49 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of graphic violence, death, child abuse, emotional abuse, sexual violence, and sexual content.
Dahlia Thorne slinks around the Vipers Arena at her college, Graystone University. She watches the hockey players from afar, trying to make sense of who they are and how they relate to her sister Violet’s recent injuries. She sees Jude Callahan, Preston Armstrong, and Kane Davenport. Kane is the Vipers captain and the most attractive of the three friends. Dahlia assumes he’s the safest one to communicate with, too. She studies his hockey ring and tattoos while meditating on Graystone’s history.
Graystone is a prestigious school and home to the secret society, Vencor. Vencor is made up of the rich and powerful Davenport, Armstrong, Callahan, and Osborn families. Convinced that Vencor has something to do with Violet’s attack, Dahlia plots how to infiltrate the group. Kane spots her and tells her to come out of hiding.
Dahlia considers running from Kane, but determined to help Violet, she doesn’t back down. They chat about hockey before discussing the team’s medical intern position. Dahlia applied for the job, thinking it would help her infiltrate Vencor, and Kane reviewed her application.
While studying Kane’s Vencor ring, she reveals her interest in joining the secret society. Kane scoffs because Dahlia is from Maine and New Jersey, and he doubts she knows anything about the society. Dahlia opens up about her parents’ deaths and life in the foster care system. She insists that she’s “tired of being on the outside” (22). Kane invites her to an initiation that night, warning her that it will be dangerous.
Dahlia watches the Vipers practice. She wonders if Kane is her way into Vencor, despite their differences. While he is wealthy and studying business, Dahlia is a social nobody studying pre-med. Back at her dorm, Dahlia and her roommate Megan chat about Kane and the Vencor initiation. Kane texts Dahlia a location for the initiation, and they establish the code word “red” for Dahlia in case the initiation becomes too intense.
Senior Vencors Kane, Jude, and Preston intimidate another member, Fred. Fred thinks they’re going to give him a higher position in Vencor, but he broke the group’s rules when he started dealing drugs on campus. As punishment, they kill him, but Kane doesn’t enjoy the violence as much as Jude and Preston do. Afterward, Kane races back to campus. As a Senior Vencor and the Vipers captain, he’s supposed to maintain control at school and on the team.
Dahlia is worried about her initiation. She’s been researching Vencor for months and knows their violent reputation. Despite her fear, she doesn’t back down—Violet is her only family, and she wants to avenge her sister. They are foster sisters, and when they were living with Martha and Gerald, they suffered abuse, and Violet protected Dahlia. Finally, they escaped together. Now, Violet is in a coma, and Dahlia fears losing her.
Dahlia arrives at an “old three-story building” where she’s met by six masked men and a masked woman (41). They lead her into a dark cavernous space. She hears dripping and voices. Suddenly, a projection of her as a baby with her parents appears on the wall. Dahlia is overcome by emotion, remembering the day her parents died. She was six years old, and she distracted her dad while he was driving, trying to show him her doll. They crashed, and her parents died. In the film, she hears her parents call her a murderer. Dahlia is beside herself but survives this mental and emotional challenge. Kane appears to deliver her to the next challenge.
In another cavernous space, Dahlia feels terrified of Kane. He seems harsher than before. He grabs her and tears off her clothing. Then he forcefully penetrates her. Dahlia screams for him to stop but refuses to use their safe word. She doubts she’ll survive this forceful sexual encounter, but she reminds herself she’s doing it for Violet. Then she realizes she’s aroused. When Kane finishes, Dahlia looks up and notices that a camera has been filming them.
After Kane leaves, Dahlia struggles to stand up and recover. A door opens, and Kane appears, congratulating Dahlia for surviving the physical test. The other Vencor members appear, too. Dahlia suddenly wonders if Kane is, in fact, her enemy. He puts a talon necklace around her neck.
Back at her dorm, Dahlia recovers after the events of the previous night. She’s worried about Kane and the Vencors but sends cheeky texts to him anyway. Later, she heads to Graystone General Hospital to see Violet. On the way, she remembers Violet being attacked and kidnapped by a strange man.
Dahlia has gotten help from the Graystone Hope Foundation to cover Violet’s treatment but is still desperate to avenge her. When she arrives at the hospital, Dahlia is horrified to see a shadowy figure standing over Violet’s bed. He jumps out the window before Dahlia sees his face. She tells the nurses, who insist no one was there, and Dahlia demands they check the security cameras.
At Violet’s bedside, Dahlia recalls the abuse she and Violet suffered from Martha and Gerald. One day, Violet insisted they run away. They found a place to live, and Violet took care of Dahlia. Now, Dahlia holds Violet’s hand, asking why she didn’t tell her she was in danger. The nurses enter to inform Dahlia that the hallway security cameras were disabled.
Kane attends hockey practice. Afterward, he and Preston discuss their concerns about Jude, who’s been too impulsive of late. The three have been best friends forever, but Kane often has to control the others to maintain order.
Dahlia shows up, interrupting them. Kane is overwhelmed by her beauty but doesn’t show it. She tells him she wants more insight into Vencor, and Kane threatens to have forceful sex with her again. Dahlia acts unfazed, determined to understand Vencor. He takes her into the woods and tells her to run, planning to apprehend and trap her later.
