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Tom Felton, the protagonist and subject of the autobiography Beyond the Wand is a British actor most commonly known for playing Draco Malfoy in the eight Harry Potter films, which were based on the series written by J. K. Rowling. Before appearing in the Harry Potter films, Felton was involved in a number of commercials, as well as the films The Borrowers (1997) and Anna and the King (1999). Since starring in the Harry Potter franchise, Felton has acted in a number of films and television series, most notably Rise of the Planet of the Apes (2011).
Felton grew up in Surrey, England. As an adult, he lived first in London, before relocating to Los Angeles in his pursuit of further acting opportunities. There, temporarily lured by the excesses of fame and fortune, Felton developed an addiction to alcohol and was admitted to rehab. Resentful of the intervention which led him there, Felton left the clinic, walking all the way back to Hollywood. Felton later checked himself into a different rehabilitation clinic, and looking back, he credits this time in his life, during which he sought extensive therapy, with helping him to reconnect with his values and priorities. Felton eventually moved back to North London, where he now lives with his dog, Willow, and pursues the acting roles that interest him.
Felton is the youngest of a family of four sons. His three older brothers frequently remind him throughout his childhood that he is the “runt of the pack” (8). Their teasing helps to keep him grounded while he struggles to navigate the surreal and privileged world of fame that the Harry Potter series has brought to his life. Each of Felton’s three brothers exerts a positive influence over the person that he becomes. Jink is a very “creative guy” who is involved in musicals and plays that Felton attends with the rest of his family; through this influence, Jink teaches Felton the “important and formative lesson” (9) that performing is a valuable and important outlet.
Chris shares his love of fishing with Felton. Tellingly, at his lowest moments in LA, Felton thinks longingly of the connectedness to nature and to himself that he feels when he fishes with Chris, and these reflections reveal that with Chris, Felton feels like a more authentic version of himself. During the filming of several Harry Potter movies, Chris also acts as a chaperone to Felton. In this capacity, Chris gives Felton direct control of the money allocated to keep the actors fed, clothed, and entertained; Felton is treated as an adult in this moment, and this is a formative element in his maturation.
Lastly, it is with Ash that Felton is first exposed to mental health conditions. Ash spends a lot of time in closed mental health wards, struggling with an undisclosed mental illness. Through Ash, Felton learns that “there is no light without shade” (14), and Felton’s own mental health struggles, which he experiences in his mid-twenties in Los Angeles, are alluded to here.
Felton credits his mother with much of his success. In his youth, his mother is not bothered by the fact that Felton “ping[s] from one enthusiasm to another” (14). She supports him but also “put[s] no undue pressure on [him] to stick with any one thing” (14). Felton is confident that his mother will support him regardless of the path he picks. She gets him an agent in London when he becomes interested in acting and accompanies him to America and then to Malaysia for his various filming projects. Felton is grateful for the time she has dedicated to support his growth as an actor. Toward the end of the autobiography, when Felton finds himself drifting away from his true values and path in Los Angeles, he reflects that he “misse[s] his mum” (248), which suggests that his mother is a touchstone of his core values: his humility, his kindness, and his love for his family and friends.
Emma Watson feels like a kindred spirit to Felton, and these sentiments are reciprocated. Their friendship does not begin well, for Felton is initially dismissive and haughty with the younger Emma when they first meet at the Harry Potter auditions. Later, Felton laughs at Watson’s dance routine, but he soon regrets this “thoughtlessness” (150) and immaturity in light of her significant struggles with life in the spotlight.
From that point on, Felton strives to be a supportive friend to Watson, and the two become extremely close. Watson, in a humorous anecdote delivered to Felton, describes her belief that she is a duck who is constantly told to cluck like a chicken; meeting Felton is the moment she finds “somebody else who quacked” (151), which allows Watson to declare, “I really am a duck!” (151). This humorous metaphor illustrates the nature of their friendship, for the two actors believe each other to be “kindred spirits” and feel comfortable being their most honest and authentic selves. The friendship is instrumental for both of them, in that they “help each other make sense of [them]selves and of [their] lives” (151).
Felton is reminded of Watson’s far greater struggles with celebrity when she visits him in Malibu, for they quickly attract the attention of crowds of people when they ride longboards down the boardwalk. Felton stresses the isolating nature of extreme celebrity and understands that stepping into public spaces is often incredibly overwhelming for Watson. Her celebrity status is also of a different nature because of the inherent sexism in Hollywood that causes her to be sexualized and judged for her appearance; this trend began when she was only a child, for she was “judged on her appearance” and “unfairly sexualized” from just nine years of age (147). Felton condemns these double standards that are leveled unfairly against his friend.



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