Bonds of Hercules

Jasmine Mas

69 pages 2-hour read

Jasmine Mas

Bonds of Hercules

Fiction | Novel | Adult | Published in 2025

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Background

Content Warning: This section of the guide includes discussion of child abuse.

Series Context: The Villains of Lore Series and the Spartan World

Bonds of Hercules is the second installment in Jasmine Mas’s Villains of Lore series, which is set in a futuristic, dystopian version of Sparta. In antiquity, Sparta was a prominent city-state and leading force of a unified Greek military. Though powerful, Sparta faced repeated internal revolts, as it enforced a strict hierarchy of upper-class Spartiates, free non-citizens, and people enslaved by the state, with very little social mobility between these classes. Spartan culture prioritized military might, with Spartiates focused entirely on training and physical development to prepare them for conflict. Mas’s novels play on this strict, militaristic culture. Additionally, there are myths describing how Sparta was ruled by the son of Zeus, but also how Spartans are descended from Heracles—the original name for Hercules—which relates to the antagonism between Zeus and Mas’s protagonist, Hercules (Alexis), in the novel.


Introduced in the first book, Blood of Hercules, this world is built on a rigid social and political hierarchy that divides society into two warring factions. The dominant faction consists of the eight Olympian Houses, such as the House of Zeus and the House of Hera, who rule over the four oppressed Chthonic Houses: Ares, Hades, Artemis, and Aphrodite. Olympian figures in classical mythology refer to celestial deities who would have lived above the Earth, such as on Mount Olympus, while Chthonic gods resided on or below the Earth (in the Underworld) and were often associated with the dead. This division is the primary source of conflict, shaping the laws, power structures, and personal relationships within the series.


The previous novel establishes the backstory for Alexis. Initially believing that she’s a powerless human, she discovers her true identity as Hercules, the lost heiress to the Chthonic House of Hades. This revelation thrusts her into the center of Spartan politics and forces her into a legally mandated marriage with Augustus, heir to the House of Ares, and Kharon, heir to the House of Artemis. Bonds of Hercules picks up in the aftermath of these events, exploring Alexis’s struggle to navigate her powerful new identity, her complex and involuntary relationships with her husbands, and the ever-present threat of political violence in the brutal Spartan society.

Literary Context: Modern Retellings of Greek Mythology

Bonds of Hercules joins a significant contemporary literary trend of reimagining Greek myths to explore modern themes. In the 21st century, authors have increasingly turned to classical mythology as a framework for examining issues such as trauma, identity, gender dynamics, and systemic power. This resurgence, popularized by a massive readership on social media platforms like TikTok, often focuses on giving voice to marginalized or villainized figures. For instance, Madeline Miller’s novel Circe (2018) reframes the story of the infamous sorceress through a feminist lens, portraying her as a survivor of patriarchal abuse who discovers her own power and autonomy. Similarly, Jennifer Saint’s Ariadne (2021) critiques the heroic male figures of mythology by centering the narrative on the women they betrayed.


Mas’s novel participates in this tradition by recasting the traditionally masculine hero Hercules as a woman, Alexis, who must contend with a legacy of violence and a brutal, oppressive society. Like other modern retellings, the novel uses mythological figures to explore complex psychological states. Alexis grapples with her identity, and the trauma of a violent childhood has left her with permanent physical and emotional scars. The novel uses the high-stakes, fantastical world of Sparta to amplify contemporary anxieties about power and survival, reflecting a broader literary interest in using ancient stories to understand the complexities of the present.


Mas builds on this literary trend while incorporating elements of the dark-romance subgenre, which deliberately explores controversial themes and transgressive relationships. Unlike conventional romance, which focuses on mutual affection and healthy partnerships, dark romance utilizes morally ambiguous protagonists, significant power imbalances, and situations involving dubious consent to examine the nature of love, control, and obsession. Common tropes include forced proximity, such as kidnapping or arranged marriages, and anti-heroic or villainous love interests, both of which appear in the novel. The genre, which has found a large audience on platforms like Amazon Kindle Unlimited, has strong roots in fanfiction, a connection that Mas acknowledges in the book’s dedication “to all the people who spend their nights reading fan fiction about relationships that make them wonder ‘Am I okay?’” (vii).

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