57 pages 1-hour read

Bat Eater and Other Names for Cora Zeng

Fiction | Novel | Adult | Published in 2025

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Chapters 1-5Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of racism, death, graphic violence, animal cruelty and death, substance use, and mental illness.

Chapter 1 Summary

In April 2020, Coraline “Cora” Zeng and Delilah Zeng wait for a train at the East Broadway subway station in New York. The station, and most of the streets outside, are deserted, as people stay home because of the pandemic; the sisters have only stepped out to buy toilet paper. Cora and Delilah’s father is in China, and both sisters have lost their jobs with the pandemic—Cora used to work the front desk at the Met, and Delilah was at a fashion magazine. Cora muses aloud that she may take a housekeeping job, but Delilah frowns upon the idea.


Delilah breaks the news that she is planning on visiting their father in China. Cora remembers how Delilah has been talking of trying her hand at modeling in China, and she is shocked when she realizes that Delilah means to go without her. Delilah and Cora have the same father but different mothers, and while Delilah grew up speaking Mandarin with her mother, and thus can survive in China, Cora’s white mother couldn’t do the same for her. Delilah suggests that Cora live with her Aunt Lois for a while, who is Cora’s mother’s devout Christian sister.


Just as the train approaches, a white man in a hoodie and a mask appears. He calls Delilah a “bat eater” before pushing her. Delilah trips and falls on the platform, and the moving train decapitates her, leaving the rest of her body still on the platform. A screaming Cora is left staring alone at the bloody corpse of her sister.

Chapter 2 Summary

In August 2020, Cora is working with a crime scene clean-up crew owned by one of the crew members Harvey Chen’s uncle. Dressed in hazmat suits, Cora, Harvey, and Yifei Liu clean out skull fragments of a woman named Yuxi He who died of a gunshot wound to the head in her bathroom, in Chinatown. They discover that Yuxi He was a doctor and wonder if she died by suicide. However, Cora reflects that this is the fifth East Asian woman whose bloody death they have had to clean up in recent times.


When trying to wash the bathroom, the crew discovers that the drain is clogged. Cora dislodges what she thinks is a hair ball stuck in the drain, only to discover that it is a bat. Remembering what Delilah’s killer called her, she feels nauseous and rushes out. Once the clean-up is done, the three of them leave Yuxi He’s house, attempting to avoid the reporters who crowd them for details. A reporter manages to catch hold of Cora, who immediately has flashbacks of the thin, white arm she remembers pushing Delilah into the train’s path. She dreams of this arm often, which takes the form of a white spider that latches its fangs into Delilah, in her nightmares.


Yifei manages to disentangle Cora, who rushes into Harvey’s truck. Yifei offers Cora a flask of alcohol once she is inside and Cora takes a swig, desperate to blur the memories of Delilah’s death and her fear that she will end up like Yuxi He herself.

Chapter 3 Summary

Back home, Cora washes herself and her clothes multiple times over until she feels raw. Cora has always been an obsessively clean person, and the pandemic and its heightened hygiene requirements actually make Cora feels less strange—she is not worried about illness from germs as much as she abhors dirtiness. She lives on her own now, in an apartment in Chinatown that Auntie Zeng, Cora’s paternal aunt, helped her find after Delilah’s death; Aunt Lois and Cora’s father send her money, which helps with paying rent.


Once she is completely clean, Cora opens her fridge to eat something and panics when she discovers that an apple is missing. She has been missing small amounts of food lately, and she worries that she is either misremembering things, or that someone has been inside her apartment, which is worse.


Cora visits Auntie Zeng as it is the first day of “Zhongyuan Jie, the hungry ghost festival” (36). The unofficial reason for her regular, monthly visits are also so Auntie Zeng can determine whether Cora is alright and can continue living by herself. Auntie Zeng burns joss paper to placate the ghosts that are supposedly visiting earth for a month. She offers Cora some, implying that she ought to burn it for Delilah, but Cora ignores her.