Dahlia meditates on what she knows about Vencor, which she found by reading Violet’s journals. She knows the four powerful families who founded and run the organization; they control the town, university, and hockey team, too.
At Kane’s invitation, Dahlia attends a party at Vencor members Gavin and Isabella Drayton’s house. The house is beautiful, but Dahlia is irritated by Isabella’s intimidation tactics. She circulates the party, trying to determine who might have been involved in Violet’s attack. She has been secretly collecting the hockey players’ DNA and testing it in the school lab against the DNA found under Violet’s fingernails.
She runs into Ryder Price and Declan Novak and wonders if they were involved. Then she finds Isabella, Kane, Gavin, Jude, Isabella, and Preston talking in a room and eavesdrops on them. Jude discovers her and yanks her inside. Kane insists that Jude let her go. Isabella gets jealous, but Kane demands that she and the others leave him and Dahlia alone.
Once they are alone, Kane demands to know why Dahlia hasn’t used the safe word yet. He grabs her and initiates sex. The encounter is forceful and painful, but Dahlia feels aroused again. After they orgasm, Kane licks the tears off Dahlia’s face.
The opening chapters of Beautiful Venom introduce Dahlia Thorne and Kane Davenport’s enemies-to-lovers romance. Set against the backdrop of Graystone University, the Vipers hockey team, and the Vencor secret society, the narrative alternates between Dahlia’s and Kane’s first-person points of view. While the romantic counterparts occupy the same physical sphere, they are from different backgrounds and worlds. Kane is from the wealthy, elite Davenport family, known for being “pioneers in a centuries-old trade business” and handling “an extensive imports and exports network” (103). Kane is also the hockey captain and a Senior Vencor member. His character and lifestyle are defined by power, control, and status. By way of contrast, Dahlia’s parents died when she was a child, and she was in and out of the foster care system throughout her upbringing. She has relied on her foster sister Violet for a nominal sense of stability and security but has largely had to make her own way in the world ever since. Her and Kane’s starkly contrasting backdrops immediately create conflict between them: Dahlia wants to penetrate Kane’s secret society and elite world, but she fears that she is no match for Kane. Despite her anxiety, Dahlia is determined to infiltrate Vencor to avenge her sister, her initial motivation to connect with Kane.
These details about Dahlia and Kane establish their status quo and ignite the novel’s explorations of The Value of Emotion in Intimate Power Dynamics. Although they are from different worlds and Dahlia knows he “isn’t on [her] side” (71), she can’t help feeling attracted to him—he is good-looking, charming, and in control. Kane similarly struggles to quash his attraction to Dahlia, despite his seeming disdain for her background and suspicions about her motives. His interest in her only grows after they begin having aggressive sexual encounters. These recurring scenes are defined by violence, dubious consent (dub-con), consensual non-consent (consensual non-con), and primal play. Beautiful Venom’s sex scenes delve into the conventions of the dark romance genre, sometimes straddling the line between rape and BDSM. The characters are inhabiting murky terrain, where reciprocity and communication are unclear. When Dahlia and Kane first have sex, for example, Dahlia is in a submissive, vulnerable position, and Kane is in a dominant position. Dahlia initially feels overpowered and upset by Kane’s aggression but soon discovers that she is in fact aroused by his sexual intensity. The blur between dub-con and sexual abuse conveys how an imbalance of power in intimate relationships might complicate the individual’s understanding of love. For both Dahlia and Kane, their initial sexual interactions are void of affection or personal connection. Kane initiates these encounters to intimidate Dahlia, while Dahlia goes along with them to gain access to Vencor and avenge her sister. At the same time, the characters’ reciprocal sexual arousal and pleasure during sex implies that there is more to their sexual enmity might soon evolve into a balanced and loving dynamic.
Narrative allusions to Dahlia’s childhood establish the novel’s theme of The Importance of Human Connection in Healing From Trauma. After Dahlia’s parents died, she spent the majority of her childhood in foster care, “mov[ing] from one abusive home to another” (21). Her attachment to Violet was born out of these traumatic circumstances. Dahlia didn’t have anyone she could rely on besides her foster sister. In the narrative present, she is desperate to avenge Violet because she needs to maintain their connection and retain some semblance of family. Dahlia’s entire sense of self is also dictated by the trials and abuse she has survived. These aspects of Dahlia’s storyline convey how childhood trauma can impact the individual’s psyche for years to come, developing the theme of Leaving the Past Behind to Embrace the Future. Dahlia is willing to endure intense pain and humiliation simply to find Violet’s attackers. She has been abused and degraded throughout her life and wants to prove her strength in the present. At the same time, Dahlia remains vulnerable. The way she responds to the projected footage of her parents’ deaths in the Vencor initiation conveys how much healing she still has to do. Years have passed since she lost her parents, but Dahlia has yet to fully grieve their deaths or to forgive herself, showing how firmly she is still rooted in her past.
As a college student, Dahlia is at a pivotal moment in her life defined by possibility, discovery, and change. Her time at Graystone University offers her the chance to confront her past, explore her identity on her own terms, and pursue a more realized sense of self. Her involvement with the Vipers, Vencor, and Kane begins her journey toward self-discovery. Dahlia knows where she comes from and how her origins have impacted her sense of self. At the same time, her network of new experiences promises to transform her in a myriad of unpredictable ways. The challenges she is facing in the narrative present foreshadow her personal evolution.



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