48 pages • 1-hour read
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Content Warning: This section contains graphic discussions of cannibalism, violence—including the suggestion of violence toward animals—as well as nonconsensual sexual advances and suicidal ideation.
The novel begins with a flashback centered on Penny Wilson, who is Maren Yearly’s babysitter. Though Maren is an infant, she manages to eat Penny when she comes too close to Maren’s face. When Maren’s mother, Janelle, comes home, Penny’s bones are in a pile, she has no face, and Maren’s face is bloody. Later, Janelle finds part of Penny’s eardrum in Maren’s mouth. They pack and leave within 12 minutes.
Years later, when Maren asks her mother what she did with Penny’s bones, her mother says there are some questions she’ll never answer. On May 30, Maren’s 16th birthday, Maren’s mother gives her a complete volume of The Lord of the Rings and takes her to an Italian restaurant. They talk about college and then watch Titanic at a movie theater.
In the morning, Maren finds a note from her mother saying that she loves her but can’t do it anymore. Maren is confused. It’s been six months since she did “the bad thing” (5). The note also says that her mother hates herself for birthing Maren, that she has to protect the world, and that she often considered turning Maren in.
The narrative looks backward again to when Maren is eight and attending summer camp after several uneventful years. She meets a boy named Luke, and he teaches her to float in the lake. “If this were anyone’s story but mine” (9), Maren believes, Luke would have been her childhood sweetheart. Luke leaves notes on her pillow, shows her how to eat cicada shells, and describes himself and his family.
One night he takes her into the woods, where he has crafted a red tent for them and prepared it with books and snacks inside. Maren grows hungry when she smells Luke. She eats him and goes back to camp after throwing her pajamas away. In the morning, the adults learn that a camper is missing. Campers are confined to their cabins, and a rumor spreads that Luke was murdered. As parents arrive to take their kids home, Maren’s mother asks her to tell her it isn’t true.
In the car, Janelle says that one day Maren will have to answer for the murder. That night, Maren’s ear hurts. Her mother comes in and asks what she’s chewing. Having just dreamt about a man stabbing her in the ear, Maren says that it might be her eardrum. Maren says that God is punishing her, but Janelle says there is no God.
Maren wakes later in the hospital. She learns that she almost went into foster care because a social worker named Donna thought Janelle was starving her. Maren answers Donna’s questions. When her mother takes her outside, the car is packed with their belongings.
Chapter 2 picks up in the present, the day after her mother abandons her. Maren’s mother leaves an envelope containing some money and her birth certificate. Maren doesn’t know much about her father, Francis Yearly, but her mother still wears a wedding ring. As far as Maren knows, he left after the incident involving Penny Wilson. She thinks her mother wants her to use the money to go to Sandhorn, Minnesota, to find her father. Instead, Maren wants to go see her grandparents, which should be where her mother is. She packs her books, as well as “other books, their books” (29), in addition to other mementos from her victims. She gets on a bus and buys a ticket to Edgartown, Pennsylvania, where her grandparents live.
Maren describes having two kinds of dreams about Luke, the boy from camp. In the first, she only hears his voice talking about his plans for the future. In the second, they’re in the tent in the forest, and Luke has red eyes. He doesn’t scare her, however, since she thinks she deserves whatever happens.
Maren recalls having asked her mother once if other people were like her. If so, she wouldn’t feel so alone, even if it wouldn’t make her feel better about what she does. She often reads at the library and realizes that she only identifies with creatures in fairy tales. She also fixates on a grim Francisco Goya painting, Saturn Devouring His Son, which depicts a titan devouring his child since a prophesy claimed that one of his children would overthrow him.
Maren reaches her grandparents’ neighborhood, and she waits until it’s dark. When she looks through the window, she sees Janelle serving dinner to Maren’s grandparents. Maren’s grandmother hugs her Janelle, and they cry. Then Maren’s mother smokes a cigarette, which she never does. Maren suddenly realizes what she has cost her mother.
