53 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of ableism, childhood neglect, suicide, and depression.
Josie thinks of her aversion to the romance genre as she and Georgia set up her store for tomorrow’s event—the Literary Collective, a book club to talk about a literary novel selection. Unlike romance, literary fiction is “gritty, raw, and complicated, like real human experiences. No guarantees, no tidy conclusions. No false hopes, either” (65). The sisters reminisce about their childhood, where they’d walk to the library and check out 15 books each that they’d then spend hours reading at home. Georgia mentions that their mother would also read for hours on end, but this only reminds Josie of how their mother would severely neglect them during these periods, leaving Josie to care for and feed both her and Georgia. Their mother would have a bad breakup, retreat into her romance books for days or weeks, then reemerge enamored with romance once again only to restart the cycle. Georgia mentions that their mother is dating someone who sounds nice, but Josie has heard this too many times before and doesn’t believe it will last. Unlike the character arcs seen in novels, she believes her mother will never change. That night, Josie messages RJ Reads asking if he reads for fun. When he asks if there’s any other way, Josie realizes that she’s been treating reading more like a job lately. Josie asks RJ for a fun recommendation and he suggests 11/22/63 by Stephen King.
The next morning, Josie hosts the Literary Collective book club. A group of women in pink shirts interject with provocative comments about the male main character, irking both Josie and the other literary readers in attendance. When they mention that they were sent by a worker from Happy Endings, Josie believes Ryan has once again tried to sabotage one of her events. She leaves Georgia in charge while she confronts Ryan, but he claims that while they are regular customers of Happy Endings, he personally did not send them. When Josie disses the clutter of Ryan’s store, he accuses her store of looking sterile and lifeless. While Ryan feels insulted, Josie internally struggles with the reminder of her cluttered childhood apartment during her mother’s periods of neglect.
At work, Ryan wraps books for “Blind Date with a Book”—where customers read the clues written on the brown paper covering a book and decide whether to buy the book based solely on the recommendations. The new feature has been a popular seller in the store. Meanwhile, Ryan is distracted by the memory of a steamy dream he had about Josie the night before. His recent feelings for Josie bring out his fears about love, reminding him of his college partner, Kate, who he thought was “the one” only to be blindsided when she fell for her chemistry class TA. Since then, he’s accepted that he will not have a Happily Ever After for himself, but he finds fulfillment in helping others find their own happy endings through his bookstore. Cinderella teases Ryan about his interactions with Josie lately, even implying they are a real-life version of the enemies-to-lovers trope he despises.
Brenda Palmer, the mother of JR—a boy who used to be friends with Ryan in their teens, before JR’s tragic death during their senior year of high school—visits Ryan for the first time in over a decade. She buys an LGBT+ romance book on his recommendation, and they have a brief but warm catch-up before she leaves. The reminder of JR’s death makes Ryan consider his bookstore, which he has curated as a place and comfort and support for all people. He becomes further determined to win the competition so Happy Endings can stay open and have a positive impact on others.
Xander’s hired construction crew finally arrives to take down the walls between Happy Endings, Beans, and Tabula Inscripta, joining the stores and the coffee shop into one massive, open space. Josie notices a smell of burning incense wafting over to her store, which triggers memories of one of her mom’s old boyfriends and causes her nausea. While Josie worries after seeing more customers coming and going from Happy Endings all day, she reminds herself that Ryan’s operating costs are higher and his books are typically less expensive. This doesn’t lessen the sting, however, when one of her regular customers shops at Happy Endings for her daughter after leaving Tabula Inscripta.
That evening, Josie settles behind the checkout counter after closing to read more of 11/22/63, which she is enjoying. Irritated by the applause from an event at Happy Endings, Josie impulsively decides to move bookshelves to create a makeshift wall to block her store off from Beans and Happy Endings. Moving the shelves emits a loud screeching sound that lures an angry Ryan over to scold her instead of helping. Josie angrily stalks up to him in response, backing him up against her shelves. The moment becomes sexually charged, but they are interrupted by sounds of laughter from Happy Endings.
Josie’s comment bothers Ryan, who has tried his whole life not to be ordinary or an asshole. While each of his older brothers excelled in athletics, comedy, or school, Ryan was always mediocre and failed to meet people’s expectations.
