Before We Were Innocent

Ella Berman

58 pages 1-hour read

Ella Berman

Before We Were Innocent

Fiction | Novel | Adult | Published in 2023

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Chapters 46-61Chapter Summaries & Analyses

Chapter 46 Summary: “2009”

Back in Calabasas, Joni seems entirely unchanged, but Bess struggles. She hates leaving the house because of the bad publicity, and the only escape she can find is to take late-night walks through the neighborhood. Joni gets an internship at a media company and moves to New York. She thrives there and remains defiant in the face of the attention that she continues to receive about Evangeline’s case. After a few months at her internship, she is given a radio segment in which she dispenses advice. There, too, she does well. Bess becomes increasingly mortified by the negative press that the two continue to receive, but Joni addresses the rumors head-on and uses the attention to bolster her own burgeoning career.

Chapter 47 Summary: “2018”

Theo shows up at Joni’s. The girls never followed up on their promise to explain what happened the night Evangeline died, and now, years later, he wants answers. He accuses Joni of having made a career by capitalizing on his family name and spinning a false pretense of radical honesty. Joni is stunned. Over many glasses of wine, Bess and Joni explain the details of the events in Greece that occurred after he and his friends had left. Joni explains that there is nothing special about the night of Evangeline’s death and emphasizes that it was a tragic accident. Theo gets up to leave and tells Bess and Joni that he has a dinner planned to mark the 10-year anniversary of Evangeline’s death. Joni tells him that it is a nice idea, but she does not commit to attending.

Chapter 48 Summary: “2009”

Bess continues to unravel as Joni builds an increasingly large media platform in part by writing about Evangeline. Neither girl follows through with their college plans; Bess is too terrified of paparazzi to go to New York University, and Joni is offered a full-time position at Dollface in New York.


After Bess’s brother Steven loses his temper and screams at Bess that her continued inability to cope has the entire family walking on eggshells, Bess seeks Joni for comfort but does not find it, for Joni also thinks that Bess needs to pull herself together. The girls have a massive argument in which Bess blames Joni for insisting that they lie about Evangeline’s death and Joni accuses Bess of wallowing in self-pity. Bess screams that Joni only crafted the lie about both girls being present when Evangeline fell so that Bess would be indebted to her, and it becomes clear that the girls’ friendship is over.

Chapter 49 Summary: “2018”

Theo has left his car at Joni’s, and Bess puts on makeup to look marginally better when he returns for the vehicle. When he arrives, however, Joni does not tell Bess, and he is gone again before Bess becomes aware of his presence. She accuses Joni of deliberately trying to keep her and Theo apart, and Joni denies it. Later, Joni tells Bess that her book launch has been rescheduled for the 10-year anniversary of Evangeline’s death. There is to be a televised interview, and she would like Bess to participate. Bess is horror-struck that Joni continues to use the tragedy to bolster her career. Bess reassesses her assertion that the only lie Joni has ever told was the one that helped to cover up the true story of Evangeline’s death.

Chapter 50 Summary: “2018”

Steven and Bess arrange to meet and talk with Lucien, Willa’s secret boyfriend. Lucien tells them that Joni was violent and controlling and that he knew from the start that Willa’s relationship with her was doomed, as Willa was too willful to be Joni’s “housecat.” He also tells Bess that he was not with Willa on the night of her death. The entire police case against him hinges on a series of text messages that were supposedly sent between him and Willa that evening. He asserts that the messages were not from Willa herself and that they will never stand up in court.

Chapter 51 Summary: “2018”

The first message that Lucien had supposedly received from Willa asked him to meet at the beach. He did not think the text was really from her because it contained a heart emoji. (As a rule, Willa did not use emojis in her messages.) After hearing this, Steven and Bess are even more certain that Joni was involved in Willa’s death. Steven brings Bess to Joni’s house so that she can get her things and leave. There, Bess finds Willa’s phone buried in one of Joni’s bedroom drawers.

Chapter 52 Summary: “2018”

Bess is now staying with Steven and Nova. Initially, she refuses to leave her bedroom, but Steven tells her that her behavior resembles her teenage reaction to the tragedy in Greece and is unacceptable for an adult. Bess agrees, and the three share a tense dinner. Afterwards, Bess admits to Steven that she and Joni lied about what happened on the night of Evangeline’s death.

Chapter 53 Summary: “2018”

Bess shares the story with Steven, and his response is that it makes little sense for Joni to have placed them both at the scene of the crime. He shakes his head, beginning to put the truth together in his mind. He tells her that he always found it odd that Joni’s initial interview with the police contained so much more detail than Bess’s, as if Joni had seen more of what had happened. He asserts that Joni has never done anything selflessly and that there is no way she would have lied only to protect Bess. He pulls up the transcripts from their interviews and leaves Bess to read them.

