53 pages 1-hour read

Ask for Andrea

Fiction | Novel | Adult | Published in 2022

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Chapters 30-42Chapter Summaries & Analyses

Chapter 30 Summary: “Skye: Kuna, Idaho. Now”

Skye watches eagerly as a technician analyzes the fingerprint from James’s car; unfortunately, it does not match Skye’s. Skye decides that she wants to stay with Brecia (rather than return to staying with her mother) because Brecia is “the one other person who really underst[ands] what happened to [her]” (171). Brecia and Skye are together, observing, when the local Idaho police get a call from Detective Domanska in Utah; she has heard that they have searched James Carson’s car.

Chapter 31 Summary: “Meghan: Salt Lake Valley, Utah. Now”

In Utah, Meghan watches as Domanska reacts angrily to the news that the Idaho police have already released the car; Domanska hurriedly sends them Meghan’s fingerprints so that they can check to see if there is a match.

Chapter 32 Summary: “Brecia: Kuna, Idaho. Now”

Brecia and Skye watch as James comes to retrieve his car; while he doesn’t know that the police from Utah have been in contact about Meghan’s murder, the women can tell that “he kn[ows] the net [i]s closing” (175). Skye goes home with James and his family to monitor him, while Brecia stays at the police station.

Chapter 33 Summary: “Meghan: Salt Lake Valley, Utah. Now”

The police in Utah confirm that the fingerprint found in James’s car is a match for Meghan and issue a warrant for his arrest. Meghan accompanies the Utah police who are going to make the arrest, with assistance from authorities in Idaho. Meghan is hopeful not only that this will lead to James being convicted of her murder but also that the search of his home and computer will lead to the discovery of his other identities and crimes.

Chapter 34 Summary: “Skye: Kuna, Idaho. Now”

James hastily drives away from the police station and calls someone named Marjorie, telling her that he and his family need to secretly get away to the cabin owned by her. He tells her, “I damn well kept quiet all those years. Now it’s your turn to return the favor” (181). Marjorie confirms that he can use the cabin. Skye slips out of the car and heads back to the police station.

Chapter 35 Summary: “Meghan: Boise, Idaho. Now”

Meghan and Domanska arrive at the Idaho police station; Meghan begins to explore the station and runs into Brecia. Brecia explains how she was present at Meghan’s murder and unable to intervene; the two women embrace. They are interrupted by Skye, who rushes in to tell them that James is fleeing.

Chapter 36 Summary: “Brecia: Kuna, Idaho.”

Meghan, Skye, and Brecia rush together to James’s house; a combined group of Utah and Idaho police officers will be following soon after. The three women arrive as James and his family finish packing their van to leave; they try to damage the car or communicate with April but are not successful. As James and his family drive away, all three women climb into the van along with them.

Chapter 37 Summary: “Skye: Cascade, Idaho.”

In the car, James’s daughters fall asleep, and April begins to question why they are running away. She points out, “[S]ince you’re innocent, why can’t we just talk to [the police]?” (191). She also questions why they are going to Marjorie’s cabin, implying that Marjorie is James’s stepmother and may have abused him when he was a child. James is angry and tense, and the three women increasingly worry that he may harm his own family. James and his family arrive at the isolated cabin and begin unpacking.

Chapter 38 Summary: “Meghan: Cascade, Idaho.”

Meghan is anxious and uncomfortable watching James; she realizes that Brecia and Skye don’t know that they have the option to pass into another realm and leave the world of the living behind. She explains to them about “people [she]’d never met, places [she]’d never seen, an expanding universe of connected consciousness” (196). Brecia is excited, but Skye is worried since she doesn’t know anyone who has already passed away. The other women comfort her, explaining that she will find generations of family she has never met.

Chapter 39 Summary: “Brecia: Cascade, Idaho”

The women watch as James inspects the supplies that have been meticulously loaded into the van; the family has enough canned and prepared foods to potentially last for months as well as many other survival tools. However, James realizes that the rations were calculated before the girls were born and that there isn’t actually enough food to last the entire family for more than a month. As the three women watch in horror, James seems to be pondering the possibility of killing his family. They are desperate to communicate with April and decide to try to communicate with her while she’s sleeping.

Chapter 40 Summary: “Skye: Cascade, Idaho”

Meghan and Skye watch as Brecia whispers to April as she sleeps: “[Y]ou need to find a way to take the girls and get the hell out of here. You can’t wait” (206). April jolts awake and goes to check on her daughters; it is not clear what the effects of Brecia’s words have been.

Chapter 41 Summary: “Meghan: Cascade, Idaho”

Every night, the three women whisper to April in her sleep; she wakes up in a panic each time but seems to dismiss the events as nightmares. A few days pass, and James is visibly growing more impatient. One night, after April and the girls are asleep, James slips out into the woods; as the three women watch in horror, he begins digging graves.

Chapter 42 Summary: “Brecia: Cascade, Idaho”

The women rush inside and manage to wake April up. Noticing that James is absent, April goes out to the porch; she sees that the shovel is missing. When she hears James returning to the cabin, she hurries back inside and pretends to be asleep. The women watch as James enters the cabin: They now know that “if he d[oes]n’t do it tonight, he w[ill] do it tomorrow. Or the next day” (217).

Chapters 30-42 Analysis

The three protagonists only begin working together as a team relatively late in the novel; once they are united, the plot takes on heightened suspense and urgency because they can bring their different expertise and strengths together to stand a greater chance of bringing James to justice. The three women coming together is also a powerful representation of the theme of The Power of Community Among Women; because of their status as ghosts, the three women have literally been alone to everyone except each other. Their powerful bond also reflects how community, shared experiences, and narratives can be healing for survivors of trauma: When Brecia and Meghan embrace, they wordlessly transmit their experiences to each other such that “[Meghan] s[ees] with crystal clarity everything [Brecia] so badly wanted [her] to know about her own murder” (184). By depicting murder victims who retain consciousness and some level of agency, Ihli highlights the value of individuals controlling their narratives and balancing the relationship between Agency and Victims of Violence.


While the women experience a sense of connection and community, they also have to witness the investigations becoming bogged down in bureaucracy and systemic failure, which threatens to allow James to go free. The poor communication between the police in different states alludes to a reality that James knowingly manipulates: By moving his family between different states, he makes it more difficult for an investigation to proceed even if he is linked to a woman’s death or assault. Other narratives revolving around serial killers such as Jessica Knoll’s Bright Young Women (a fictionalized account of Ted Bundy’s crimes) likewise point to these bureaucratic obstacles as loopholes that killers can exploit to evade justice.


James’s decision to flee to the isolated cabin reflects his sense that “he kn[ows] the net [i]s closing” (175); ironically, he is going from being the hunter to the hunted. His escape attempt and the decision to bring his family with him heighten the suspense: James’s desperation makes him more dangerous. The shift in setting also introduces tropes traditionally associated with the horror and thriller genres; April and the children are now literally as well as symbolically isolated and vulnerable. No one knows where they have gone, and they are now totally at James’s mercy. The shift in setting accompanies a rise in the narrative stakes: It becomes increasingly possible that James is going to kill his own children. Because James has already killed multiple victims, including a teenager (Skye), the threat of even more heinous crimes is necessary to create tension and suspense. Meghan, in particular, is horrified by the looming threat, telling the two other protagonists that “whatever’s going to happen, [she] do[es]n’t want to see it” (193). The protagonists become stand-ins for the readers, desperately hoping that they won’t have to witness the murder of innocent children at the hands of their own father.

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