60 pages • 2-hour read
J. T. GeissingerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide contains depictions of graphic violence, sexual content, cursing, bullying, and illness or death.
Ronan confronts Maven about meeting their daughter. Maven refuses, reminding him he rejected her when she told him she was pregnant years ago. He argues he was only 17 and insists the child is as much his as hers. Maven threatens violence and refuses to discuss it. When he calls the child their daughter, she threatens to shoot him. Mr. Anderson interrupts and reveals his staff found Lorinda’s clothing outside an open window but not her body. He brings Maven and Ronan to the open window, but there are no footprints in the dirt below. The clothes are neat, and the shoes are placed next to each other. The security camera malfunctioned from six o’clock onward. Ronan gives Mr. Anderson until five o’clock to find Lorinda or face permanent shutdown.
At the casket, Maven discovers that the silver coins and pearl-handled knife are also gone. Ronan again demands to meet his daughter, but Maven claims that she miscarried after leaving Solstice 12 years ago. She also claims that Bea is nine, which would mean that she could not have been conceived when Maven was with Ronan. Maven goes on to assert that Bea’s father is Dr. Brett Lattman, a Los Angeles surgeon. She shows him a photo, noting Bea’s small size and green eyes. Ronan insists on meeting Bea, but Maven pulls away and leaves. At Blackthorn Manor, she notices a blood-red branch sprouting from the maple stump.
As a storm breaks, Maven leaves a voicemail for her boss, Luce, requesting time off. She calls her boyfriend, Ezra, and ends their relationship, reflecting that it is difficult for any man to love her because of the emotional damage that Ronan caused.
Finding the aunts and Bea lighting candles, Maven asks for bacon. When Davina lectures her about pigs suffering in slaughterhouses, Bea decides to become a vegetarian. Maven decides to walk in the rain despite Esme’s protests.
In town, everything is mostly the same as it was 12 years ago. She enters a Mexican restaurant and finds Ronan.
Ronan sits at Maven’s booth, and they trade insults. He asks if Lorinda had enemies, noting that townspeople were terrified of her and Maven. A hostess brings them both Cadillac margaritas, and Ronan recalls that she once poured one over his head.
Ronan says he wants her friendship. He tells her that she is the most fascinating woman he has ever met, then calls her weird for playing with bugs. (Maven became an entomologist specializing in butterflies because they represent transformation.) She resents the fact that Ronan arouses her.
When she tries to leave, Ronan says “please,” and his uncharacteristic vulnerability makes her stay. Maven remembers falling in love with Ronan even though he bullied her in school. Maven claims to be married, but Ronan calls her a liar. Ronan stays in Solstice to be near his family but works in Boston several days a week, traveling by helicopter. Maven says she is smarter than Ronan, devaluing his position by noting that he inherited his company and fortune. Ronan offers to answer questions about himself but gets irritated when Maven says that she does not want anything from him. His annoyance pleases Maven.
Maven needles Ronan by praising her supposed fiancé, Ezra, and contrasting his self-made success with Ronan’s inherited wealth. Ronan’s greatest insecurity is his family’s money, and Maven exploits it. She recalls when Ronan threw a caviar-covered blini that stuck to her forehead, but he claims he was aiming at someone who was harassing her and says that he always wanted to apologize.
Ronan asks about Lorinda’s cause of death. Noting that she seemed healthy days before her demise, he theorizes that she might have faked her own death. Maven explains that it is Blackthorn tradition to forgo autopsies and be buried in biodegradable coffins. Ronan realizes that Lorinda was not embalmed and reasons that after six days, an unpreserved body should show significant signs of decomposition. Realizing that her grandmother looked perfectly preserved at the viewing, Maven excuses herself.
She abruptly leaves, and Ronan pulls her to safety as a large chunk of concrete falls where she had been standing.
Maven tells Ronan to let go of her, noticing his worried expression turning to a smoldering gaze. She remembers a painful moment when he was dismissive after sex, then recalls the rejection she felt when she told him that she was pregnant. She pushes him away and drives home.
Maven calls Mr. Anderson, who explains Lorinda was refrigerated, preserving her body. Bea points to a red-and-black fox on a nearby bench, and Maven realizes that the fox is sitting on the same bench her grandmother used to frequent. The fox appears to smile, then vanishes. Maven warns Bea to stay away from wild animals. Getting ready for a nap, Bea removes her colored contact lenses, revealing the same pale, icy eye color as Ronan’s.