Chapter 54 Summary: “2018”

Bess reads through both transcripts and is surprised by a key detail in Joni’s. Joni knew that Evangeline had taken off her sandals and was holding them while walking barefoot. There is no way that she could have known that if she had not been with Evangeline at the end, after Evangeline had left Bess. Steven has also noticed this detail. They both realize that Joni has been lying all along.

Chapter 55 Summary: “2018”

Bess returns to Joni’s and asks Joni if she had been the one to tell Evangeline about Bess’s plan to travel alone with Theo. Joni admits to this, saying that she knew the plan would end badly and would irrevocably alter their friendship. She claims that for this reason, she did her best to prevent their trip from happening. Joni also admits to being present at the moment when Evangeline fell from the cliff. Joni had run after her to make sure that Evangeline would not reveal that it was Joni, not Theo, who told her about Theo’s plans with Bess. Now, hearing Joni’s confession, Bess feels betrayal and rage. She accuses Joni of ruining her life and then building an entire career on helping similarly disempowered women. She asks about the night that Willa died, but Joni refuses to tell her the truth.

Chapter 56 Summary: “2018”

A detective comes to visit Bess at her home. Joni is missing. The detective does not think that Joni was responsible for Willa’s death and blames it on Lucien instead, explaining that neighbors saw Willa alive after a security camera captured Joni en route to Bess’s house. Bess is stunned, but she still wonders why Joni chose to involve her in all of the drama. She wishes that Joni would have left her alone.

Chapter 57 Summary: “2018”

Joni has been missing for a month. There have been various sightings, but none of them turned out to be Joni. Bess returns to Joni’s home in Malibu and finds her paddle board gone. Thinking back to Joni’s stated wish to disappear on a paddleboard in the ocean, she wonders if Joni has done just that. It strikes her that disappearing in a grand and dramatic fashion would have been a particularly “Joni” thing to do.

Chapter 58 Summary: “2018”

For the next few days, Bess is consumed by thoughts of Joni. The anniversary of Evangeline’s death is only three days away. While listening to MGMT’s “Time to Pretend,” Bess takes out a photograph of herself with Joni and Evangeline that was taken in Greece that she’d stolen from Joni’s house. She reflects on that summer and realizes that they were all to blame for their small disagreements. As she examines the photograph, she notices that there is another behind it in the frame. It is a candid, un-posed shot of the three girls in their hotel room in Mykonos. In this candid photograph, they more closely resemble who they really were. She wonders if Joni had walked away from her life out of a sense of guilt and she realizes she is finally ready to read Joni’s 2009 essay in Dollface.

Chapter 59 Summary: “2009”

In Joni’s book, she explains that the three girls spent a summer in Greece together, chasing past versions of themselves that they knew they were about to lose. She argues that they were all flawed and states that they were “perfectly imperfect women who hurt each other in all the most obvious ways, but who loved each other enough for a lifetime” (354). She tells her readers that Evangeline’s death was a great tragedy, but that she will not allow it to diminish her. She will tell the story again and again in hopes that it will help someone to hear it.

Chapter 60 Summary: “2018”

Bess is at Theo’s house for a celebration of Evangeline’s life. She realizes that Theo and his wife Sophia are complex, fully-formed humans, and she feels the power of the past slipping away. She tells Theo the truth about the night that Evangeline died and admits that their fight was not really about Theo, but about the changing nature of their own friendship.

Chapter 61 Summary: “2018”

Bess and Theo say their goodbyes, and Bess realizes that she, Joni, and Evangeline had once shared a complex, fragile, imperfect bond and had been complex, fragile, imperfect people. She feels alive for the first time in many years and acknowledges that she is ready to start telling her own story.

Chapters 46-61 Analysis

The final set of chapters becomes another study in contrasts as Berman returns to showcasing key differences between Bess and Joni, and this pattern pervades both timelines. When Bess and Joni return from Greece, Bess withdraws from the world, but Joni embraces it. Ten years later, it becomes increasingly clear to Bess that Joni is manipulative and motivated by self-interest, and she realizes that Joni’s persona of “radical honesty” is a complete fabrication.


