44 pages 1-hour read

Beauty and the Beast

Fiction | Novella | Middle Grade | Published in 1740

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Themes

Appearances Versus Reality

In Chapter 5, the merchant says, “Thou shouldst not take counsel from thine eyes alone” (91), meaning that what we see isn’t always the complete picture. Appearances play a significant role throughout Beauty and the Beast. The story’s tension for both the characters and plot relies on people or situations being different than they seem, and the characters must look past what’s obvious to understand what’s true. Through the specific appearances of the Beast/prince and Beauty, as well as the story arc, Beauty and the Beast explores how appearances can deceive.


The Beast and prince represent how appearances can literally hide the truth. The Beast’s ugliness is the result of a curse, and while he’s ugly on the outside, his personality doesn’t change with his looks. Before the curse, the prince was kind and handsome, and as the Beast, that kindness and handsomeness show through in how he treats Beauty. The Beast’s appearance is deceiving because the outward gruffness doesn’t match the softness beneath. In her dreams, Beauty sees the prince as he really is, but even this true appearance is deceiving. Based on her interactions with the Beast, Beauty doesn’t even consider that the two could be the same person because they seem nothing alike. The prince’s eloquence and caring deceive Beauty because she wants to be deceived. She wishes to have a tender, handsome man in her life, and the prince fulfills this desire, so she doesn’t look past the surface to what might be beneath. The prince’s attractiveness is as deceiving as the Beast’s ugliness, in another way.


While the Beast and prince show how appearances, attractive or not, can be deceiving, Beauty represents how appearances may not hide anything. Beauty is as lovely on the outside as she is on the inside, and everyone who meets her is swayed by her, including the prince’s mother—even though accepting Beauty goes against everything she believes about status. Beauty is the standard against which all other deceptions in the book are measured, and she represents the idea that while our eyes often deceive us, this is not always the case. The book heavily focuses on how appearances hide truths, but through Beauty’s character, Barbot De Villeneuve conveys that no advice applies in every situation. Our eyes may deceive us more often than not but sometimes show us the truth.


The characters aren’t the only appearances that deceive throughout the book. At the palace, Beauty encounters wonder after wonder, including people-like animals and magical objects. The final chapters reveal that the animals were fashioned by magic and invisible spirits that manifested to offer Beauty the comforts of royalty. The appearance of these creatures is an illusion, but that illusion is used to show something real: what Beauty might expect from a life in the castle. The backstory in the latter chapters is full of deceptions. The fairies lie to misrepresent themselves and their motives, each insisting that their actions are pure. The fairy who tells the events does so in a way that makes the actions of herself and Beauty’s mother seem noble, but if the story were told by either the fairy who cursed the prince or the fairy who was jealous of Beauty, the story would have been different. Either way, the tale is deceiving because it casts events in the framework of the teller. Since Beauty, the prince, and the others listening to the story weren’t there, they don’t know how events really occurred, so they must either believe the story or seek the truth about the appearance of the events.


Appearances may deceive us either because they are truly deceiving or because we wish to believe them. The characters and situations of Beauty and the Beast show how both outside and internal influences can trick us. Neither type of deception is more powerful, but they present different challenges. Ascertaining the truth about external deceptions is difficult because we must rely on the judgment of others. Deceptions that come from inside us offer all the information we need to see through them, but our own perceptions can be the most difficult to combat.

The Effects of Greed

The characters of Beauty and the Beast show greed in numerous ways. Whether to gain wealth, affection, or a personal result, greed influences the characters to act selfishly and be cruel to those around them. Through Beauty’s sisters, the Beast’s reaction to the merchant picking a rose, and the actions of the fairies, Beauty and the Beast examines how greed makes people act poorly.


Beauty’s sisters are an example of greed making someone bitter and angry. Before the merchant loses everything, Beauty’s sisters take their lifestyle for granted, using their money to make themselves desirable. When the merchant loses his wealth, the sisters become bitter because they can no longer live how they wish, and they treat Beauty cruelly because her happiness makes them even more angry. In the latter portion of Chapter 1, when Beauty’s sisters learn that the merchant’s wealth might be restored, they heap such expensive requests upon him “that the sum total of their father’s supposed fortune would not have been sufficient to satisfy them” (20). They don’t consider that their former status may not be reinstated. Their greed lets them see only a future where they may have all the things they want, and they ask for grand gifts because they don’t care how their desires affect others if they get what they want. Greed makes them selfish and jealous, emotions they don’t overcome by the end of the book.


