66 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of death, death by suicide, ableism, substance use, and sexual content.
Beth wakes to light under the bedroom door and finds John at the dining room table, upset after his disappointing conversation with Detective Morris. John tells her that they can speak to Carla Mellin tomorrow if the police officer he’s tasked with finding her succeeds. Beth tells John that he should go to sleep. John pulls Beth to him and asks her if she knows how hard it is not to touch her. She reminds him that after kissing her the previous day, he drove away. John tells her that it was hard to drive away from her and says that sleeping together was always inevitable. Just as he starts touching her, his cell phone rings. John answers, expecting a man’s voice, but hears his daughter’s voice instead.
Gray tells Barker that John and Beth slipped away from the hotel. Barker wants to know who helped John, and he tells Gray to determine if John and Mitch are still friends. Gray suggests that they wait until John reappears. Barker suggests that Gray is afraid of John, offending Gray. Barker tells Gray that he got a warrant to arrest John for assault. Barker tells Gray that he wants Gray to locate John and dispose of him and Beth.
The next morning, John tells Beth that he has to go see his daughter, Molly, before they talk to Carla Mellin. John goes into the coffee shop with Molly. He can tell that she is not okay. Molly asks about who the woman in the car is, and he tells her that she works for Crisis Point and wants to speak with him about a case. John asks Molly what’s bothering her, and she tells him that she hates living with her mother and wants to live with him. John reminds her that the judge placed her in her mother’s custody. He tells her that she has to uphold her end of their bargain, and he’ll uphold his. John hugs her, and Molly goes to class.
John tells Beth that the divorce was contentious and that the judge would not grant joint custody. Molly did not want to stay with her mother, so she ran away. A year later, she ran away again. John made a deal with Molly that if she stopped trying to run away from her mother’s house, he would pay for an art conservatory in Manhattan. John expresses regret over his and Beth’s evening ending abruptly because of his daughter’s call. Then, a police officer’s helping John calls his burner phone and tells John that Barker issued a warrant for his arrest and had a closed-door meeting with Gray.
An unnamed man drives down a road he’s familiar with. He thinks about how the experience with Crissy Mellin was not quite right and feels “nothing except a powerful disdain for the young woman who had ruined the ceremony for him,” (213). In contrast, he feels remorse for Billy Oliver, but he dismisses it as out of his control. The man decides to focus on the future. He punches the code on the padlock, which is too fancy for the building. He’s installed brighter lights since the last time. He regretted that the setting was not more like a temple. The building was not soundproofed, but there was no one within a mile of the building.
The man found the unoccupied building accidentally, after taking a wrong turn. He took it over. The interior is 15 by 20 feet. He has a utility sink and surgical tools, which he’s sterilized many times. The upper shelf is empty, and he plans to put something special there. There are only two more days until the ceremony.
Carla Mellin relocated to a plain house in a middle-class neighborhood. Beth wants to approach first, thinking that she might be more welcome than John. John calls Mitch, and Mitch tells him that the police department called his office and asked for a call back. Carla agrees to see Beth and John, but she is unfriendly. She asks if they’ve found Crissy, and John says that they have not. John and Beth tell Carla about the blood-moon connection and the other missing women. Carla reiterates that Billy Oliver did not kill Crissy. He was socially awkward but harmless. Carla tells them that she needs to get to work, but Beth asks if Crissy was into astrology or anything with planetary movements. Carla tells John that he had his chance to help Crissy, but he didn’t. John tells her that he knows it’s too late for Crissy and Billy, but he wants to help someone else. Carla isn’t interested in John’s absolution and points out that the police were very proud of their false confession. John admits that he thinks Billy was bullied into writing the confession. Carla shocks him by stating that Billy didn’t write the confession at all because he was dyslexic.
Beth is dismayed to learn that Billy couldn’t read and write well. Carla states that he could get by, but he froze when stressed. Under the stress of an interrogation, he would not have been able to write the confession letter. John asks why he wasn’t told about Billy’s dyslexia, and Carla tells him that Billy’s grandmother, Gracie, told Barker, who acted like she was making it up to protect Billy. Carla tells them to leave.
John and Beth discuss the dyslexia and the false confession, but it would be impossible to prove since Billy was not diagnosed. John speculates that Carla could be in danger if Barker finds out that she knows about Billy’s dyslexia. Beth calls Max and leaves a voicemail. John leaves voicemails about Billy’s dyslexia for Morris, Couger, and Roberts. John wonders who could have planted the confession, and he decides that they need to speak to Isabel Sanchez, the person who discovered Billy’s body.
John calls Sanchez, and she tells him that she cannot talk to him because she has to protect her husband and kids. She tries to hang up, but he begs her to answer a few questions. She says that she has nothing to say about Billy and hangs up on him. John knows that someone issued her a warning because he’d never even mentioned Billy to her.
Barker asks Gray how Sanchez reacted to seeing him, and he says that she started crying. Gray is certain that Sanchez will be too frightened to speak to John. Gray reports that Mitch claims that he and John had a falling out over John’s binge drinking. Barker is skeptical.
John and Beth return to the fishing cabin. John calls Detective Morris, and she is appalled by what he tells her about Billy Oliver’s forged confession. They discuss the potential corruption in John’s former police department, and he shares that someone scared Isabel Sanchez. Morris learned from Patrick Dobbs that Larissa Whitmore had a red crescent-moon tattoo. The moon signified Luna, the Roman goddess of the moon. John and Beth interview Dr. Victor Wallace, a professor of the occult, and he knows about Luna because he gives lectures on the topic. He agrees to send his class registration list and a link to chat rooms interested in Luna to John and Beth.
John and Beth are comparing the interview lists with the list that Dr. Wallace sent when Sanchez calls.
