52 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of racism and gender discrimination.
Hair is a motif connected to The Inevitability of Prejudice Under Systemic Oppression; both Sciona and Thomil use their hair to signal their relationship to the conformity Tiranish society demands. Sciona and Thomil both have short hair; Sciona keeps her hair short to look more masculine, in the hopes that it will make her coworkers respect her, while Thomil keeps his hair short to match the norms expected of “civilized” Kwen men. In both cases, their personal preferences do not matter; rather, their appearance is a tool to urge others to treat them without prejudice.
The novel also shows how oppression exploits small differences to other marginalized groups. Although there is no explicit religious reason for it, Tiranish men keep their hair short to claim superiority and visual difference over Kwen men, who traditionally have long hair. Likewise, since Kwen people typically have red hair, this trait becomes demeaning shorthand for their ethnicity and is used to exclude and abuse them. Kwen people try to conform to resist dehumanization, but the very act of assimilating in this way dehumanizes them all over again.
The mural of the mages and magical history in Leon’s Hall symbolizes How Organized Religion Creates and Maintains Oppression. The mural depicts supposedly historical episodes, including the trial of the treasonous mage Sabernyn, and the power of the mage Stravos, who has both Tiranish and Kwen ancestry. Its depiction of these events highlights Tiranish societal and religious ideals, downplaying or outright leaving out inconvenient details that go against dogma.
During her exam, Sciona shatters the ceiling and destroys the mural, foreshadowing her role in Tiran—she will wreck everything the mages stand for and expose the truth behind the artfully created veneer.
Before Sciona activates her world-changing Freynan Mirrors, she notices that the mural has been repaired—now, with Stravos’s Kwen physical traits replaced with a more traditionally Tiranish appearance. This represents the slow erasure of the truths the mages don’t want to acknowledge—that one of the most powerful mages was a man with Kwen and Tiranish heritage and disabilities. The mural reflects the constructed false front of Tiran, which for Sciona needs to be completely destroyed to be repaired.
Tea represents the seductive appeal and danger of magic. One of the simplest spells is heating water, something Sciona constantly performs—she often drinks tea, and this spares her from the work of actually boiling a kettle. But once she discovers that all magic requires siphoning life, heating water magically disgusts her, as she recognizes that her convenience means inflicting harm and killing.
Tea is also a symbol of quiet manual labor. Sciona often asks Thomil to make her tea, assuming it to be an assistant’s duty and rarely thanking him for the effort. In contrast, an angry Carra brings her poorly made, cold tea to express her dislike. As Sciona’s character develops, she recognizes that tea is a language of love, and the effort needed to make it without magic can help her bond with Thomil and her own family. She takes the time to make Thomil tea. Tea thus represents the effort often ignored by those in positions of power, like the mages. Sciona’s assumptions about luxury must be overturned before she can finish her development as a character, since she must learn not to take anything for granted.



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