One day, Ryan and his employees set up their bookstore after hours for the engagement of their friends Barb and Eva. While they’re setting up, Ryan’s friend Gretchen texts asking if he’s thought about her proposal to work for her in the Cape. Ryan is not ready to let go of Happy Endings just yet and tells her so, but Gretchen implies she’ll be waiting if he changes his mind. The engagement between Barb and Eva is sweet but reminds Ryan of his failed relationship with Kate. He is happy to help this couple find their happy ending, though. The engagement causes commotion during Josie’s event, and she angrily comes over to snap at Ryan for being disrespectful. When she cuts off his apology with a threat to call the cops about him serving liquor without a liquor license, Ryan’s good will ends. He instructs the guitar player for the proposal, Alan, to play louder.
Later, BookshopGirl and RJ chat online. BookshopGirl tells him about chatting with a customer who came in for a book. The conversation took an unpleasant turn when BookshopGirl mentioned how much she reads, and the customer replied that it would be nice to have the time to read like that, but she has actual responsibilities. BookshopGirl rants to RJ about how it is her job to know the product she sells and that if her customer really loved reading, she would find the time.
Josie tells RJ over BookFriends that she loved 11/22/63 and asks for a new recommendation. Talking to RJ leaves her giddy and feels like reading a good book. She refers to them as “characters in a story of our own making, with no real-world complications to muddy the waters” (112). RJ recommends The Princess Bride.
Josie later has a progress meeting with Xander, who tells her that while her sales are up compared to last year, she is behind Ryan and must try harder. Afterward, she prepares for her event that night—a book signing for Kenneth Michael Rutherford, an international bestseller who was also shortlisted for the National Book Award for his debut novel. Though Josie hasn’t read his second book, which came out two days ago, she loved his first and is excited to host the event. However, though her store is packed with people for the event that night, she notices that the attendees are all white men. She posts on BookFriends asking about the author and receives comments back talking about his recent controversies. His new release “endorses sterilization of individuals with disabilities,” a form of violence associated with the eugenics movement of the early 20th century (120). Josie feels horrible for hosting the event without knowledge of his problematic book. She wants to kick him and his fans out but is terrified of doing so as the only woman and the only staff member in the vicinity. Though Ryan is likely in Happy Endings, Josie is doubtful he will help her. Instead, she waits uncomfortably for the event to run its course and decides that all her proceeds from the night will be donated to organizations that support individuals with disabilities.
That night, when RJ messages asking how her event went, Josie states vaguely that it went horribly and that it brought up some stuff from her past. The conversation turns to personal wounds. RJ shares that his wound comes from the perceived inadequacy of being a mediocre child in a family of overachievers. Meanwhile, Josie shares that despite being the smartest kid in her high school, she had to drop out of college during her senior year; since then she has felt a deep-rooted fear that she doesn’t have what it takes to succeed in anything. RJ insists that she is hardworking, smart, and passionate and more than capable of succeeding.
Xander calls Ryan to tell him that while his sales are up from last year, he is behind Josie and must put in more work. Ryan reaches out to Gretchen to mention that he might be interested in her job proposal. He then messages with BookshopGirl, who is enjoying The Princess Bride.
Ryan enters Beans, where Eddie and Josie are talking. Josie tells Ryan about her disastrous event with the problematic author. Ryan has made this mistake before and sympathizes with her. When Ryan states that he hopes she kicked the author out, Eddie tells Ryan that Josie feared for her safety and couldn’t. Ryan insists he would have helped her, but Josie admits she didn’t believe he would have. Ryan is bothered by this and insists he will help her whenever she’s in need. Josie accuses him of having a hero complex, which hits on an old wound of Ryan’s.
That night, Ryan tells BookshopGirl that someone implied he wasn’t a good person earlier that day—referring to Josie. BookshopGirl insists it’s not a him-problem but likely a personal issue the other person is dealing with. She mentions that she hasn’t been able to stop thinking about their conversation about wounds. She has never spoken to anyone about why she dropped out of college but confides in RJ, telling him about her sister’s accident and how their mom left with her boyfriend shortly after. BookshopGirl failed two classes and lost her scholarship during that stressful period. Even when her mother came back, she had a depressive episode after her breakup, and BookshopGirl dropped out of college to help care for her sister. Ever since, BookshopGirl has viewed herself as a person who gives up. However, Ryan tells her that he views her as a resilient person who sacrificed her future to help her sister. BookshopGirl mentions that her job is in jeopardy and everything it stands for—her purpose and sense of accomplishment—could be lost along with it, but RJ reassures her that she is capable of adapting and persevering.
