional resonance. The phrase links the stage lights of Willa’s performance to Pauline’s imagined afterlife and the shared belief that beauty, love, and even the dead endure in some form. Light, then, comes to represent not just physical clarity but the emotional legacy left by those who have died—especially Pauline and Henry—and the brightness that still remains in the lives of those who survive them.



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