The sisters make themselves miserable with their greed. By contrast, the fairies take out their bitter greediness on others. The fairy who wants to marry the prince desires the status such a union would give her; love isn’t mentioned. When she doesn’t get what she wants, she curses the prince to live as a Beast, setting complicated criteria to break the curse. Her greed makes the prince suffer but suffering itself isn’t enough. She wants him to feel hopeless, which is why she makes the terms of the curse so difficult to meet. Similarly, the fairy who imprisons Beauty’s mother wants something she doesn’t have—in this case, love. When she sees Beauty’s king-father, she falls in love and wants him because he’s attractive. Rather than seeing how Beauty’s mother could have loved the king, her greed makes her want what Beauty’s mother has. When she doesn’t get what she wants, she’s willing to destroy Beauty in the hope of forcing the king to love her, showing how her greed would have brought her to harm a defenseless baby.


While the sisters’ and fairies’ greed brings out their natural personalities, the Beast’s greed is out of character and shows how extreme circumstances influence us. When the merchant first picks a rose from the castle garden, the Beast’s reaction seems over-the-top. He sentences the merchant to death for the mere act of picking a flower, suggesting that the Beast is overly concerned with the appearance of his garden and that he doesn’t want others to possess the beauty of his rose bushes. As the story unfolds, we learn that the fairy instructed the Beast to threaten the merchant and make the deal that would bring Beauty to the palace. The Beast’s seemingly unreasonable demands become the source of his character arc. He’s so focused on breaking the curse that he loses sight of other things, such as how Beauty might view him for his treatment of the merchant. In Chapter 7, the prince explains how he held himself back from talking to Beauty in order to fulfill the terms of the curse, even though he wanted to tell her how he felt and impress her. Although the prince wanted Beauty for himself, his greed wasn’t greater than his desire to break the curse, showing that his earlier apparent greed was a ruse.


Greed takes many forms and may have various motivations. If left unchecked, it may lead us to harm others to get what we want. The Beast shows how a single greedy action needn’t define us. We may turn away from greed, but we must choose to do so. If we don’t, greed has the power to make us bitter and unfeeling versions of ourselves.

The Many Types of Captivity

The characters of Beauty and the Beast are held captive in several ways. Whether physically, emotionally, or mentally, captivity affects how the characters view themselves and their captors. Through Beauty’s physical and emotional captivity, the prince’s captivity within his own mind and body, and the imprisonment of Beauty’s mother, the novel explores the effects of feeling trapped.


Beauty is trapped both physically and emotionally by the Beast. Physically, she’s literally a prisoner in his castle, not allowed to leave without his permission. She accepts this fate because it’s the price of the merchant’s freedom, and as time passes, she comes to care for the Beast, even though he does little to earn her affection. Beauty exhibits symptoms of Stockholm Syndrome—a condition (named after a bank robbery incident in Stockholm, Sweden) wherein a captive person develops positive feelings for the captor. In Chapter 4, Beauty sees the prince and Beast in her dream together. The prince moves to stab the Beast, and Beauty begs him to stop because, as much as she loves the prince, she owes a debt of gratitude to the Beast and “this tender affection does not stifle my gratitude” (80). Beauty feels that she owes her happiness to the Beast, even though he keeps her in his castle. Beauty may genuinely feel that her experiences in the castle are good but given that she falls in love with the prince and wishes she could be with him wherever he is, it’s more likely that Beauty attributes the castle’s finery to the Beast and thinks she owes him for such niceties.


While the Beast imprisons Beauty, the Beast is imprisoned in his own body and mind. The curse has trapped the prince in a beast’s physical form, making him unable to leave the castle and appear in society. As a result, the trap of the beastly body physically imprisons the prince within his castle as well. The only escape he has from his beast form is Beauty’s dreams, where the fairy’s magic allows him to appear as himself. The prince is trapped in her dreams in a way, as he can’t leave them without sacrificing his human form. The prince may exhibit symptoms of Stockholm Syndrome too. He seems to fall in love with Beauty upon learning of her existence. Since she’s the means for him to gain his freedom from the trap of his beast form, Beauty is a type of jailer to the Beast—without her, he's doomed to remain trapped as a beast. The prince’s feelings for her may be a result of Stockholm Syndrome, but Beauty’s disposition and loveliness may cause the Beast to love her on sight, just as those who met her before found her lovely.


Beauty and the prince rely on each other to become free. By contrast, Beauty’s mother frees herself without help. She’s physically imprisoned by the fairies but never grows to see her captors in a positive way. To her, they’re just the ones who keep her away from her husband and child, and she’s determined to gain her freedom to find her way back to her family. At the end of the book, she gains freedom through undertaking trials to increase her power, and she arrives at the castle to complete the family she left behind. Given how she frees herself, Barbot De Villeneuve might have meant her to exemplify what a woman could achieve society gives them the chance.


The characters of Beauty and the Beast experience several types of captivity. No one type is more restrictive than another, and each poses individual challenges to finding freedom. Beauty’s mother suggests that the path to freedom is easier when we feel more wronged by our captors. Whereas she relies on herself to escape, Beauty and the prince require one another to gain their freedom, which makes the process complicated, suggesting that no one can earn freedom for us.

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