Maren breaks into a car and sleeps. When she wakes up, she remembers an exchange with a boy named Stuart from sixth grade. Stuart looks over her shoulder when they are supposed to be researching termites. He tells her about certain spiders eating their mates, which is called “sexual cannibalism.” When she asks if other species do it, Stuart asks why she always wears black. Then he mentions that everyone thinks she is weird.
Maren knows that the boys who like her are weird. She usually lets them convince her to visit their rooms. The pattern always repeats itself. She eats them, hides whatever evidence she can, and then she and her mother move.
The narrative shifts back in time to Maren recalling the night she killed Jamie Gash. After Luke, Maren and Janelle moved to Baltimore, where her mother landed a good job at a law office. There are hints that she will get a promotion soon. Before a Christmas party at her boss’s house, Janelle begs Maren to “be good.” At the party, Maren reads on her own away from the adults. Then she meets Jamie, the son of the host. He asks her if she wants to see stars through his telescope. In his room, she sees various books, including several copies of the Choose Your Own Adventure stories.
Jamie is telling her the myth of the Pleiades, the daughters of Atlas, when Mrs. Gash interrupts them. They return to the party, but Jamie takes Maren downstairs as soon as he can. He exposes himself and asks to see her private parts, then tries to kiss her when she stalls. She eats him, puts his clothes in a bag, and stashes it in the corner. Upstairs, Janelle senses something is wrong. Mrs. Gash apologizes and assumes that Jamie upset Maren. They drive home without speaking and Maren knows her mother’s promotion is in jeopardy.
The chapter concludes with Maren describing the two types of hunger she learned about during that incident. One can be sated with normal food. She compares the other type of hunger to a great hole that can only be filled by the shape of a person.
Maren goes into an Acme grocery store. After she retrieves a can that an old woman drops, the woman—Mrs. Lydia Harmon—asks for help getting her groceries home. Maren is relieved to have something to do and gets on the bus with her. As the bus drives, Maren sees a man with a slashed ear watching as they pass. She thinks he’s smiling at her.
Mrs. Harmon has a cat named Puss. After she feeds him, she serves Maren breakfast. Maren looks at the Harmons’ wedding photo. They were married for 52 years, and Mrs. Harmon, now widowed, is 88. Maren realizes that Mrs. Harmon trusts her. In fact, she invites Maren to use the spare room while she naps. She promises to teach Maren to knit when she wakes up.
Maren sees a sculpture of a sphinx in the bedroom. On closer examination, she sees that it’s a trophy that Douglas Harmon won for an essay on human consciousness in June 1930. When Maren goes back to the living room, Mrs. Harmon has died peacefully on her couch. Not knowing what else to do, Maren takes two balls of yarn and some wooden knitting needles before going back to the room to sleep.
When she wakes, she finds the man with the slashed ear in the living room, eating Mrs. Harmon with his head buried in her stomach. Then he eats her fingers and legs, forcing Maren to confront how horrible she must look when she eats someone. When he finishes, he smiles at Maren and says that he never eats live people.
The man’s name is Sullivan, but he goes by Sully. He says that he knew what she was when he saw her from the sidewalk. He says they’ll always be on their own, and that every eater thinks they are the only one. Maren notices that his left index finger is mostly gone. He claims that someone bit it off in a fight. Then he shows her a long rope made from people’s hair. He finds it poetic to make something beautiful out of the people he eats.
Sully weaves Mrs. Harmon’s hair into the rope as he asks about Maren’s first victim. He says he ate his grandfather at age 14. Afterward, Sully lived outside for weeks, hunting game. After Maren tells him about Penny, he correctly guesses that she had located her mother in Edgartown but couldn’t reveal herself.
He tells her about island tribes of cannibals who think eating their relatives lets them absorb their strength and wisdom. Then he makes caramelized pears and eats Mrs. Harmon’s carrot cake. Sully says that his grandfather might have been an eater, which makes Maren wonder if it’s hereditary.