Ronan endures a tense Sunday dinner with his father, Elijah; his stepmother, Diana; and his 10-year-old half-brother, August. Elijah discusses seeing the Blackthorns at Lorinda’s viewing, and Ronan defends them. Elijah went to the viewing to confront Esme and Davina about hexing him. Ronan insults Diana, who argues with him and then leaves with August.
After they depart, Ronan thinks about Bea, whom he still believes is his daughter. Elijah questions Ronan about a new serum intended to cure a genetic disease that affects Croft males from adolescence onward. The serum is not yet effective, but they need to perfect it before August starts showing symptoms. Diana remains unaware of the disease. Ronan reflects that the disease drove his mother to die by suicide when he was 13, for which he blames his father.
As Ronan leaves, Elijah warns him to stay away from Maven, echoing the warnings he used to deliver every day during Ronan’s childhood. Ronan asks why his father has always specifically warned him against Maven, but Elijah dismisses the question. As Ronan leaves, he notices ravens watching him from a maple tree.
Maven has a nightmare of being burned at the stake as a witch by a man with pale blue eyes.
She wakes with a severe nosebleed. Downstairs, Q teaches Bea about the Fibonacci sequence, reminding Maven of her own education through the many books in Blackthorn Manor. The aunts announce that Anderson’s Funeral Home has been shut down by the state, which Maven knows was Ronan’s doing. They mention running into him at the grocery store, noting that he was suspiciously polite. (After going to Harvard, Ronan built his own home in Solstice, but he generally never acknowledges the Blackthorns.)
When Bea asks how Maven’s mother died, Maven says that her mother was found dead after an apparent fall from a church roof on Croft property. Police found wheelchair tracks in the snow but omitted them from the report when Elijah denied being there. (Granny’s recent death was caused by a fall down the stairs.)
Prompted by her encounter with the falling concrete, Maven asks about the Blackthorn ancestors’ deaths. The aunts describe various accidents; Great-Granny Cleda was trampled by a milk cart, Great-Aunt Tisi died in a car crash, and Great-Aunt Persephone drowned in her bathtub. Alarmed by the pattern, Maven resolves to investigate further at the courthouse but plans to visit Ronan’s house first.
Maven goes to Ronan’s ultra-modern house. He lets her in, and they trade insults as he shows her the sterile interior. Ronan’s appliances are needlessly complex, but he admits to buying them for their appearance. Maven sees Ronan’s laptop open to a webpage about Dr. Brett Lattman.
Ronan demands that she take her hair out of its braid, insisting it is too beautiful to be hidden and refusing to help until she complies. The tension becomes sexual as he moves close, touches her hair, and asks again to be friends. Maven’s arousal turns to rage, and she angrily threatens to kill him in his sleep. Amused, Ronan kisses her.
Stunned, Maven gives in to the kiss, but she reminds herself not to trust him, pushes away, and leaves.
At the county courthouse, she finds a long line of female ancestors who all died in bizarre accidents. Maven wonders if Elspeth died by suicide and does not understand why Elijah denied going to the scene of her death. The oldest record shows Megaera Blackthorn was executed for witchcraft. Birth records reveal that for over three centuries, Blackthorn women have only given birth to daughters. Marriage records show no Blackthorn has ever married.
Ronan calls, having obtained her number via software on his laptop, and demands that she come back to his house When Maven mentions his past cruelty, he delivers a sincere apology and claims he wants to be better with Maven. Maven reminds him that she is leaving soon, so he threatens to shut down the train station and roads with the Croft family’s influence. She calls him a villain, and he accuses her of pretending Bea is not his. He says they have unfinished business and hangs up. Maven blocks his number.
The atmosphere of uncertainty in these chapters reinforces the novel’s broader focus on The Unreliability of Memory and History, and this theme is further intensified by the contradictory details surrounding the mystery of Lorinda’s missing body. For example, the corpse vanishes from a locked room in an incident that is unrecorded due to a malfunctioning security camera, her clothes are left neatly folded, and the scene lacks any footprints. This initial event accentuates the aura of the supernatural and erodes the credibility of any physical evidence, suggesting that in the world of the novel, even the more tangible aspects of reality are subject to manipulation. This sense of unreliability extends to the two families' personal histories, as demonstrated when Maven and Ronan’s dialogue marks this topic as contested territory. Their conflicting recollections of past events, such as the blini incident and Ronan’s reaction to her pregnancy, suggests that both characters construct personalized narratives that validate their present pain and mistrust. This dynamic suggests that memory itself is an active process of interpretation. On a broader level, Maven’s historical research indicts the fallibility of even the most official records, for she uncovers a 300-year pattern of bizarre deaths and an exclusively female lineage that have been largely hidden from public awareness. These indicators of a carefully curated narrative force Maven to question the very foundations of recorded truth.