Georgia forces Josie to talk to their mother on the phone. Josie learns that their mother is engaged to a doctor named Darrell and that Georgia has plans to visit them in Puerto Vallarta, Mexico, soon. After the call, Georgia insists that their mother has changed and that her relationship with Darrell seems like the healthiest she’s ever had, but Josie is inclined to not believe this.
While Josie settles in for lunch behind the checkout counter with her copy of The Princess Bride open, she hears the sound of water dripping. The pipes that the plumbers have been working on are leaking and dripping on a display table of new hardcovers. She rushes to save them but is unable to move the table. Ryan rushes over to move the table out of harm’s way. Though Josie is devastated, thinking she’s lost thousands of dollars of stock, Ryan calmly goes through the books and discovers that fewer of them are damaged than Josie first thought. He suggests she discount the damaged ones so she can still make a profit. Josie appreciates his help. When Ryan notices that her current read is The Princess Bride, he seems shocked and abruptly exits the store.
If the opening section introduced Josie as a figure entrenched in literary snobbery, this second section starts to destabilize that position by presenting her with repeated situations in which romance—both the genre and the emotion—intrudes into her ordered world. At the same time, Ryan’s easy warmth gives way to reveal a deeper character who is shadowed by his own experiences of loss and heartbreak. This section is about the gradual exposure of vulnerabilities, which will ultimately allow for slow growth in Josie and Ryan’s relationship. Josie and Ryan cannot continue their rigid defenses without confronting the pain that has informed their avoidance of intimacy.
At the beginning of this section, both Josie and Ryan look down upon each other’s genre of expertise, and their developing relationship will depend on Breaking Down Artificial Genre Boundaries. Xander plans to break down the literal boundary between their genres by demolishing the walls between their stores, but he simultaneously creates artificial hostility by pitting them against each other in a competition for sales. Given all these obstacles to connection in the real world, they have more success in finding common ground within the virtual space of BookFriends. When Ryan (as RJReads) convinces Josie to read 11/22/63, Josie’s viewpoint undergoes significant changes. Stephen King is an enormously successful commercial novelist whose work has gradually gained recognition for its literary merit, and Josie mirrors the shifting attitudes of mainstream critics when she accords it a grudging respect: While she still doesn’t count it as high literature, she admits that the “plot is intriguing, the characters well drawn” (95).
As more is revealed about Josie’s childhood, it becomes clear that her aversion to the romance genre is heavily intertwined with her mother’s destructive reading habits, which Josie associates with neglect. Josie’s mother illustrates The Benefits and Dangers of Literary Escapism, though at this point in the story, Josie can see only the dangers. In Joise’s eyes, romance is synonymous with false hope, and heartbreak is an excuse for irresponsibility. This perspective explains both her professional snobbery and her personal hostility toward Ryan, whose entire livelihood rests upon the very genre Josie blames for her traumatic childhood.
Meanwhile, Josie continues to use anonymity as her primary mode of vulnerability, confiding in RJ about feelings that she can’t admit in person. Though she tries so hard not to be like her mother, who avoids life to live in fiction, Josie ironically behaves in similar ways. She allows herself to be vulnerable and honest only in an anonymous, virtual space, and she even imagines herself and RJ as characters in a novel they’re writing together. Online, she can admit that dropping out of college left her feeling inadequate, a confession she would never risk with Ryan face-to-face. Similarly, RJ (unbeknownst to Josie, Ryan himself) shares his own fear of ordinariness, having grown up the least remarkable of his siblings. These parallel exchanges illustrate how BookFriends becomes the safe, liminal space where both characters practice honesty before they are capable of it in reality. Brady deliberately sustains this dual structure—Josie cruel in person, tender online; Ryan passive in person, bold online—to highlight the barriers both erect to keep themselves safe from rejection.



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