The phone rings and a woman named Carol leaves a message for “Aunt Liddy” (83). Maren says her dad might be an eater and that she wants to find him. They go to their beds, and Puss sleeps with her. In the morning, she finds a note from Sully. He says not to follow her parents and offers to let her stay with him. He also leaves a copy of RINGLING BROS. KEEPSAKE BOOK, a flip book that shows a trapeze act. Maren takes Mrs. Harmon’s locket with her and buys a ticket for the next bus, which is heading to St. Louis.
Camille DeAngelis opens the story in an unusual way. Maren describes killing Penny Wilson as a baby and eating everything but her bones. DeAngelis doesn’t describe the logistics of the killing, which makes it hard for the reader to picture how it could have happened. Regardless, any questions about what happened vanish when her mother sees what Maren has done. There are no helpful questions to ask, and nothing to make sense of it. Maren thinks, “There’s no point in thinking about these things when there’s nothing you can do to change any of it. What’s done is done” (3). This foreshadows Maren’s eventual acceptance of her urges, which occurs much later in the narrative.
To imagine what would have to happen for a baby to eat someone much larger is to picture some sort of monstrous transformation, uncanny strength, or movement. This vagueness introduces the theme of Monstrosity and Monsters. Maren does something that shouldn’t be possible. Like the monsters in the fairy tales she loves, Maren is something other, something that shouldn’t be real.
Janelle’s inability to cope with Maren’s monstrosity and eventual abandonment of her daughter introduces The Need for Connection and Understanding. The birthday Maren spends with Janelle is the last time Maren can sustain the illusion that they have a bond or that things might work out between them. She dwells on her abnormal behavior and what it means for her future. In the movie theater, she can forget for a while: “For three hours I lost myself in the story […] I was beautiful and brave, someone destined to love and to survive, to be happy and to remember. Real life held none of those things for me” (5). Maren is so sad and disillusioned that she doesn’t understand why she ever thought her mother would stay: “What was I expecting? Somebody like me could never be the good one” (32). When she finds Janelle, Maren is heartbroken to realize what her life has cost her:
I thought I’d understood how hard it was for my mother. I was sorry and I wished I could be different, but that wasn’t the same as understanding. I didn’t understand when she locked herself in the bathroom, didn’t understand when I saw the empty wine bottles lined up along the kitchen counter, didn’t understand when I heard her crying through the wall. Now I was beginning to (33).
Despite Maren’s empathy for her mother, Janelle is not able to offer Maren the same. These chapters define Maren’s lack of hope that she will ever receive the connection or understanding she craves.
DeAngelis uses Maren’s first interactions with Mrs. Harmon and Sully to accomplish several objectives. Mrs. Harmon may be the only adult in the story without a hint of malice, cynicism, or hidden danger. She is grateful for Maren’s help and generous with her home. She tells Maren, “The passage of time is the only thing we can be sure of in this world” (59), which Maren finds surprisingly comforting. No matter how uncertain things are, time is reliable.
Mrs. Harmon’s death shortly after Maren’s arrival serves to underline Maren’s fatalistic worldview. However, their brief time together sets up several events later in the story. The introduction of Puss foreshadows Sully’s return during the novel’s final act, when Mr. Harmon’s sphinx trophy will be Maren’s last defense against Sully. The locket with Mr. Harmon’s picture in it will also play a later role in Maren’s life when she kills Jason and abandons all hope of finding love.
Sully is not only the first fellow “eater” that Maren encounters in her life, but he ultimately serves as the novel’s villain. At first, he presents himself as a would-be mentor and a lone wolf. He tells Maren that eaters always have to be alone, but he also invites her to stay with him. Sully is cynical and nasty, the opposite of the elderly Mrs. Harmon. He says that life “[j]ust goes on and on, and no reason for it” (71). Nevertheless, he gives his own life meaning by tracking Maren, killing indiscriminately, and entertaining himself with the suffering of others. He shows one path that someone like Maren could follow as an eater. Soon, Maren will discover another option.



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