58 pages 1-hour read

Atmosphere: A Love Story

Fiction | Novel | Adult | Published in 2025

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Themes

Content Warning: This section discusses anti-gay bias, gender discrimination, death, and child abuse.

Navigating Gender and Sexuality Discrimination

The novel explores the systemic discrimination women face in society and at NASA due to their gender and, for Joan and Vanessa, their sexuality, as well as the various methods and strategies they must use to navigate this discrimination successfully. This systemic discrimination significantly impacts Joan’s life. In her work life, Joan encounters casual gender discrimination and stereotypes while teaching in the Physics and Astronomy department at Rice University, where her male colleagues dismiss her accomplishments and ambitions. They have such little respect for Joan, or any woman scientist, that they can’t comprehend how NASA hired her. Indeed, the men in her department don’t even seem to notice her presence because she isn’t beautiful and glamorous like her sister, thus implying that men value women only for their physical appearance.


Joan’s encounters with discrimination and sexist attitudes don’t end there, however. Despite NASA’s official position to allow women to become astronauts, the system still excludes them in certain significant roles. Vanessa confronts the convenient administrative guidelines that tacitly bar women from becoming NASA pilots. In addition to gender discrimination at the systemic level, Joan and all the women candidates must contend with gender stereotypes and sexist attitudes perpetuated by their male colleagues, best represented by the pilot candidate Jimmy Hayman. In all these examples, the narrative portrays societal attitudes and workplace discrimination that were prevalent in the 1980s, inviting a comparison to contemporary attitudes and reflection on the progress society has (or hasn’t) made. The same is true for the sexuality discrimination that Joan and Vanessa face. Systemic discrimination against queer relationships is codified, legal, and reinforced by societal norms. Even the appearance of, as Antonio describes it, “sexual deviation” could lead to loss of employment and social ostracization (299).


Crucially, the women in Group 9 each navigate this system of discrimination in different ways. Joan resists sexist attitudes by refusing to reward Jimmy Hayman’s crude jokes and bad behavior but isn’t comfortable with taking a confrontational stance. Her tendency to retreat from confrontation is one of her biggest character flaws, leading her to stay silent in the face of problems in the workplace as well as Barbara’s increasingly neglectful parenting behavior. This is especially true when Joan tries to break up with Vanessa, retreating from the workplace threats of being outed. Vanessa, conversely, takes a more active and aggressive approach. She constantly pushes back against the sexist rules that prevent her from piloting the shuttle and defies the NASA administration’s threat to her career. By contrast, Lydia and (to a lesser extent) Donna choose a more permissive stance. Lydia tolerates Jimmy’s harassment, even rewarding it by laughing, while both she and Donna believe that the only way to win in the tacit gender conflict is to play by the men’s rules, which Joan refuses to do.


This highlights the diverse ways that people can confront discrimination in their lives. Each strategy is aligns with the character’s personality and goals while also requiring some kind of sacrifice (of dignity, the moral high ground, or—in Vanessa’s case—her career at NASA). Significantly, however, the narrative values certain methods over others. When Vanessa and, later, Joan decide to fight against the discrimination they face, the narrative rewards them with success and “everything they wanted” (332), thus arguing that standing up for oneself and others against unjust systemic discrimination is the best option.

The Relationship Between Ambition and Sacrifice

The novel views the complex relationship between personal ambition and the sacrifices one must make to realize those ambitions primarily from the perspectives of Joan and Vanessa, though other characters in the novel portray different kinds of ambition. The narrative shows that ambition can be both positive and negative, inspiring sacrifices both noble and cruel. Joan and Vanessa share the ambition of becoming NASA astronauts, initially inspired by separate passions that eventually bring them together. Joan is driven by her passion for the stars and Vanessa by her passion for flying, both of which symbolize their ambition and personalities. In addition, Joan is inspired by a desire to leave a legacy for Frances and other young girls, an aspiration shared by other women in Group 9, especially Lydia.


The novel demonstrates that any ambition requires sacrifice. For Joan, Vanessa, and the other women in the NASA program, realizing their ambitions means sacrificing time with their families and their physical safety. Moreover, they must sometimes tolerate sexist attitudes and discrimination, thus sacrificing their personal feelings and well-being and ceding the moral high ground. The novel positions these sacrifices as necessary and noble. For instance, though Joan feels guilty for losing precious time with Frances, she does so for a worthy dream and works hard to find balance between the two. Likewise, when confronted with the very real dangers of spaceflight, which has taken lives in the past and will take more in the future (such as the shuttle Discovery disaster), Joan and the other characters never doubt that the risk of sacrificing their lives is worth it for the chance to travel into space and leave their mark on history.


