Black Hole

Charles Burns

59 pages 1-hour read

Charles Burns

Black Hole

Fiction | Graphic Novel/Book | Adult | Published in 2005

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Chapters 10-14Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of substance use, addiction, sexual content, sexual violence, graphic violence, illness, animal cruelty, bullying, emotional abuse, and death.

Chapter 10 Summary: “Windowpane”

Keith waits for his friends to pick him up. His parents are watching a TV movie and invite him to join them, but Keith leaves as soon as he hears Dee pull up to his house. Dee and Todd apologize for being late, explaining that they have used an LSD variant called Windowpane that induces comfortable feelings. They give Keith a unit of the drug to take, promising him that he will have a great time. Keith is nervous about the side effects kicking in, and his mood worsens when he learns that they are going to the house of a friend named Jill, which he expects will be boring. His friends urge him to cheer up.


As soon as Keith steps out of the car, he observes the deep blue of the evening sky, which makes the world feel different. Inside Jill’s house, everything is jarring and bright. Jill’s parents are away; the only other person there is Jill’s older sister, who makes Keith feel uncomfortable. The group is distracted when Jill serves them beer and Cheetos. Todd tells Jill’s sister about the drug they took, which makes her talk about her preference for Quaaludes. She says they help her to stop worrying. Just then, Jill picks up the phone, which upsets her sister, who is waiting on a call. When Jill’s sister gets her call later, Keith listens in on it. He is embarrassed when Jill’s sister acts cute around the person she is talking to. The conversation suddenly turns tense, and Jill’s sister agrees to meet the person she is talking to somewhere else. She urges Jill to keep the house orderly while she is away.


The group watches the same movie that Keith’s parents were watching on TV. Dee and Jill start kissing, which distracts Keith. They later leave for Jill’s bedroom and instruct Keith and Todd to let their other friends in when they arrive. Keith tells Todd that he wants to go elsewhere. Todd insists on waiting for their other friends, saying that the night will get better. When Keith protests, Todd scolds him for always ruining the mood. He blames Keith’s behavior on his obsession with Chris and urges him to let that crush go since it hasn’t gone anywhere, adding that Chris has the Bug anyway. Keith excuses himself to use the bathroom.


The harsh interior lights in the bathroom distract Keith. He is terrified to look at himself and hears Dee and Jill having sex in the room behind a painting on the wall. The painting reminds him of the time he saw Chris in her underwear and makes him wish that things had turned out differently. When he hears Dee refusing Jill’s request to slow down, Keith decides that it is time to leave. He passes Todd on the way out and sees that his skin has pulled away from his mouth, exposing his teeth. Todd’s laughter disturbs Keith.


Outside, Keith passes by Jill’s sister, who is crying in a car. Jill’s sister tells him to get away. Keith continues walking through town and becomes disturbed by the sight of store displays selling assorted trinkets. His perception of proportions grows distorted, and people look strangely at him. Keith runs down into the woods, hoping to find something that makes sense there. When he reaches the dirt road, it transforms into a piece of a large living organism. Keith believes that the organism is watching him and groaning. Keith’s internal monologue spills out into the gutters of the page, narrating his desire to escape the organism and the sounds of Dee and Jill having sex as he runs deeper into the woods. He eventually falls down and sees a horrible thing: a boy gagged and bound to the trees, much like in the drawing he saw in the bedroom at Burt’s house. This drives Keith to get control of his feelings, lest he risk losing himself.


Keith talks to himself aloud, indicating the need to leave the forest and return home. He comes across a severed arm, which he realizes is real rather than a drug-induced hallucination. The sight of the arm drains Keith of his willpower. He continues walking until he sees a campfire. It is being used by camp residents who have the Bug. Keith tells them about the arm and realizes that they are being nice to him, which he feels he must reciprocate by looking them in their faces. The camp residents encourage him to tell his story from the beginning, so Keith starts talking about how he used drugs earlier with his friends. Eventually, Keith reveals how overwhelming and wrong the night felt to him. He shares every detail he witnessed, from Jill’s weeping sister to the smell of the arm. When he is finished, Keith feels that he has emptied himself of his emotional burden. The camp residents acknowledge his experience and invite him to stay as long as it takes for him to feel better. Keith accepts their invitation and stays at the campfire.

