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Bat and the Waiting Game is the second book in Elana K. Arnold’s A Boy Called Bat series. The first installment in this middle-grade-realistic fiction book series, A Boy Called Bat (2017), introduces Bixby Alexander Tam, a third-grader who is on the autism spectrum. In the first book, his mother, a veterinarian named Dr. Valerie Tam, rescues an orphaned skunk kit. Bat’s bond with the animal allows the author to explore patience, compassion, and emotional regulation, which remain prevalent themes throughout the series. Arnold enhances the story’s real-world applications and emotional arcs by portraying Bat’s struggles, such as communicating with people and accepting his parents’ divorce, and his developmental milestones, like forming his first close friend among his peers. This key development has a major impact on the series. The ups and downs of Bat’s friendship with Israel are at the heart of Bat and the Waiting Game, and Israel remains a prominent supporting character in later installments of the series as well.
As the series unfolds, Arnold uses Bat’s story to examine more of the everyday joys and challenges of growing up neurodivergent. In Bat and the End of Everything (2019), the young protagonist grapples with change and uncertainty. As the start of a new school year looms closer and closer, he worries about moving to fourth grade and leaving Mr. Grayson’s comforting classroom. He also dreads having to release Thor, who is no longer an infant, into the wild. Ultimately, Thor is unable to fend for himself because he’s accustomed to living with humans, allowing him to remain a cherished part of the Tam family and a key source of emotional support for Bat.
Bat and the Business of Ferrets (2025) continues the series’ exploration of neurodivergence and personal growth. Now a fourth grader, Bat struggles to adjust to new rules and routines. His teacher, Mr. Peña, doesn’t believe in class pets, and Bat and Israel channel their love of animals in an attempt to persuade him to adopt one of the ferrets at Dr. Tam’s veterinary clinic. Bat and the Case of the Yips (2026) examines themes of teamwork and expectations. Bat joins his school baseball team in an attempt to make Israel and his father happy, and he worries that quitting would disappoint them both. The accessible stories of the A Boy Called Bat series portray common childhood struggles and successes while advocating for empathy and inclusion for children with neurodivergence.
Arnold’s novel advocates for autism acceptance by exploring typical challenges faced by children with neurodivergence in family, school, and social environments. The majority of research about autism pathologizes neurodivergence by seeking a “cause” or a “cure” for autism rather than focusing on ways to make society more accessible, and many interventions and therapies pressure children with autism to behave neurotypically. In contrast, Arnold shows that Bat can achieve his goals and strengthen his relationships with others without conforming to neurotypical ways of thinking, speaking, or behaving. The novel’s characters prize respect and empathy rather than uniformity, encouraging readers to embrace these values as well.
Arnold’s portrayal of autism resonates with the principles of the autism acceptance movement and aligns with the neurodiversity paradigm, which posits that “autism and other neurocognitive variants are simply part of the natural spectrum of human biodiversity, like variations in ethnicity or sexual orientation” (Walker, Nick. “What Is Autism?” Neurocosmopolitanism, 2014). Organizations like the Autistic Self Advocacy Network (ASAN) and Parenting Autistic Children with Love and Acceptance (PACLA) advocate for autism acceptance by working to strengthen the rights of those with neurodivergence and increase their inclusion in society.
As reflected in the novel, two of the primary challenges that children with neurodivergence children face in their everyday lives are navigating their sensory environments and social landscapes. Although these may seem like separate struggles to an outside observer, they are closely intertwined:
An child with autism has a sensory experience of the world that is more intense and chaotic than that of a neurotypical child, and the ongoing task of navigating and integrating that experience thus occupies more of the autistic child’s attention and energy. This means the child with autism has less attention and energy available to focus on the subtleties of social interaction. Difficulty meeting the social expectations of neurotypical individuals often results in social rejection, which further compounds social difficulties and impedes social development (Walker).
Arnold portrays these struggles with realism and compassion, showing how draining everyday experiences, from bright fluorescent lights to the rules of conversational etiquette, can be for Bat. Even though his community and classroom environment are depicted as safe and supportive, he still struggles to find acceptance among his peers. Israel is Bat’s first friend, and Bat describes himself as “a social frog” to express his difficulty connecting with others (130). Published during a time of widespread stigmatization and misinformation about autism—such as the inaccurate belief that only boys are diagnosed and false claims linking autism to vaccines or poor parenting—Arnold’s A Boy Called Bat series offers a call for acceptance and a reminder of the importance of community support.



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