Black Hole

Charles Burns

59 pages 1-hour read

Charles Burns

Black Hole

Fiction | Graphic Novel/Book | Adult | Published in 2005

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Themes

Content Warning: This section of the guide features discussion of sexual content, illness, gender discrimination, death, death by suicide, cursing, and bullying.

The Adolescent Fear of Change

Burns uses the mutations caused by the Bug to explore broader adolescent anxieties. The novel frames adolescence as a confusing and sometimes terrifying transition, marked by the loss of childhood innocence, shifting social dynamics, and unpredictable bodily changes. By highlighting the fear the teen characters feel and the ways they try to reckon with their new reality, Black Hole charts a way forward through the terror of change.


Chris’s storyline centers on her sudden new reality after contracting the Bug. She is ostracized by her peers but finds consolation in her relationship with Rob, who helps her to regain a sense of normalcy by making her feel loved. In tandem with these changing peer dynamics—broken friendships and new romances—she struggles to balance familial expectations with a shifting sense of self. Before she runs away from home in Chapter 12, Chris takes stock of the life she is leaving behind and feels the distance between her present self and her childhood self. While looking at an album that collects the awards she had won at school, Chris reflects that they are all “stupid little things that had seemed so important at one time” (193). Chris’s fear of her parents discovering the truth about who she has become—literally, someone with the Bug, but figuratively, someone who rebels against expectations by skipping school and having sex—sparks her decision to leave home. She wants her parents to remember her as a model child, but she can no longer be that child.


Even after leaving home, Chris continues to grapple with the realization that nothing is permanent. When Rob disappears from her life, Chris must find a new anchor to reinforce her sense of normalcy. She struggles with the terror of her new environment in the woods, briefly returns to her old life by re-engaging with her best friend, Marci, and even starts interacting with the other residents at the camp to find consolation in community. None of these things brings long-term comfort, however. Key to Chris’s relationship with Rob was her assertion that she could remain in love with him forever. As the novel closes, Chris acknowledges that even her memories of Rob are impermanent and that someday, she may lose him forever. Though Chris ultimately recognizes loss and change as features of adult life, her journey toward doing so is not straightforward, and her closing state of acceptance is tentative, emphasizing just how difficult the path to adulthood can be. 


Burns provides a parallel but more definitive resolution to Keith’s storyline by having him embrace change. Keith’s initial state is marked by listlessness; he is alienated by his friends’ violence but too fearful of change to distance himself from them, resulting in a lack of forward motion. By contrast, the novel’s conclusion sees Keith abandon his current life and job and run away with Eliza, who helps him connect with and pursue his real desires. Keith and Eliza’s story ends with the same declaration that marked the start of Chris and Rob’s relationship: They vow to love each other forever, regardless of circumstances. This suggests that it is possible to find stability even amid life’s ups and downs but that doing so is principally a matter of choice—a decision to abide by certain values even as external conditions change.

Developing Healthy Attitudes Toward Sex and Intimacy

The perception of the Bug as a sexually transmitted infection says less about the illness itself than it does about the way the novel’s characters perceive sex. In Chapter 17, Dave spits in the mouth of a bully to give him the Bug, suggesting that sex is not the only mode of transmission. Nevertheless, the characters consistently associate the Bug with sex, implicitly revealing that they view sex itself as suspect: dangerous and potentially “contaminating.” That this derogatory view of sex coincides with a great deal of sexual activity that truly is problematic, including rape, tacitly critiques the societal norms that have shaped the teen characters’ attitudes toward sex. In particular, the novel shows its characters grappling with gender norms that objectify women and discourage vulnerability in men, suggesting that these norms often impede the development of healthy sexuality.


Keith’s storyline tracks his evolution from unhealthy objectification to healthy intimacy. His initial crush on Chris ignores the reality of her life as a person with agency. He admires her for her beauty but does not have the courage to talk to her when they are paired up for a biology lab activity in the first chapter and thus knows little about her. When Keith learns about Chris’s illness through his friends, he becomes embarrassed, as if his crush failed to result in anything definitive (as evidenced by the fact that she had sex with someone else). When he finally talks to her and helps her to stop the bleeding from her cut, his thoughts reinforce his longing to possess Chris rather than understand her: “I’d been marked with her blood…she was going to be mine” (89). This reveals his perception of Chris as a sex object, someone who can satisfy his needs without requiring him to consider her own. 