Nowhere is Bess’s trauma more evident than in the section of the narrative that details her life in the months following the girls’ release from the Greek prison, for rather than embracing her freedom, Bess is afraid to leave the house and only goes outside late at night to wander the streets alone and remain relatively unobserved. Likewise, she fails to move on psychologically when she insists on poring over the negative press about herself and Joni, and her sense of shame deepens as she continues to internalize the terrible things that have been written about her. Thus, for Bess, the ugly realities of True Crime and Media Distortions become the most damaging aspect of the entire incident, for she is so inundated by these misrepresentations that she begins to embrace the idea that she is guilty and is a fundamentally bad human being. Significantly, this poisons the next 10 years of her life, and she will not shake these feelings until after Willa’s death; self-blame thus becomes a key part of her adult personality. Similarly, her decision not to attend NYU and her insistence on sticking with a low-stakes remote job reflect the long-term persistence of her trauma response, for she has devised ways to live in complete seclusion.


However, as a direct contrast to Bess’s shame and reticence, Joni emerges from prison defiant, and although she, too, chooses not to attend college, this is only because she is already building a career in media, ironically embracing the true crime and media distortion that has wreaked such havoc in her life. Her opportunistic approach to the incident in Greece reflects The Inauthenticity of Influencer Culture, for it is not long after she obtains an internship with Dollface, a media company in New York that she is given a radio segment in which she dispenses self-help advice and launches a full-fledged social media career. Unlike Bess, she soaks up all the attention she can get from the press, both positive and negative, and she uses this attention to talk about Evangeline’s death. Instead of hiding from public opinion, she reshapes it, presenting herself as not only a wronged woman, but a strong one; in this version, Joni has clawed her way up out of a terrible situation, and she wants everyone to believe that it is her heart’s desire to help other women find their own wells of strength and resilience. In this way, she capitalizes on her friend’s death to build her own empire, and she continues to capitalize on her teenage trauma well into her adulthood.


Because many of the dynamics in 2018 reflect those of the earlier timeline, Berman uses these later interactions to highlight the characters’ primary flaws. In several different ways, Bess and Joni revisit their teenage roles after Willa’s death. For example, Bess goes to stay with her brother and his wife to avoid being in the public eye, and she remains locked away from the world until Steven insists that she leave her bedroom. This scene implies that her response to trauma is avoidance, and because she has never truly gotten over the aftermath of Evangeline’s death, her instinct is to repeat the patterns through which she found some degree of comfort as a younger woman. Joni, too, repeats her own patterns, for she strategizes new ways to capitalize on the events in Greece by changing changes the date of her book launch to coincide with the anniversary of Evangeline’s death; she also agrees to do a televised interview in which she invites Bess to participate. Significantly, this invitation becomes a last straw for Bess, and she finally sees Joni for the manipulative and self-serving person that she is.


Joni is further characterized as an antagonist when Bess and Steven speak with Lucien, Willa’s secret boyfriend. From him, they learn that as an adult, Joni is still violent, that Willa and Joni had disagreements that devolved into physical fighting. They also learn that Joni is manipulative and controlling, and that there was much to her relationship with Willa that never made it onto their social media profiles. Once again, Berman finds ways to connect elements of the two disparate timelines, for upon talking to her brother and reading Joni’s account of the night that Evangeline died, Bess realizes that Joni was present when Evangeline died, and this discovery finally leads her to cast aside years of illusions and confront Joni directly about her many manipulations. Thus, even when the two characters are fully grown, their problematic interactions highlight The Complexities of Adolescent Female Friendships, for the details of their adolescent friendship have profoundly influenced the course of their lives.


Significantly, this final conversation between Joni and Bess reveals Joni’s long-standing insecurity as the true source of the events leading to Evangeline’s death. Because Joni was so terrified of losing Bess and Evangeline as friends, she told Evangeline about Bess’s plans with Theo, aiming to stop a potentially disastrous romance before it began. Although Joni’s goal was to save her friendship, the manipulative nature of her tactics did not take the feelings of either friend into account, and her insistence that she and Bess both claim to have been present when Evangeline fell implies that she is fully aware of her own culpability in the affair. This pattern is once again repeated in the 2018 timeline, for her disappearance not long after Bess’s confrontation can be interpreted as yet another misguided attempt to head off tragedy. Rather than enduring the world’s discovery that she is a liar and a fraud, Joni slips out of public view. Ironically, however, even in her last act can be read as a plea for attention. Although Joni emerges as a profoundly unsympathetic character, the narrative nonetheless emphasizes that she loved her friends fiercely and was motivated by a desire to preserve a version of their friendship. Ultimately, each of the three characters holds a mixture of positive and negative traits, and as Joni’s version states, their story is one of “three perfectly imperfect women who hurt each other in all the most obvious ways, but who loved each other enough for a lifetime” (354).

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