As the Blackthorn family history unfolds, fractured sense of the past is also intertwined with The Inextricable Link Between Desire and Past Trauma. Specifically, the author makes use of a specialized form of the enemies-to-lovers romance trope, as Maven’s interactions with Ronan are characterized by an oscillation between physical attraction and deep-seated rage arising from his past rejection of her. Notably, Maven’s internal conflict occurs because her simultaneous love and hate of Ronan are so deeply intertwined that she cannot separate one from the other. The narrative demonstrates this undercurrent by juxtaposing moments of witty banter and sexual tension with Maven’s memories of past hurt, as when she recalls his dismissiveness after their first teenage intimacies.
In light of this push-pull dynamic, Ronan’s kiss in Chapter 17 serves as both a moment of surrender and a catalyst for flight, making it clear that for Maven, intimacy with Ronan is inseparable from her memories of pain. However, that pain was only possible because of her underlying love for Ronan, and therefore, even her most painful memories remind her of their closeness in the past. This psychological complexity explores the links between trauma and desire, suggesting that in essence, Maven’s pretense of hatred for Ronan is only a front: a defense mechanism intended to protect herself from the kind of pain that Ronan once caused.
The characterization of Ezra sharpens the focus on Maven’s psychological state by presenting him as a contrast to Ronan. Ezra represents a life of stability and logic detached from the chaos of Maven’s past. However, she decisively rejects this possibility, reflecting that the emotional wounds Ronan inflicted upon her make it very difficult for any man to love her. This morose reflection reveals that Maven has built her own identity around her past trauma and is now robbing herself of the opportunity to forge a healthier relationship with someone else. Because Ronan represents the very past she claims to despise, their dynamic is predicated on conflict, power struggles, and a shared history of wounding each other. By ending her relationship with Ezra and immediately re-engaging with Ronan, Maven gives in to her attachment to the world that formed her. Notably, her choice relies predominantly on passion and attraction. With Ronan, Maven feels all emotions intensely, even if some of those feelings are negative, whereas Ezra does not evoke any strong feelings for her.
As these emotional themes play out, the narrative also employs subtler visual details to punctuate the supernatural and emotional undercurrents that haunt the family. To this end, the text employs symbolism by frequently invoking the color red to signify the presence of a violent and irrepressible life force. The “blood-red branch” sprouting from a dead tree stump represents a past that refuses to die and actively regenerates. This image of stubborn growth mirrors the resurgence of Maven’s feelings for Ronan and also hints at the reemergence of her family’s fraught history. Similarly, the red fox, which appears on Lorinda’s favorite bench and seems to smile at Maven, becomes an uncanny observer and represents a link to the family’s matriarchal power, suggesting a watchful intelligence connected to the Blackthorn women. Furthermore, the shared red hair of the Blackthorn women, which Maven tries to hide, hints at the continuation of Matriarchal Power as a Form of Resistance against an antagonistic force.
To further accentuate the deeper meaning of physical items and settings, the author solidifies the novel’s Gothic influences by emphasizing the architectural contrasts between Blackthorn Manor and Ronan’s house. In essence, these two edifices stand as physical manifestations of the characters’ opposing worlds; Ronan’s sterile, ultra-modern home is a place of cold, calculated power devoid of history, while Blackthorn Manor is ancient and alive with secrets related to the family’s alienation and rejection of conformity. Blackthorn Manor’s Gothic elements are further intensified by Maven’s nightmare of being burned at the stake, as this vision explicitly links her personal anxieties to the historical persecution of witches. Coupled with her discovery of Megaera Blackthorn’s execution for witchcraft, this dream repositions the family’s feud with the Crofts as a conflict with deep historical and supernatural roots, and Maven finally comes to perceive the past itself as a malevolent, living entity that is still actively reshaping the present.



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