Chapter 11 Summary: “Under Open Skies”

Instead of going to school, Rob and Chris drive out of town and take the ferry to reach the coast. Chris gets excited when she learns that it will be Rob’s first time going there, especially since she associates many happy childhood memories with the area. They descend to the beach and change into beachwear. Chris leads Rob to a large rock formation that she likes visiting. It is a stone arch that extends out of the water.


The couple runs to the rock so that they can let the waters cool their bodies afterward. Chris takes off her clothes and urges Rob to do the same. Though the cold makes Rob reluctant at first, he eventually becomes comfortable and tells Chris that he loves her. Chris asks him to be sure of what he is saying. Rob assures her that he is, stressing that he would never lie to her. Chris reciprocates his love and promises that she will love him forever.


After swimming, Rob and Chris eat and lie down on the beach. Chris wants the day to last forever but resigns herself to leaving the beach at sunset. They ascend to a nearby ridge and set their things down. They share a bottle of wine and kiss, which Chris experiences as more powerful now that they have acknowledged their love for each other. As night falls, Chris invites Rob to have sex. Chris extends the experience for as long as she can and then watches the night sky as Rob falls asleep. Rob’s second mouth starts talking, saying that it is impossible for things to work out. Chris panics and tries to wake Rob up.

Chapter 12 Summary: “The Woods”

Back at the camp, Chris smokes and reminisces about her day with Rob at the beach. The day after they arrived, dark clouds loomed over the water, making the beach feel different. They drove back home later that day, and Chris promised to call Rob soon. Once she got home, Chris was confronted by her mother, who had been informed that Chris was frequently skipping school. Chris’s mother demanded to know the truth about where she had been, suspecting that a boy was involved. When Chris refused to tell the truth, her mother grounded her indefinitely.


Chris informed Rob that her parents had scheduled an appointment with a gynecologist for later that week. Afraid that this would expose her illness to her family, Chris started planning to run away from home with Rob’s help. As the week went by, Chris struggled to act normally while taking stock of the life she was leaving behind. On the eve of the gynecologist appointment, Chris’s mother noticed that Chris looked unwell, but Chris shrugged it off as the strain of studying for her geometry finals. Chris called Rob to pick her up and then left a note to tell her parents that she was running away to California. Before she left, she told her little brother that she was stepping out. She hugged him and told him to be good, which confused him.


Rob took Chris to the park and led her to the camp. He introduced her to Dave, who remembered Chris from school. Chris tried to convince herself that she was going camping like she used to as a child. Dave and Rob helped her to set up her campsite. Dave invited Chris to join their community campfire, also called The Pit. After Dave left, Chris indicated that she was unlikely to join them because she just wanted to be with Rob.


In the present, Chris anticipates that Rob will arrive soon. She spends most of her days waiting for Rob to visit her. When she steps out of her tent, Chris hears someone nearby. She goes to investigate and finds a sculpture of doll parts bound to a tree by sticks and string. This makes her jumpy when Rob does arrive. She shows him the sculpture, which Rob recognizes as similar to other sculptures he has seen around the woods. He tells her not to worry. Chris is unsure whether she can live this way and asks Rob for reassurance.

Chapter 13 Summary: “Lizard Queen”

Toward the end of summer, Keith walks home with a popsicle and encounters the woman from Burt’s house sitting on her porch. The woman recognizes Keith and compliments his new haircut. Keith explains that he got one for his part-time job. The woman assumes Keith is there for drugs and tells him that Burt and his friends are away. She asks for a bite of Keith’s popsicle but accidentally breaks it, causing the house dog, Faust, to eat it. Keith learns that Faust broke his leg in a car accident caused by Burt and his friends’ neglect. The woman saved Faust’s life by taking him to the vet. She invites Keith to stay with her, offering him marijuana and apologizing for her moody behavior.


