40 pages • 1-hour read
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Melville grew up steeped in Calvinism, a theology that denies the existence of free will. Has Melville written a story that refutes this deterministic view, which was based on the theory that human nature is “totally depraved? Does Bartleby have free will? Why or why not?
The narrator spends his last interaction with Bartleby attempting to convince the scrivener that the narrator is not responsible for Bartleby’s imprisonment. Who do you think is responsible for Bartleby’s fate, if anybody? Why? Explain using evidence from the text.
Many actions of the characters in the story appear absurd and far from how we expect people to act. Do you think the narrator is an absurd character? Or does he behave realistically? Discuss specific actions he takes throughout the story.
Melville frequently uses vivid language to describe the lawyer’s office. How do his descriptions of the office shape your perceptions of it? Why do you think the narrator calls this seemingly bleak place a “snug” space for business?
“Bartleby” was published to a complete lack of approval. It was only decades later that it came to be seen as a classic American short story. Why do you think this is? Compare “Bartleby” to a more successful 19th-century short story, like “The Fall of the House of Usher” by Edgar Allan Poe, to highlight the differences.
Critics often read “Bartleby” as an allegory for Melville’s struggle with writing. What evidence does the text provide for interpreting it this way?
Clear communication rarely happens in “Bartleby.” What role does the lack of communication play within the story?
“Bartleby” is often read as a piece of proto-absurdist literature. Franz Kafka is one of the most famous absurdist authors, known especially for his story “The Metamorphosis.” Compare the two short stories. What similarities do they have? How do they differ? How can “Bartleby” be interpreted as absurdist literature by comparison?



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