However, the novel argues that at a certain point one’s ambition can become detrimental, even damaging, to oneself and others, or the sacrifice may outweigh the value of that ambition. Barbara’s path, in stark contrast to Joan’s, highlights this negative balance. Barbara wishes for a comfortable life. When she dates and then marries Daniel, she explicitly points to his wealth and success as crucial factors in her decision. Neither Joan nor the narrative faults Barbara for wanting the comfortable life of a wealthy suburban housewife until it becomes clear that Barbara is sacrificing her daughter’s happiness to make it happen. When Frances’s discontent and Daniel’s dislike for children threaten the new status she has acquired, Barbara (already a neglectful parent), relinquishes Frances willingly and without shame. Her decision is a blunt reminder that ambition isn’t always worthy and that not all sacrifices are noble.


Similarly, Joan briefly tries to sacrifice her relationship with Vanessa for Vanessa’s career and ambition. She believes that Vanessa’s dream to pilot the shuttle is more important than their relationship, but Vanessa makes it clear that the opposite is true. Just as Barbara sacrificed her love for her daughter in the name of security, Joan nearly sacrifices her life with Vanessa. The novel holds that neither choice is right or noble. Joan’s choice is as cruel to Vanessa and Barbara’s is to Frances. Vanessa argues that her relationship with Joan (and, by extension, with Frances) is more valuable than her career and insists that she would gladly sacrifice her chance to fly the shuttle to keep Joan. Thus, the narrative argues that the third theme, The Need for Love and Belonging, comes before all else, and that love, familial or romantic, is worth any sacrifice.

The Need for Love and Belonging

Joan’s search for love and belonging pervades the novel, even though she professes on several occasions that love (at least romantic love) isn’t for her. Though the romantic plotline is integral to the novel and a crucial aspect of Joan’s character arc, it isn’t the only kind of love that the novel’s characters value. Familial love and the belonging of community are equally instrumental to Joan’s growth. The need for belonging is a universal human experience that ties all the characters, and in Joan’s philosophy, all of humanity together.


Joan reflects on this need in three ways. First, she considers the concept of kinship that extends to all humans on Earth, which the stars symbolize to her. As Joan explains to Vanessa, stars are proof of human connection, both on a social and cultural level, as evident throughout human history and mythology, and on a concrete scientific level, because everything in the universe is made up of the same basic elements. She even argues that people are the universe, just as God is the universe, thus inextricably tying all humanity together with one another and with all matter, in shared comfort and responsibility.


Second, Joan finds belonging on a smaller scale among her friends at NASA, with whom she finds a sense of familial connection she never felt among her biological family. This is best demonstrated in Chapter 18 when, after bringing Frances home for Thanksgiving dinner with the entire astronaut community, Joan reflects that it was the “first Thanksgiving [she] had ever had without her parents and Barbara. But it was the first time she’d ever felt this at home” (296). Both Joan and the novel place enormous value on such familial belonging, which the novel also portrays in the stark contrast between the way Barbara and Joan each treat Frances. Barbara has long made Frances feel unwanted. After she relinquishes Frances to Joan’s care, Joan vows to make sure Frances never again feels “unsure of where she belong[s]” (292). Joan even gives up her chance to go into space a second time partly so that she need not leave Frances alone, thus reiterating the argument that love is worth more than one’s career ambitions.


The third way Joan reflects on love is through her romantic relationship with Vanessa, which is a core element of Joan’s emotional journey. Early in the novel, Joan states that she has never understood the appeal of romance and sex. She’s deeply wary and distrustful of romantic relationships and marriage specifically. Ironically, this stems more from the prevalent anti-gay discrimination of the time rather than an inherent lack in herself. The societal rejection of same-sex love and desire in 1980s US culture, intensified by the AIDS crisis and by the discrimination that the federal government officially codified, prevented Joan from recognizing her own sexuality. Once she awakens to her desire, however, she discovers that she does want that kind of love and always has. At Barbara’s wedding, she realizes that she wants “what every marriage in the whole godforsaken country [has]. The right to exist and to love and be proud and happy” (247). Vanessa echoes this desire. These moments powerfully emphasize the argument that the need for love is universal and, moreover, that everyone should have a right to such happiness regardless of sexual orientation.

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