Keith follows the woman inside. The woman shares that she used to clean up after Burt and his friends as part of her residency deal, but now she is sick of them and wants to move elsewhere. The woman explains the meaning of the graffiti written on her door: Burt and his friends call her “Lizard Queen” to make fun of her tail. “Lizard” is also derived from her real name, Eliza. Keith is surprised to find that Eliza’s room has been emptied of its artwork. Eliza offloaded them in anticipation of her move, though she had also become sick of them.


Keith quietly rolls a marijuana joint for himself and Eliza. In the middle of smoking the joint, Eliza suddenly laughs. She explains that she is laughing at the absurdity of their feigned seriousness. She relitigates their last encounter and reminds Keith that he doesn’t have to stay if he doesn’t want to. Keith assures her that he wants to stay. They kiss, which makes Keith extremely aroused. Keith realizes how high he is when Eliza sits atop him. Though he knows he has the power to tell her to stop, he lets go of his inhibition and allows her to indulge his arousal. When she licks another joint that she is rolling, Keith ejaculates in his pants. He excuses himself to clean himself up.


In the bathroom, Keith looks at pornographic magazines that have been stacked on the toilet. He reflects on how poorly the environment at the house fits Eliza. Just then, he hears Burt and his friends arrive. One of Burt’s friends turns aggressive at the sight of Keith, refusing to hear his explanation of how they know each other. Burt gets his friend to back off, allowing Keith to return to Eliza, who is fully nude and bathed in red light.


Eliza gets Keith to lock the door. They share the joint that she is smoking. The sight and smell of Eliza’s body motivate Keith to take off his clothes. They have sex, initially with Eliza on top of Keith. She later invites him to go behind her, using her tail to caress him. Eliza tells Keith to grab her tail as their activity intensifies. Part of the tail snaps off, causing Keith to panic. Eliza reassures him that it will grow back. Afterward, Eliza continues to reassure Keith that it didn’t hurt to lose part of her tail. She tells him how much she enjoys being with someone again, thanks to him, and falls asleep. Keith is still holding the fragment of Eliza’s tail when he hears the sound of Burt, his friends, and Faust outside the room.

Chapter 14 Summary: “I’m Sorry”

Rob tells Chris that he needs to go home to avoid his mother’s suspicion, though he will return to bring her dinner. They reiterate their love for each other before they part ways.


As Rob navigates the woods, he bumps into the same person who was watching the camp residents and Keith’s friend group from afar. The man uses his pipe to beat Rob down and bash his face in. He explains that he was instructed to kill Rob. As Rob dies, his second mouth apologizes to Chris that things didn’t work out.


Chris calls out for Rob, believing that he is nearby.

Chapters 10-14 Analysis

Chris’s idyllic day with Rob at the beach is a major turning point in her narrative arc. The event places her in a position of stability. It suggests that the relief of normalcy is possible for a person who has the Bug, a point underscored by the symbolism of the rock arch. In earlier chapters where the arch appeared in Chris’s dreams, it was suggested that the arch was a threshold that separated Chris from the world she was afraid of entering. In Chapter 11, it is revealed that the arch is actually a favorite location of Chris’s childhood. Having gone to the arch many times in her youth, she associates it with the innocence of the camping trips she went on with her family. By bringing Rob to the arch, she renews its meaning in her life and revises what it stands for. No longer does the arch represent Chris’s attachment to a past world that excludes her. It now represents acceptance of her new circumstances, the best day of her life after she gets the Bug. It thus develops The Adolescent Fear of Change by showing that Chris can hold on to certain things from the past, renewing their meaning as she adapts to her new circumstances. The artwork and page layout underscore the cathartic nature of this moment. The panels depicting Chris and Rob’s swim are lighter than almost any others in the book, and Burns reinforces the effect by juxtaposing them with the relatively dark images of the couple’s drive. After several frames in which even the characters’ faces are mostly in shadow, a half-page frame depicting the view of the beach opens and lightens the sequence, suggesting newly expansive horizons.