Keith’s behavior is symptomatic of his social clique. In Chapter 10, Keith is alienated when he hears his friend Dee raping Jill by continuing to have sex with her after she expresses discomfort. Eliza has endured similar mistreatment, as Keith himself eventually learns. As his sympathy and desire for Eliza grow, he becomes more intimate with her, sharing his own vulnerabilities rather than adhering to the conventionally masculine role of dominance and possession. However, while Keith develops a more fulfilling and egalitarian understanding of sex, many of those around him do not. Dave in particular serves as a foil for both Keith and Rob, as he never transcends his obsession with possessing Chris. Dave ultimately acts on this frustration, resulting in violence against his peers and against himself. Dave thus becomes a cautionary tale about the dangers of entitled, aggressive male sexuality, which ultimately destroys even men themselves.

The Violence of Stigmatization

The fear and disgust that surround the Bug reveal its figurative function as an analog for social difference. For the novel’s teenage characters, fitting in feels particularly important, yet adolescent social mores are particularly unforgiving of behaviors and identities that deviate from whatever is perceived as normal. Burns uses the characters’ experiences with the Bug to explore the impact of this stigmatization. 


Because of the Bug’s association with sex, the stigmatized behavior in question is often sexual. For instance, during the kegger party in Chapter 4, Chris decides to go swimming with Rick Ames, who decides to strip down to the nude so that he can skinny dip. The partygoers laugh and cheer him on, but when Chris strips down to her underwear, they are stunned silent. Unbeknownst to Chris, she has inadvertently exposed the large gash on her back, revealing to them that she has the Bug. Because she isn’t aware of the gash, however, Chris thinks they are merely scandalized by her boldness. This incident underscores the double standard that Chris is held to as a young woman. Rick is celebrated for his actions, which tacitly ask onlookers to admire his sexual virility. The same crowd finds Chris’s body shameful, especially when it bears physical evidence of her sexual experience. This reaction speaks to the stigma that society attaches to women who utilize their agency to explore their sexuality. 


The response to the physical mutations that the Bug causes also evokes societal attitudes toward physical difference. The people who live at the camp are excluded from participating in society not because they pose any public health threat but because of the revulsion the community feels toward their physical appearance. Chris experiences this stigma on several occasions. In Chapter 9, Chris is compelled to leave a restaurant when her best friend, Marci, mocks a person who has the Bug as “disgusting.” Her desire to leave stems from the guilt she feels over recognizing the humanity of the person who has the Bug. She does not want to speak up against her best friend, yet she fears the judgment that Marci will show her if she confides her secret. 


Chris’s response also speaks to the novel’s interest in how stigmatization leads to internalized bias. When she later moves to the camp, Chris is reluctant to join the communal gatherings at the Pit, implicitly signaling her reluctance to identify with the other camp residents. This culminates in Chris’s dream in Chapter 3, where she views herself standing at the threshold of the world that the people with the Bug inhabit. The fact that she still views them as monsters informs the anguish she shows when she tears off her skin moments later. 


While Chris ultimately overcomes her self-loathing, not all the characters do. For Rick and Dave, the discrimination they experience after contracting the Bug is simply the latest iteration of the bullying and ostracism they have endured throughout their lives. In Chapter 2, for instance, Dee and Todd wreck the tent they find when they discover it belongs to Richard “Rick the Dick” Holstrom. When Keith asks them why they felt the need to destroy Rick’s things, Todd explains: “Cause he’s a fucking geek! He deserves to live out here!” (23). This plays into the motivations that drive Rick and Dave in the later parts of the novel. When Dave attacks the other customer at KFC, he is responding with the violence he has known all his life. When Dave dies in Chapter 17, he tells himself that he would have died sooner if he had been smarter, revealing his internalized self-loathing. The novel thus depicts stigmatization as fueling cycles of violence.

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