Auntie Zeng reminds Cora to wear the jade bracelet she gave her, as Cora will need extra protection this month. She insists that she needs to burn something for her sister so that she doesn’t suffer and her ghost isn’t left “hungry.” However, while Cora is willing to do most of the things Auntie Zeng asks her to, including pretending to read Auntie Zeng’s “Ghost Month Guide” (43), she doesn’t want to talk about Delilah, and leaves in a haste. When she gets home, she discovers some joss paper that Auntie Zeng has slipped into her bag and throws it in the trash.

Interlude 1 Summary: “A Guide to Ghost Month and Other Unfortunate Realities that American Girls Like to Ignore”

In an introduction addressing Cora and Delilah, Auntie Zeng explains how, on the 15th day of the seventh month, the “starving dead” emerge through a door with heavy tongues and needle-thin necks, with a hunger that can grow insatiably.

Chapter 4 Summary

On Sundays, Cora attends church with Aunt Lois. Despite her reservations about this—especially during a pandemic—Cora goes because Aunt Lois writes her a check after every confession Cora makes, and this money goes towards paying off Cora’s student loans. Cora’s mother is currently in a cult to which she also gave away all of Cora’s college tuition fund, leaving Cora to depend on Aunt Lois’s generosity. While sometimes Cora fantasizes about becoming a “Good Christian Girl” (48) who marries and settles down, she also senses that when she prays in church, no one is listening. It is the same way she feels when she prays to Auntie Zeng’s gods.


The service is about forgiveness, and Cora remembers how, three months prior, her aunt had told the congregation that she forgave Delilah’s murderer. While she is in church and everyone around her is praying, Cora spots the shadow of someone standing in the hall, the silhouette stretching and warping, with the neck growing longer and thinner.


Later, when it is time for confession, Cora slips her “cheat sheet” towards the priest. The alphabetically typed list of sins was put together by Aunt Lois for Cora so she could just circle the relevant ones and discuss them during confession. Cora has circled three this time: Sacrilege, doubt of faith, and fearfulness. However, the priest is appalled by what he sees, and Cora realizes she is still holding onto her cheat sheet, which means she has given him something else.


What she accidentally gave him is a photograph of a woman with half a face lying on a bathroom floor, with her brains splashed around her. Cora recognizes the bathroom tiles as Yuxi He’s and surmises that Harvey’s EMT friend must have given him the photograph, which Harvey slipped into Cora’s bag, as he is sometimes wont to do. However, Cora usually shreds these photographs as soon as she spots them and wonders how this one got missed.


Aunt Lois is furious, especially as the priest yells at her to not let Cora return until she is ready to repent. She walks briskly ahead; Cora falls behind and accidentally bumps into a white man to avoid a delivery biker. Before she can apologize, the man rips off Cora’s mask and spits into her face before walking away. Cora collapses on the road in panic, and when her aunt comes back to get her, finds her frantically rubbing sanitizer all over herself. Aunt Lois urges her to stop and reminds her about forgiveness.

Chapter 5 Summary

On Monday, Cora, Harvey, and Yifei are cleaning up Zihan Huang’s apartment, another Asian woman who has been murdered. While Cora is scrubbing, she discovers axe marks, and reflects how badly the murderer would have wanted to hurt Zihan Huang to have used an axe.


As the crew clean the slurry of ribs and tendons scattered around the floor, they hear a thumping sound in the air vents. It is another bat trapped inside, which Harvey accidentally kills when they set it free. The vent is filled with more dead bats, all their wings shredded. The crew discuss how someone put them inside, as the bats couldn’t have flown into the vent with damaged wings like these.


On Harvey’s suggestion, the crew hold a funeral for the bat he killed on a stretch of abandoned train tracks. The idea of sitting on train tracks makes Cora “want to peel her skin off” (68), and so she drinks with the others to get through it. Harvey thanks Cora and Yifei for agreeing to do this with him and attempts to flirt with them, but Yifei shuts him down.