However, Chris’s joy is quickly undermined by the transition in her living circumstances as she moves from her childhood home to the camp in the woods. What motivates Chris’s escape from home is her fear of being judged by her family. Indeed, when her mother suspects that Chris is involved with a boy, she already implicitly judges Rob as being a bad influence on Chris. Chris is afraid of her mother discovering that she made the decision to have sex on her own, which points to the standards Chris is expected to live by at home. As she takes stock of her past, Chris comments, “The hardest part was trying to decide what to bring with me…having to sift through all the junk I’d accumulated over the years…stupid little things that had seemed so important at the time” (193). This underscores the distance Chris feels from her past self, as well as the gap between how she sees herself and how her family sees her. The latter gap is exacerbated by the bias that she knows her family holds toward people like her. Chris’s decision to shed her past life in Chapter 12 underlines the symbolism of the prior image of her shedding her skin, a metamorphosis sparked not only by the Bug but also by The Violence of Stigmatization.


One of the crucial events that takes place at the rock arch is that Rob and Chris declare their love for each other. Chris asserts that her love will last forever, a declaration that is almost immediately undercut by Rob’s sudden death at the hands of the stranger who stalks the edges of the camp. This redirects the path of Chris’s character arc, asking how she can reclaim a sense of normalcy outside of her relationship with Rob. Once again, the artwork underscores the fork in the narrative. As Chris calls for Rob, Burns devotes half a page to a frame looking down at her from a vantage point above the treetops. From this perspective, she appears small and isolated, emphasizing that she must now make her way forward without Rob’s support.


The novel develops parallel ideas in Keith’s story as he finds comfort in the solidarity of the camp. The camp residents understand Keith’s dilemma because they know what it is like to live without a clear sense of direction. At the camp, the residents live from day to day with nothing to look forward to other than their gatherings at the Pit. On an emotional level, Keith identifies with the camp residents because he is afraid of losing his place in the social hierarchy at school. Chapter 1 showed how much he cared about looking masculine before Chris. In Chapter 10, he shares his discomfort with Todd, who rebukes him for souring the mood of the night. Now that he is attracted to Chris and Eliza, both of whom have the Bug, Keith is also afraid of what his friends would think of his desires. Keith is thus an outsider in many ways—someone who struggles, in particular, to conform to a traditionally masculine role.


The interplay of Keith’s anxieties and desires culminates in his reunion with Eliza. Their increased intimacy is the turning point in his relationship with an unsympathetic society, as he chooses to detach himself from restrictive social norms in favor of the person who consistently invites him to be vulnerable with her. The imagery surrounding their encounter reinforces that sense of vulnerability. The chapter begins with a full-page spread depicting the naked man gagged and bound to a tree as a lizard pauses on the trunk to look at him. The image inverts conventional sexual roles, positioning the man, who resembles Keith, as the object of the woman’s gaze and desire (as the lizard harkens to Eliza’s nickname). Meanwhile, both the broken popsicle and the broken tail evoke castration, once again suggesting that Keith and Eliza’s relationship disrupts traditional masculinity. Yet outside of momentary concern for Eliza, Keith does not experience the encounter as threatening. Moreover, the intimacy Keith shares with Eliza is in stark contrast to the dehumanizing way Eliza’s housemates treat her. Eliza’s mistreatment likewise resonates with Dee’s mistreatment of Jill when he ignores her discomfort while they are having sex. The contrast between Keith and his friends underscores Developing Healthy Attitudes Toward Sex and Intimacy as a theme. Keith’s understanding of sex is becoming more mature and complex; the fact that Burt and company do not recognize Keith symbolically suggests Keith’s peers’ failure to recognize these emotional changes going on within him.

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