52 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of graphic violence, sexual assault, sexual content, and rape.
The afternoon before the wedding, Aria’s family moves into the Vitiello mansion in the Hamptons. She and Gianna share a bedroom. On the morning of the ceremony, their mother wakes them. Gianna jokes about protecting Aria from Luca, but their mother dismisses the notion.
As beauticians prepare the women, Aria is asked about Luca’s preference for her bikini wax; Gianna sarcastically suggests calling one of his “whores.” When Aria’s aunts arrive with the dress, they fuss over her appearance. Gianna observes male guests checking one gun each into plastic boxes, a symbolic gesture since men never carry fewer than two weapons. Aria reassures a frightened Lily that no violence will occur at the wedding because the families need each other’s support against the Bratva and the Taiwanese.
Gianna urges Aria to run, but Aria refuses, knowing it would trigger war between the Mafia families. Bibiana and Valentina arrive to discuss the wedding night. Bitterly, Bibiana advises Aria to give Luca whatever he wants; she also reveals that Grace Parker, one of Luca’s lovers and a senator’s daughter, is attending the wedding—news that devastates Aria.
During the ceremony, Aria walks the aisle with her father, who tells her to make the Outfit proud. She exchanges vows and rings with Luca, viewing her band as a symbol of ownership and a gilded cage, likening her situation to the mafia oath that one enters alive and leaves dead. Matteo notices her trembling.
At the reception, Luca urges Aria to smile. Bibiana counsels her to make him love her if she can. Grace approaches, hugs Aria, and taunts her with a crude warning. At the head table with both families and the Cavallaros, Aria barely eats despite Luca’s prompting. Matteo offers a suggestive toast, followed by speeches from both fathers. During the dances, Dante Cavallaro notes that Aria did not choose this marriage. Luca removes Aria’s garter with his teeth; Matteo catches it and chooses to dance with Lily, which makes Aria nervous. She wonders if her father would ever marry her sister to Luca’s brother. Luca notes that Matteo actually wants Gianna.
Aria flees to the beach, where Gianna finds her. Aria confides fears about marriage, being separated from her siblings, and moving to New York. Gianna insists men like Luca cannot love. Near midnight, a drunken Matteo leads guests in chanting for the couple to retire. A crowd follows as Luca leads a terrified Aria to the primary bedroom and closes the door.
Luca praises Aria’s beauty, but she is tense and afraid. She makes it clear that she does not want to have sex with him. Standing up to Luca is frightening because she knows that he could easily force himself on her, and she fears making him angry. Surprisingly, when Aria begins to cry, Luca cuts his own arm, bleeding into a glass and mixing it with water to stain the sheets. Luca explains that while he will delay consummation (and mislead others into thinking that he and Aria have already had sex), he is eventually going to provoke her desire. He also asserts possessive jealousy toward any man who might want her.
Once they get into bed, Aria continues weeping and trembling, which irritates Luca. To calm her, he puts her hand over his heart tattoo and swears a formal mafia oath not to touch or harm her that night. Knowing he will not break such an oath, Aria finally rests.
Aria wakes spooned by Luca. He warns that the women will soon arrive to collect the sheets and worries that her inability to lie could expose their secret and make him look weak. Aria promises loyalty, noting she has everything to gain by proving trustworthy. Luca explains that any sign of weakness could get him killed, even by his own family. Observing that she does not look properly kissed, he kisses her deeply.
The women of the family, led by Luca’s stepmother Nina, knock. Luca greets them in briefs, an erection visible for show. The women enter; his cousin Cosima helps Nina strip the bed while the others stare at Aria. Gianna bursts in, horrified by the spectacle and what she assumes is Luca’s brutality.
Aria pulls Gianna into the bathroom and reveals the truth: She is still a virgin, and the blood is Luca’s. She swears Gianna to secrecy. Later, Luca tells her that when he eventually claims her, he wants her writhing in pleasure, not fear.
Aria watches Luca dress and arm himself with multiple hidden weapons. Downstairs, the family gathers around the displayed sheets. Matteo comments, and Aria’s father hugs her, saying he is proud. Salvatore Vitiello expresses hope for grandchildren, but Luca deflects, explaining that for the time being, he needs to focus on threats from the Bratva and the Taiwanese.
The women offer Aria condescending advice about wedding nights. Lily and Fabiano sneak in; seeing the sheets, Fabiano loudly asks if someone was killed, making the men laugh. The sight makes Lily sick, and Aria rushes her to a bathroom. Romero helps Aria and Liliana but Aria tells him Lily has a crush on him, which is why she does not want him to see her ill. Gianna takes over caring for Lily.
Aria shares a tearful goodbye with her family, feeling a deep sense of loss. Luca approaches and tells her they must leave for New York. Aria gets into Luca’s Aston Martin, and they drive to New York in silence.
Aria and Luca arrive at his opulent penthouse, which has a private elevator serving only the top two floors. Luca explains that his housekeeper, Marianna, comes a few days each week. When Aria pointedly asks Marianna’s age, Luca counters by accusing her of jealousy. On the roof garden, Luca asks if Aria is contemplating a jump; she says she would never do that to Gianna, Lily, and Fabiano.
Luca invites her to dinner at his favorite Korean restaurant, which surprises and pleases her. The casual meal is warm, with Luca feeding her bites of food, giving her hope. Back at the penthouse, Aria initially enjoys it when Luca kisses and caresses her. However, she is put off when he uses crude language, and she tells him that she still does not want to have sex.