Harvey confesses that the gore they have to deal with on the job doesn’t faze him; he grew up playing gory video games, and sometimes he feels like he cannot tell the difference between that fantasy and real life. Harvey implies that he played these video games when he “had to” stay downstairs in the basement when he lived with his father. When Yifei questions him about this, he refuses to answer, simply stating that he has no longer had to live with his father ever since his uncle came over from Shanghai.


Harvey asks the girls about their families in turn, but Yifei refuses to spill any of her family secrets, as does a distracted Cora. In the distance, she has spotted the silhouette of “a black hole of a girl in a dress, standing as if waiting for a train that will never come” (73).

Chapters 1-5 Analysis

The narrative in Bat Eater and Other Names for Cora Zeng is a straightforward one with respect to chronology: Events unfold in a linear manner, and in present time, in a clearly stated month or year. Both the timing and the location of it are vital to the story. The opening chapter takes place in April 2020, in New York City. It is thus the early months of the pandemic in a highly populated city, where racial violence and xenophobia are rampant, leading to the scapegoating of the East Asian community. The setting thus introduces the key theme of The Invisibility and Erasure of Marginalized Victims, with Delilah’s murder forming the inciting incident of the story and the first hate crime Cora witnesses.


Baker traces how xenophobia and racial discrimination operate on several levels for East Asians like Cora. Before Delilah is killed, her murderer calls her a “bat eater”—a term that is also used in the novel’s title, drawing immediate attention to the use of this racial slur during the pandemic. The slur reflects the theory that the pandemic was triggered by the zoonotic transmission of the virus from bats to humans in a wet market in Wuhan, China. Cora’s experiences then rapidly escalate from verbal abuse to acts of physical aggression: Months after Delilah is murdered, a man spits in Cora’s face as another form of assault. Meanwhile, Cora’s work brings to her attention the rising number of murders of East Asian women, which Cora suspects may be connected. The presence of bats at each crime scene invokes the term “bat eater,” which adds to the implication that these murders are racially motivated hate crimes.


Despite the clear threat that Asian Americans like Cora now face, Cora also faces indifference and a lack of understanding from society at large, reinforcing the sense that victims from marginalized communities are often ignored. In these chapters, societal indifference is embodied by Aunt Lois, in two respects. First, Aunt Lois publicly announces to her church that she has forgiven Delilah’s murderer, and she is more interested in proving her own individual piety than seeking justice for Delilah. Second, she suggests to Cora after the spitting assault that Cora should forgive her assailant. The ease with which Aunt Lois urges Cora to forgive and move on suggests that Aunt Lois—a white American woman—is unable and unwilling to understand how damaging these crimes are, because she is not their primary target.


These chapters also introduce the key theme of Folk Ritual as Pathway to Healing from Grief, as Cora’s individual rituals parallel the communal folk rituals Auntie Zeng represents. Cora has a post-work routine in place where she thoroughly cleans herself, and though there are suggestions that this borders on a compulsive habit, it is nevertheless a ritual that brings Cora peace. Then there are her ritual meetings with each of her aunts, both rooted in some kind of religious or cultural tradition: Sunday church with Aunt Lois, and monthly meals with Auntie Zeng. The meal with Auntie Zeng also introduces the “hungry ghost” festival—a crucial plot element, with the “hungry ghost” becoming an important motif that speaks to both the trauma of unavenged crimes and the enduring influence of folk traditions even in the modern world. At the moment, none of these rituals seem to bring Cora much comfort; however, as the story progresses, the hungry ghosts will play an increasingly important role.


Cora is the novel’s protagonist, and the story unfolds through her perspective. She is presented as someone who struggles to integrate with the society around her. She had a complicated relationship with Delilah, and appears to be a generally solitary figure, with a lack of immediate close family apart from her aunts and no visible close friendships. However, as other characters are introduced, Baker suggests that Cora may not be as unique or quite as solitary as she first appears: Harvey and Yifei, for instance, though different in personality from Cora, seem to harbor their own dark secrets the way that Cora does. Over the course of the book, Cora’s character arc will see her move from someone separate from those around her, to someone who deeply empathizes with others and recognizes that they are like her.

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