Deputy Sanchez told her husband what happened, and he insisted that she call John. Sanchez admits that Frank Gray threatened her. Gray told her that John was fired and to steer clear of him or else she’d be the enemy of the entire police department. John asks her if she knew that Billy Oliver was dyslexic, and she did not. Sanchez agrees that he could not have written the confession not only because of the dyslexia but also because he did not have a writing utensil. Sanchez tells John that the camera on Billy’s cell went out, and she reported it and requested that he be moved. On the night when Billy died by suicide, he was taken by Gray for interrogation and came back vacant. John had told Barker that Billy was not capable of abducting Crissy, so Barker pulled him and Mitch off the case and gave it to Gray.
After ending the call with Sanchez, John is conflicted. Beth asks John if he regrets getting involved in the case again. He denies it. Beth calls Max again. Her assistant, Richard, answers Max’s phone, and Beth asks him why.
John worries that Gray and Barker could find his fishing camp. When John goes back inside, he finds Beth’s door still closed. He knocks, and Beth is crying. Richard told her that Max came into work and then died at his desk. John asks if there’s anything he can do, and she tells him to leave her alone.
John goes over the case file and calls Mitch. He asks him to have a contact who could look through the dark web relating to Luna. Dr. Wallace emails that he has something, so John calls him. Wallace noticed that each of the women’s names have double letters in them: Anna, Allison, Larissa, and Crissy. This would be important to a numerologist, who uses numbers and their relationship to letters to create a roadmap for one’s life. After John goes to bed, Beth comes to his room and apologizes for being rude. He pulls her into bed with him and holds her. They have sex.
The theme of Moral Responsibility Versus Career Loyalty reaches a peak in this section, primarily through John. His past silence haunts him, and he’s determined to bring the truth out at great personal risk. The conversation with Carla Mellin reveals further corruption with the investigation, as she reveals that Billy Oliver could not have written the confession. Furthering the corruption, when John reaches out to Isabel Sanchez, she is terrified to speak to him. Her decision to come forward after initial silence reflects the growing cracks in the wall of silence and demonstrates how courage is contagious. The willingness of secondary characters like Morris and Sanchez to engage with the truth amplifies the novel’s ethical core: that silence enables violence.
In contrast to John’s devotion to his moral responsibility to the truth, Barker becomes even more determined to dispose of John and Beth to hide the ways he bungled the Crissy Mellin case. Gray’s veiled warning about being double-crossed hints at a fracture in their alliance, suggesting that career loyalty has limits, especially when self-preservation is on the line. John’s calls with other law enforcement figures—Morris, Couger, and Roberts—signal a widening rift between those who protect the department’s image and those who uphold real justice. John’s willingness to risk further retaliation highlights his shift away from complicity and toward moral leadership. These revelations confirm a coordinated effort to conceal the truth and punish dissenters and foreshadow breaking points between characters who appear to work as teams.
The Lingering Effects of Trauma and the Search for Healing drive both John’s and Beth’s actions. The introduction of John’s daughter, Molly, in this section shows the scars that the implosion of his life after Crissy’s case left him and his family. Molly and John have a close but strained relationship; she has run away from her mother’s home twice. Though she returned to school after gentle coaxing from John, his unhappiness has affected his daughter insofar as she is unable to live with him. The call that interrupts John’s intimate moment with Beth deepens his emotional conflict, reminding him that no part of his life is truly secure or separate. The fishing cabin—a secluded place that he has long used as a retreat—becomes a symbolic refuge for both investigation and intimacy. It is the only location where John feels safe enough to let down his guard, a space that blends his desire for solitude with his growing emotional openness to Beth.
Max’s death in this section causes Beth profound grief because he was both her mentor and close confidante. Her immediate withdrawal is understandable because when her parents and sister died, she was left alone to grapple with her grief. Ultimately, she reaches out to John, and he comforts her. This emotional progression marks a turning point in their relationship. Their connection, once strained by distrust and professional distance, becomes physical and emotionally tender. Their mutual vulnerability reflects not only romantic attraction but also their shared need for solace in a world where justice feels precarious.
The blood moon shifts from being an important part of the case to becoming an inescapable deadline as it gets closer. The killer’s internal dialogue reveals his fixation on the blood moon as a ceremonial event, which further emphasizes its importance. The blood moon on Thursday elevates the suspense, and it becomes a race against time. The killer’s disdain for Crissy, paired with his remorse for Billy, reveals a disturbing moral hierarchy in his mind, one that favors compliance and ritual purity over humanity. His surgical preparations, sterile tools, and plans to enshrine a trophy all reveal a clinical obsession with perfection, echoing the ritualistic nature of the crimes.
The multiple perspectives in this section are crucial because the killer’s perspective reinforces the suspicions that Beth and John have—that the killer will abduct another girl on Thursday. His perspective also reveals his disdain for Crissy and his meticulous preparation for the next ceremony. Barker’s perspective also shows that while Beth and John are hunting the blood-moon killer, they are also being hunted by Barker and Gray. Importantly, these perspectives are not just plot devices; they reveal how different characters justify silence, violence, or action in morally fraught circumstances.
This section brings the narrative to a critical juncture, where personal reckoning collides with systemic failure. John and Beth’s pursuit of justice is no longer just a professional endeavor; it’s personal, moral, and deeply emotional. The revelations about Billy mark a turning point that forces buried truths into the light. As the blood moon approaches, the urgency of both the investigation and the emotional stakes intensifies. The novel underscores that silence and complicity are as dangerous as active wrongdoing and that healing requires both truth and courage. This section lays the foundation for the climax, where exposure, loss, and accountability will be unavoidable.



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