The next morning, Aria meets Marianna, who is kind to her. Over the following days, Luca is largely absent and curt. One night, he returns to bed and holds her in his sleep. Frustrated and lonely, Aria asks Romero to take her to a restaurant. When she returns, Luca’s cousin Cosima approaches her and slips Aria a note. The anonymous note instructs Aria to go to a specific address that night, without Romero, in order to see what Luca is really doing.
That evening, Aria takes a small gun from Luca’s drawer and convinces Romero to take her to dinner near the address. There, she tricks him by pretending to use the bathroom and slips away. At the apartment, she finds the door ajar and discovers Luca having sex with Grace Parker. Grace smiles triumphantly; Luca freezes when he spots Aria, who runs.
Aria escapes onto a subway train just as Luca and Romero reach the platform. She calls Gianna, explains what happened, then discards her phone. After wandering the city for hours, she returns to the penthouse near dawn. Luca storms in, furious. When she accuses him of cheating, he claims it is not cheating since their marriage is not real, and he cannot be expected to live like a monk when she will not sleep with him.
During an explosive argument, he pins her to the bed. She challenges him to rape her so she can truly hate him; he relents. Later, they talk more calmly. She explains the affair hurt because she hoped to build trust and intimacy before sleeping together. He describes his first sexual experience at 13, arranged by his father with sex workers. He apologizes for what she saw and proposes a clean start. Aria demands that he end all affairs if he ever wants a physical relationship with her. Luca promises to be faithful and touch only her from now on. She agrees not to make him wait months to consummate the marriage, and they fall asleep.
The wedding comprises both public and private components, both of which develop the theme of Duty and Honor as Mechanisms of Control. The ceremony is framed less as personal commitment than as political consolidation: Aria’s father instructs her to “Make me proud, make the Outfit proud” (70), positioning her marriage as an extension of organizational loyalty rather than individual choice. Aria internalizes the finality of this exchange by linking it to a mafia oath—“I enter alive and I will leave dead” (72)—which clarifies that “honor” functions as a binding contract with no legitimate exit. The same logic constrains Luca: he explicitly fears that any public sign of weakness could invite punishment from his own family. Within this structure, honor is a coercive system that disciplines both spouses through the threat of collective retaliation.
Even the consummation of the marriage is not left as a private act: Because of the ritual surrounding the bloody sheets, both Luca and Aria’s credibility are at stake due to ritual, surveillance, and reputational pressure. Luca is expected to prove his virility, while Aria is required to demonstrate her purity; if either of them fails to perform these gendered expectations, they risk social ostracism. The ritual of the bloody sheets contributes to the novel’s blood motif, formalizing the expectation that the marriage be consummated and displayed, turning privacy into proof. When Luca substitutes his own blood for Aria’s, he acknowledges the ritual’s demand—“They want blood. They get blood” (95)—but also begins to undermine notions of duty and honor. It is too dangerous for Aria and Luca to openly challenge the social expectations surrounding this ritual (by, for example, refusing to display the sheets or admitting they did not have sex), but they quietly subvert it. This decision binds them into a shared secret and opens the door to intimacy and trust. Sharing the secret knowledge that they did not have sex actually brings them closer than sexual consummation likely would have.
Luca’s willingness to forego consummation and participate in the deception reveals the theme of Individual Capacity for Both Brutality and Tenderness. He could have raped Aria on their wedding night, and even she concedes that he would not have faced consequences for doing so, reflecting that “for my father it wouldn't even be rape; Luca was my husband and my body was his to take whenever he wanted” (92). However, Luca does not dispute Aria’s right to control her own body, and he protects her reputation rather than shaming her for not complying with social expectations. Luca alludes to not only consent but pleasure, telling Aria that “[w]hen I claim your body, I want you writhing beneath me in pleasure and not fear” (116). He boldly predicts that Aria will eventually experience not only acceptance but desire within her marriage.
Luca’s character is complicated in these chapters as his gestures do not erase Luca’s capacity for cruelty; instead, they show that “tenderness” is conditional and often instrumental. That conditionality becomes explicit when Aria discovers him with Grace Parker, and he initially frames the affair as permissible because the marriage is “not real.” The contrast clarifies that although Luca will not engage in physical harm or outright violation toward Aria, he does not truly understand emotional accountability. As Aria’s feelings toward Luca begin to soften, potential harm shifts from physical threat to humiliation and destabilized trust. It becomes less likely that Luca will rape her or physically abuse her, but it does not seem promising that he will ever treat her with the genuine respect and care she desires. Aria’s distaste toward sexual consummation becomes less about physically fearing him than a sense of sadness about giving herself to a man who will never be able to love her.
Aria’s character arc continues in these chapters as well, as she begins to shift from passivity to agency in her new life, despite her fear. The move to Luca’s penthouse isolates Aria, physically placing her above the bustling city while cutting her off from family and familiar protections. She is entirely dependent on either Luca or his surrogate Romero. While marriage would seem to mark a transition from youth to adulthood, Aria remains suspended in a liminal state. Because of the patriarchal structures that govern life for women from Mafia families, control transfers from Aria’s father to her new husband. However, Aria’s character arc does progress when she stands up for herself and demands fidelity from Luca. This moment marks an instance where she asserts her own values, rather than inherited ones. Conventional beliefs would tell her to ignore her husband’s infidelity and treat it as inevitable, but Aria demands more. By doing so, she sets the stage for a newfound emotional intimacy to develop, as is evidenced when Luca confides in her about his first sexual experience.



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