71 pages • 2-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Following the abolition of slavery, the trauma of enslavement still follows Sethe and Paul D as their relationship forces them both to remember the horrors of their pasts. This trauma persists in various hauntings—from the ghost possessing house 124 to the sudden appearance of Beloved. Each haunting reminds the formerly enslaved characters of the residual trauma they grapple with even long after slavery’s abolition. Both Sethe and Paul D struggle with their coping mechanisms at the start of the novel, moving between repression and silence.
For Sethe, her isolation from the townspeople has enabled her to avoid confronting the horrors of her past, particularly her violent actions toward her children. However, the temperamental ghost of 124 physically articulates the anger and pain that Sethe has repressed by shaking the house and tossing its furniture. The haint, the spirit of Sethe’s dead daughter, imbues the house with “baby’s venom” (3), and it is also a constant reminder of Sethe’s fear of being enslaved once again.
Paul D has coped with his enslavement and subsequent imprisonment by moving from place to place. House 124 is one of the first places he has settled in a while. His growing intimacy with Sethe, a woman he has desired since they were enslaved together at Sweet Home, compels him to speak about his traumas for the first time. However, the process of narrating his traumatic experiences is not easy, as he is practiced in keeping his past to himself. He has placed his feelings in a “tobacco tin buried in his chest where a red heart used to be” (86). Like Sethe, he has tried to desensitize himself to the severity and frequency of his traumatic experiences during his enslavement and imprisonment. The only viable way of coping he has had all these years is not to feel. Throughout the novel, Sethe and Paul D heal from their traumatic pasts and reconcile with their painful memories of enslavement.
Both before and after the abolition of slavery, white people enact control over Black people through the destruction of Black identity. The most violent example of this harm is the schoolteacher’s methods of controlling and punishing the enslaved Black people at Sweet Home. His cruel punishments include burning Sixo alive and whipping Sethe when she informs Mrs. Garner that his nephews raped her. He is able to justify his dehumanization of them by assigning white superiority over their Black identity. As an educator, he practices eugenics, a science rooted in biological racism, and studies the bodies and practices of his Black enslaved people, establishing ideas about Black inferiority. To the schoolteacher, the ownership and control of Black slaves is the same as taming animals. When he finds Sethe in the shed with her injured and murdered children, he does not express any emotion over the scene but rather calculates his own losses in labor and property value. He determines that Sethe has “gone wild” (176) as horses do when they reach their threshold for physical punishment.
Slavery’s psychic and physical harms also have a detrimental impact upon kinship among the Black townspeople in the novel. While Grandma Baby Suggs labors to produce a sense of community and healing for the townspeople, they betray her family by neglecting to inform her of the slave catchers’ arrival. While they have all benefitted from Grandma Baby Suggs’s words of wisdom over the years, they also grow increasingly jealous of her life when her family slowly rejoins her. Grandma Baby Suggs is so heartbroken by this betrayal from her Black community, combined with the many losses she suffered including Halle and Sethe’s eldest daughter, that she retreats from public life shortly after, eventually getting sick and passing away. To her, the betrayal is the fault of whiteness, leading her to proclaim, “There is no bad luck in the world but whitefolks” (105). The persistent influence of whiteness continues to disrupt Black kinship, even in a town of Black people who have the opportunity to protect one another.
While there are different forms of intimate relationships throughout the novel, the most prominent ones are between mothers and daughters. For Sethe, the trauma of motherhood begins with her own mother, who discarded every one of her children but Sethe. While Sethe cannot comprehend the meaning behind her mother’s actions when she is younger, she will go on to repeat her mother’s violent actions against her own children to prevent them from being captured into slavery. In both incidents, the mother permits the survival of one daughter who will live to either break the cycle of intergenerational trauma or sustain the pain for another generation.
For Sethe, this tension is exemplified through her two daughters, Denver and Beloved. Whereas Denver stands for the future of growth and healing from trauma, Beloved represents the inability to let go of the past. Denver grows from protecting Beloved to shielding her mother from her dead sister’s possession. Despite being afraid of her mother’s capacity for violence, Denver also realizes from witnessing Beloved’s possession that “if Sethe [doesn’t] wake up one morning and pick up a knife, Beloved might” (285). Denver witnesses her mother’s pain over time and understands Beloved’s possession for what it is. Meanwhile, Beloved’s possession represents an unwillingness to heal. Sethe nurses this possession by providing motherly love in excess, spoiling Beloved and feeding her own guilt over killing her child. Realizing this is not sustainable, Denver seeks outside help, disrupting the abusive pattern of mother and daughter relationships by being open to new forms of kinship that might heal them.



Unlock every key theme and why it matters
Get in-depth breakdowns of the book’s main ideas and how they connect and evolve.